The World in Solemn Stillness

painting of the Adoration of the shepherds
Image via Wikipedia

We’re watching, one more time, It’s a Wonderful Life. Clarence Oddbody, AS2 (Angel Second Class), aka Henry Travers, is showing George Bailey, aka James Stewart, how his hometown would look if George had never been born.

In a couple of minutes, George will learn that, because he never existed, his wife, Mary, aka Donna Reed, not only never married, but became a librarian. Judging from her granny glasses, frumpy hat, and bun, that’s a fate worse than death.

It’s a Wonderful Life isn’t my favorite Christmas movie. I prefer Miracle on 34th Street, in which Edmund Gwenn–whom I rank right up there with Henry Travers–is declared, in court, to be the real Santa Claus. No librarians were defamed in the making of that show.

Nevertheless, as soon as half the town crowds into the Bailey living room to pile money on the table, I start to cry. And I cry through the credits and the next three commercials. Even a not-favorite movie can stir emotions. Year after year after year.

Favorites aren’t easy for me. I don’t have a favorite novel or a favorite song or a favorite color. Or a favorite teacher, actor, or pet. I have multiple favorites. For me, those get-your-password questions–“What is your favorite television show?”–are useless. I never remember whether I said Andy Griffith or Law and Order or I’ll Fly Away.

I do, however, have a favorite Christmas carol: “It Came Upon the Midnight Clear.” The melody is lovely and singable, but it’s the words that move me. They speak of peace and quiet and rest for the weary, of heavenly song floating above earthly babble. They speak of both ancient tidings of peace to one small group of men, and a promise of the world in complete harmony.

But the lyrics also speak of the present, of stopping, and looking up, and seeing angels. They’re there now, and they’re singing.

We have only to be still and listen.

It came upon the midnight clear,
that glorious song of old,
from angels bending near the earth
to touch their harps of gold:
“Peace on the earth, good will to men,
from heaven’s all-gracious King.”
The world in solemn stillness lay,
to hear the angels sing.

Still through the cloven skies they come
with peaceful wings unfurled,
and still their heavenly music floats
o’er all the weary world;
above its sad and lowly plains,
they bend on hovering wing,
and ever o’er its Babel sounds
the blessed angels sing.

And ye, beneath life’s crushing load,
whose forms are bending low,
who toil along the climbing way
with painful steps and slow,
look now! for glad and golden hours
come swiftly on the wing.
O rest beside the weary road,
and hear the angels sing!

For lo! the days are hastening on,
by prophet seen of old,
when with the ever-circling years
shall come the time foretold
when peace shall over all the earth
its ancient splendors fling,
and the whole world send back the song
which now the angels sing.

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Image: Abraham Hondius [Public domain], via Wikimedia Commons, Adoration of the Shepherds, 1663

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Reposted from December 25, 2010.

“The saddest words…,” or, “Who cares?”

English: Monkeys Blogging Español: Simios blog...
Image via Wikipedia

We do not write because we want to; we write because we have to.—Somerset Maugham

After two days of letting A. A. Milne and Mark Twain do my thinking for me, I buckled down this evening and composed an essay about my experiences teaching high school English.

Actually, I wrote about half of a draft in which I said that all except three of my students hated writing, and that when I became a better teacher about a dozen showed slight enthusiasm for writing, and that after the library (to which I had fled in search of a job that would allow me to buy books with other people’s money) connected to the Internet and let students open e-mail accounts, those who had formerly resisted picking up a pen skipped lunch to park themselves at my computers and e-mail students sitting less than a foot away when they could have just turned their heads and spoken face-to-face.

Of course, I said that in shorter sentences, but a lot more of them.

I was planning to say that kids who’d been telling their composition teachers, “But I don’t have anything to say,” suddenly found plenty to say. I was going remark that the novelty of the technology contributed to the verbal onslaught. I was going to mention that the definite sense of aim, mode, and audience also promoted fluency.

I was going to expand the discussion from students with e-mail to adults with blogs. I was going to say that two weeks ago I joined the NaBloPoMo (National Blog Posting Month) network and, following its dictates, have posted on two blog sites every blessed day for thirteen days straight, even when I haven’t had anything worth saying.

I was going to say I’m running out of pictures of my cats, and there are only so many poses they’re willing to strike, and I’d prefer not be pigeonholed as a chronicler of cute.

I was going to say that more than 12,000 other people are blogging at NaBloPoMo–poetry, journals, photographs, devotionals, stories, recipes, a plethora of words, words, words. I was going to marvel at what appears to be a compulsion among people who, like my students (and I was going to admit I had once shared feeling), would once have found it difficult or foreign or unimaginable to put pen to paper.

I was going to wonder about this desire to create, to share, to vent, to communicate, to play, to do whatever we’re doing when we contribute to the sentences flooding cyberspace.

I was going to say that some people tat or make doilies or whittle, and we write.

Then I was going to draw a lesson, wise and well-phrased, from all the foregoing, and end with a nod to novelist Somerset Maugham, whose words precede mine on this page.

That’s what I said and what I was going to say.

Unfortunately, about three hundred words in, I touched an alien key and deleted everything except the HTML for font, and I couldn’t find the Undo icon because I’d composed on a new blog I’d set up on a rival blog site and hadn’t read all the instructions and found out I’d have to undo with a keystroke rather than an icon.

So now, instead of referring to Maugham, I shall end by paraphrasing Blaise Pascal, Mark Twain, T. S. Eliot, and any others to whom the line has been attributed, and say that this post would have been shorter but I didn’t have time.*

*It would have had better sentence structure, too. But it’s a lot less pompous, ponderous, and moralistic in this who-cares version.

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Reposted from Whiskertips, July 23, 2009

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Image by Julitofranco (Own work) [Public domain], via Wikimedia Commons