Political Poetic Parody: Sonnet #2

My second missed-the-deadline poem written for Nicholas Kristoff’s Trump poetry contest. Sonnet #1 appeared last week. For those who have forgotten, the reference to Stephen Dowling Bots is explained below the sonnet.

 

How do I love Trump? Let me count the ways.

Mental Block

How do I love Trump? Let me count the ways.
Uh… Well… Okay… I’m thinking… But I’ve got
A mental block… I’m sure I have forgot
A word, a speech, a gesture with some grace
Or beauty, decency; a turn of phrase
That doesn’t irritate or make a knot
Form in my gut; a tittle or a jot
That doesn’t jar or send my cheeks ablaze.
I’m sorry that he sets my teeth on edge.
I’m sorry that I do not love him lots.
I’m sad I wish he’d crawl into his shell,
Throw up the sash and climb out on a ledge,
Or, like the storied Stephen Dowling Bots,
Depart D. C. by falling down a well.

***

Thanks to Elizabeth Barrett Browning for “Sonnet #43.”

Thanks to Mark Twain for “Ode to Stephen Dowling Bots, Dec’d.”

 

ODE TO STEPHEN DOWLING BOTS, DEC’D

And did young Stephen sicken,
And did young Stephen die?
And did the sad hearts thicken,
And did the mourners cry?

No; such was not the fate of
Young Stephen Dowling Bots;
Though sad hearts round him thickened,
‘Twas not from sickness’ shots.

No whooping-cough did rack his frame,
Nor measles drear, with spots;
Not these impaired the sacred name
Of Stephen Dowling Bots.

Despised love struck not with woe
That head of curly knots,
Nor stomach troubles laid him low,
Young Stephen Dowling Bots.

O no. Then list with tearful eye,
Whilst I his fate do tell.
His soul did from this cold world fly,
By falling down a well.

They got him out and emptied him;
Alas it was too late;
His spirit was gone for to sport aloft
In the realms of the good and great.

~ by the late Emmeline Grangerford (aka Mark Twain, Huckleberry Finn)

***

Poetry: Huck Finn Praises Emmeline Grangerford’s Tribute to Stephen Dowling Bots

Mark Twain is given official credit for this poem, but it was really composed by Emmeline Grangerford, whose family Huckleberry Finn met on his Adventures down the Mississippi River.

Below, Huck quotes Emmeline’s tribute to Stephen Dowling Bots, who came to a watery end. He also records what happened to Emmeline, whose compulsive rhyming finally led to her sadful demise.
This young girl kept a scrap-book when she was alive, and used to paste obituaries and accidents and cases of patient suffering in it out of the Presbyterian Observer, and write poetry after them out of her own head. It was very good poetry. This is what she wrote about a boy by the name of Stephen Dowling Bots that fell down a well and was drownded:

 
Ode to Stephen Dowling Bots, Dec’d.
 
And did young Stephen sicken,
      And did young Stephen die?
And did the sad hearts thicken,
      And did the mourners cry?
*
No; such was not the fate of
      Young Stephen Dowling Bots;
Though sad hearts round him thickened,
      ‘Twas not from sickness’ shots.
*
No whooping-cough did rack his frame,
      Nor measles drear, with spots;
Not these impaired the sacred name
      Of Stephen Dowling Bots.
*
Despised love struck not with woe
      That head of curly knots,
Nor stomach troubles laid him low,
      Young Stephen Dowling Bots.
*
O no. Then list with tearful eye,
      Whilst I his fate do tell.
His soul did from this cold world fly,
      By falling down a well.
*
They got him out and emptied him;
      Alas it was too late;
His spirit was gone for to sport aloft
      In the realms of the good and great.

 
If Emmeline Grangerford could make poetry like that before she was fourteen, there ain’t no telling what she could a done by-and-by. Buck said she could rattle off poetry like nothing. She didn’t ever have to stop to think. He said she would slap down a line, and if she couldn’t find anything to rhyme with it she would just scratch it out and slap down another one, and go ahead. She warn’t particular, she could write about anything you choose to give her to write about, just so it was sadful. Every time a man died, or a woman died, or a child died, she would be on hand with her “tribute” before he was cold. She called them tributes. The neighbors said it was the doctor first, then Emmeline, then the undertaker- the undertaker never got in ahead of Emmeline but once, and then she hung fire on a rhyme the dead person’s name, which was Whistler. She warn’t ever the same, after that; she never complained, but she kind of pined away and did not live long.

###
Note: The stamp is German. Here’s a link to a Russian stamp honoring Mark Twain, if a buyer hasn’t already snapped it up.

“Use the right word . . . “: Mark Twain’s Mother

Mark Twain cared about words: Pa’s boot with a couple of his toes leaking out of the front end; the sow lying in the middle of the street looking as happy as if she was on salary; and Miss Watson, a tolerable slim old maid, with goggles on.

The difference between the almost right word and the right word,” he wrote, “is really a large matter – ’tis the difference between the lightning-bug and the lightning.

And, “Use the right word, not its second cousin.”

In his autobiography, he tells the story of a time his mother used the right words to teach him a lesson that lasted a lifetime.

Troy Cawley - www.flickr.comphotosthecawleys - 3827566489
Mark Twain Museum. By Troy Cawley via flickr. CC BY-NC-SA-2.0

There was, however, one small incident of my boyhood days which touched this matter, and it must have meant a good deal to me or it would not have stayed in my memory, clear and sharp, vivid and shadowless, all these slow-drifting years. We had a little slave boy whom we had hired from some one, there in Hannibal. He was from the Eastern Shore of Maryland, and had been brought away from his family and his friends, half way across the American continent, and sold. He was a cheery spirit, innocent and gentle, and the noisiest creature that ever was, perhaps. All day long he was singing, whistling, yelling, whooping, laughing – it was maddening, devastating, unendurable. At last, one day, I lost all my temper, and went raging to my mother, and said Sandy had been singing for an hour without a single break, and I couldn’t stand it, and wouldn’t she please shut him up. The tears came into her eyes, and her lip trembled, and she said something like this—

“Poor thing, when he sings, it shows that he is not remembering, and that comforts me; but when he is still, I am afraid he is thinking, and I cannot bear it. He will never see his mother again; if he can sing, I must not hinder it, but be thankful for it. If you were older, you would understand me; then that friendless child’s noise would make you glad.”

It was a simple speech, and made up of small words, but it went home, and Sandy’s noise was not a trouble to me any more. She never used large words, but she had a natural gift for making small ones do effective work. She lived to reach the neighborhood of ninety years, and was capable with her tongue to the last – especially when a meanness or an injustice roused her spirit.

From “Mark Twain on Slavery, How Religion Is Used to Justify Injustice, and What His Mother Taught Him About Compassion”