A Round of Words in 80 Days: Goals

Reveille, mascot of Texas A&M University
Image via Wikipedia

Another round of ROW80 begins today, and I’ve signed on. I would like to say I’m doing it because I was so successful the first time, but that would be overstatement bordering on a lie. In fact, it would be a lie. I became so tired of reporting that I couldn’t even remember my goals that I stopped reporting and just wrote whatever came to mind.

(Oh, joy. The Internet is down again and I must reboot the router. It’s okay. I get a lot of exercise walking across the room and toggling a little switch.)

Back to ROW80.

One of my CPs came across the following post on the blog Letters of Note. It’s a copy of a letter in which Pixar animator Austin Madison tells aspiring artists how to handle times of “creative drought.”

“In a word,” he writes, “PERSIST.”

So I dive into ROW80 once more because I’m persisting.

And because I want to. I discovered some interesting/entertaining/informative blogs during the first round, and I hope to discover more.

It’s also good to write in the company of others. Not to be accountable to them, but to share their energy. We’re all working toward the same thing.

Part of the ROW80 contract is a statement of goals. I’ll keep it simple.

  • During the next 80 days, I will spend a portion of every day WRITING. Not answering e-mails, not composing blog posts, not commenting on blogs. Not playing Bejeweled (I’m getting pretty good at it). I will WRITE (which includes revising, editing, organizing) something intended for submission, and not for self-publication. Five hundred words a day is a nice round number, and something to shoot for.
  • During the next 80 days, I will submit chapters to my critique groups. The other members haven’t threatened to kick me out if I don’t get back to writing, but they are beginning to look at me with a different expression. Sort of like the Aggies look at Reveille. As if they’re going to start giving me little head pats and perhaps a dog biscuit if sit quietly while they’re discussing their manuscripts.

My third goal is to eschew perfectionism, but I’ve been eschewing so competently that I don’t need to put it in writing.

I hope everyone reading this post will click over to Austin Madison’s letter. His ideas aren’t new, but they’re often forgotten. Sometimes we need to read them in new words, from new people, and we need to read them again and again.

*****

Image of Reveille by Patrick Boyd (cropped from [1]) [CC-BY-SA-2.0 (www.creativecommons.org/licenses/by-sa/2.0)], via Wikimedia Commons

Thank you for noticing.

For the past month and more, my writing has been on hold. There are two reasons for the lapse. First, I’ve been short on energy. Second, I’ve been afraid I don’t have what it takes to read a novel, much less write one. Fear played off lethargy. Lethargy played off fear. I played Bejeweled.

Bejeweled is not an activity that gives the subconscious mind freedom to explore and create. It’s an activity that requires no neural activity at all.

But I’m getting back on track. There are three reasons for that. First, my internist, who appears to believe I have a brain even when it feels like it’s made of cotton, diagnosed vitamin deficiencies and an electrolyte imbalance. He prescribed supplements. I’m taking them. Synaptic transmission is once more in progress.

Second, a few hours ago I received the judge’s critique from a manuscript contest I entered last February. The score is good. Very. Much better than I’d expected. The judge pointed out the positives, the negatives, and the watch-out-fors. He said that although it is “a fun and entertaining read,” I will need to find an agent who understands the South. I will also need to pitch it “in the tone of a Fannie Flagg novel.”

Fannie Flagg! Fannie Flagg’s name appears on my critique sheet! Twice! Not that the judge was comparing our writing, of course. He was just comparing pitches.

I don’t know how to pitch in the tone of a Fannie Flagg novel. But I don’t have anything to pitch yet either. There’s time to figure it out.

(I do a pretty decent impression of Fannie Flagg doing an impression of Ladybird Johnson: “Whenever I see a candy wrapper on the ground, I pick it up and give it to Lyndon….Lyndon collects candy wrappers.” I saw her perform that on the Garry Moore Show when I was thirteen. I suppose the material is dated, but then so am I.)

Enough of that. The point is, a good critique can do wonders. It’s like B12 for the spirit.

Which brings me to the third reason I’m writing, and the most important: someone noticed I wasn’t.

The knowledge that a reader is paying attention and registering my absence means a lot, especially when the going is as tough as it has been for the past couple of months.

Thanks, Susan Woodring, for noticing.