Eclipse 2024: The Pollyanna Version

When I pretend I’m gay
I never feel that way
I’m only painting the clouds with sunshine
When I hold back a tear
To make a smile appear
I’m only painting the clouds with sunshine

“Painting the Clouds with Sunshine,
Joe A. Burke and Al Dubin

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My husband says, “Start with the headline.” So.

Ailing Kathy Waller Watches Eclipse from Hotel Bedroom
but Claims Holding Back Tears Unnecessary, She’s Fine
          Hillsboro Partly Cloudy, Street Lights Kick On but That’s About It

That really is about it. Few blanks to fill in. I came down with something Saturday night, slept most of Sunday, drank Coke, watched NASA’s broadcast of the eclipse on TV (Mazatlan, Torreon, Kerrville, Dallas, Little Rock, Cleveland . . . ), drank more Coke, ate a few saltine crackers, slept most of Monday. Drove home Tuesday.

Total eclipse 2024, Dallas, TX, via NASA, viewed from hotel room, Hillsboro, TX

I didn’t wake with a song in my head Tuesday morning but on the drive was suddenly gifted with the one referenced above.

Published in 1929, the song “encourages listeners to embrace a mindset that seeks out the silver lining in every cloud, finding solace and joy in even the darkest of times.”

That description doesn’t reflect my feelings about my eclipse experience. In the first place, it wasn’t, metaphorically, “the darkest of times”; it was a little bug, a mild under-the-weatherness, a minor malady leading to a minor disappointment. In the second place, it wasn’t “the darkest of times” in reality either; every cloud in the partly cloudy sky had a silver lining. It didn’t get dark at all. That could have been a major disappointment, but frankly, my dears, I felt too ratty to care.

(Oh, all right, I admit to having a couple of evil thoughts at hearing people in Dallas, only 56.36 miles northeast of the room where I lay wallowing in my misery, whoop it up in pitch-black dark at midday. And I decided the Greeks might be right about weasels.)

OldTimemusic.com references Bing Crosby’s recording of “Painting the Clouds with Sunshine,” but I prefer Jean Goldkette’s version, vocal by Frank Munn, recorded in 1929. I like the music of that era. The arrangement is so bouncy that the singer couldn’t be near tears.

People watching from outdoor Eclipseboro–Eclipseboro Park, Main Street Eclipseboro, Cosmic Cowboy Eclipse Festival, Eclipse Carnival, Eclipseboro Landing, or Parking and Pancakes at First Methodist Church, for example–might have seen the moon move across the sun even if not in total darkness; I didn’t ask. I did snap a picture through the window during totality, but the flash sort of dulled the effect.

And that is the story of Kathy and David’s Excellent Eclipse Adventure 2024.

 

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Pollyanna. Hayley Mills. Pollyanna (movie). Pollyanna (clip from movie, 1960).

For women my age, “Pollyanna” needs no explanation. For the younger generation, there are the links. There are several movie adaptations, going back to a 1920 version starring Mary Pickford, but the only real, true Pollyanna was released by Disney in 1960.

The script writer said, “In the book, Pollyanna was so filled with happiness and light that I wanted to kick her. In the old days, she came on like Betty Hutton. Now, she is shy. We have an adult drag advice out of her. … instead of making her the ‘glad girl’ of the book, we’ve simmered her cheerfulness down to merely emphasize the things-could-be-worse attitude.”

Pollyanna and, a couple of years later, Disney’s The Parent Trap, made Hayley Mills the god of millions of American girls’ idolatry. It’s fashionable to sneer a bit (as I did in the title) at Pollyanna’s “glad girl” personality, but I saw the movie again, more than fifty years after seeing it the first time, and still liked it. The script writer did well, toning down Pollyanna’s robust and saccharine optimism, and making her a sweet little girl who’s taken her father’s philosophy to heart.

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Composer Joe Burke also wrote “Tiptoe Through the Tulips” and “Carolina Moon.”

Lyricist Al Durbin also wrote “We’re in the Money” and “September in the Rain.”

Just sayin’.

Day of the Dark Coming–Twice

The total solar eclipse–the first across the entire continental United States in ninety-nine years–will take place on August 21. David and I will view it from Kansas City, where the full eclipse will be visible. We have our eclipse glasses and hotel reservations and look forward to a jaw-dropping experience.*

Not to take anything away from the eclipse, but I’m more excited about an event scheduled for later this month–Wildside Press’ release of Kaye George’s crime fiction anthology DAY OF THE DARK: Stories of the Eclipse. The book has twenty-four stories, each centered around a solar eclipse.

The projected release date is July 21, but the book is available for pre-order now. An ad in Kings River Life also has a pre-order link.

Individual authors are donating royalties from DAY OF THE DARK to various organizations. Mine will go to the Texas Museum of Science and Technology in Cedar Park.

As a sneak peek, I’ll say that my story, “I’ll Be a Sunbeam,” concerns Marva Lu Urquhart, Kilburn County librarian, who set out to “put Mama out of her misery” in her debut story, “Hell on Wheels,” which appears in Austin Mystery Writers’ MURDER ON WHEELS: 11 Tales of Crime on the Move. If you’ve read that story, you know that when planning a murder, Marva Lu takes into account every eventuality–she thinks.

A number of online events are scheduled to celebrate the release. An interview with Kaye George, editor and contributor, will soon appear on Criminal Elements. Interviews with all the authors will appear on Writers Who Kill. Austin Mystery Writers will carry an interview with Laura Oles and me. For a complete list of events, as well as other information, see Travels with Kaye.

And, of course, watch this space.

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Read an excerpt from “I’ll Be a Sunbeam” here.

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Total Solar Eclipse
Total Solar Eclipse (Photo credit: Wikipedia) By E. Weiß (E. Weiß: “Bilderatlas der Sternenwelt”) [Public domain], via Wikimedia Commons
To see paths of future eclipses, click here. It looks like the one scheduled for 2024 won’t require travel. David and I will just step outside, pull up a couple of lawn chairs, and look up. Which is kind of a shame, because part of the excitement resides in getting out of town. But maybe Kaye will put together another anthology. That’s exciting. I’ll ask.

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*”Your jaw will drop when you first see the corona and witness totality.” I don’t doubt it.