Truth and Embroidery

As a beginning blogger, I wanted to be serious. I intended to write about the writing process, to quote famous authors, and to record my progress toward publication (or toward the satisfaction of having written). I wanted to write about Literature and Life.

Halfway through my first post, I discarded that notion. Once upon a time, I could tear apart novels and poems with the best of them, but as soon as they put that Master’s Degree in my hand, every scrap of every thought about literature leaked out of my head. And I didn’t want to work hard enough to get them back.

And my writing process is chaos, pure and simple. Chaos. Other people write books about how they write books. They say, This is the way to write a book, as if they know. But I don’t know.

So I write about life with a lower-case l. Life with a lower case l comprises cats, a mis-spent career in education, memories of my youth, my crazy family, and my general ineptitude. General ineptitude comprises such things as the time I dropped the remote control into the Jello instant pudding mix and milk that I was trying to beat into pudding.

For a while, I was reluctant to share stories of ineptitude. I envisioned applying for a job with a company whose personnel director googles me and learns more than is good for me.

But then I realized I wasn’t going to apply for anything, and if I did it wouldn’t be a job important enough to require a background check, so I said, What the heck, just tell it all.

I titled this blog Telling the Truth–Mainly because I admire Mark Twain as both a writer and a social critic, and because I thought the name appropriate.

I embroider some of the stories I tell; the embroidery relates to the Mainly.

But nearly every post begins with Truth, and most of them stick pretty close to it. The story about the remote and the pudding, for example, didn’t need any embroidery at all. I told the story exactly as it happened.

“Hell on Wheels,” the story about the librarian, which appears in the crime anthology Murder on Wheels, is not true. I didn’t find my mother pouring ground glass into lemon pie filling, and I didn’t plan to push her off a bluff. I was a librarian, but I didn’t take belly dancing lessons for years so I could fit into a bikini and spend the rest of my life on the beach in Aruba.

The completely true, entirely non-fiction story: I took three belly dancing classes because I once saw a belly dancer on the Tonight Show lie on the floor and roll a quarter over and over all the way down her torso, all that was open to public view, so the speak, and I thought it was really neat. I also liked the costumes. I had no illusions about ever replicating the act, but basic belly dancing looked like fun.

I stopped after the third lesson because I was so tired after working all day and then driving to Austin to attend class that gyrating around a room with a bunch of other middle-aged women was not doable.

I used belly dancing in the story to add verisimilitude, etc., etc., etc.

So. The librarian story was fiction, plus a few bits from lower-case l life, merely corroborative detail, intended to give artistic verisimilitude to an otherwise bald and unconvincing narrative.*

The question now arises: Is fiction ever true? Yes. But it’s complicated and I don’t want to discuss it.

I planned to end with a few comments on my writing process–not how I write, or how to write, but lessons I have learned from chaos.

But that will wait till next time.

*

*”Merely corroborative detail, intended to give artistic verisimilitude to an otherwise bald and unconvincing narrative” is a phrase written by W. S. Gilbert for the character Pooh-Bah in Gilbert and Sullivan’s The Mikado.
(The funniest play ever written, with music or without.)

*

photographs from morguefile

Day of the Dark Coming–Twice

The total solar eclipse–the first across the entire continental United States in ninety-nine years–will take place on August 21. David and I will view it from Kansas City, where the full eclipse will be visible. We have our eclipse glasses and hotel reservations and look forward to a jaw-dropping experience.*

Not to take anything away from the eclipse, but I’m more excited about an event scheduled for later this month–Wildside Press’ release of Kaye George’s crime fiction anthology DAY OF THE DARK: Stories of the Eclipse. The book has twenty-four stories, each centered around a solar eclipse.

The projected release date is July 21, but the book is available for pre-order now. An ad in Kings River Life also has a pre-order link.

Individual authors are donating royalties from DAY OF THE DARK to various organizations. Mine will go to the Texas Museum of Science and Technology in Cedar Park.

As a sneak peek, I’ll say that my story, “I’ll Be a Sunbeam,” concerns Marva Lu Urquhart, Kilburn County librarian, who set out to “put Mama out of her misery” in her debut story, “Hell on Wheels,” which appears in Austin Mystery Writers’ MURDER ON WHEELS: 11 Tales of Crime on the Move. If you’ve read that story, you know that when planning a murder, Marva Lu takes into account every eventuality–she thinks.

A number of online events are scheduled to celebrate the release. An interview with Kaye George, editor and contributor, will soon appear on Criminal Elements. Interviews with all the authors will appear on Writers Who Kill. Austin Mystery Writers will carry an interview with Laura Oles and me. For a complete list of events, as well as other information, see Travels with Kaye.

And, of course, watch this space.

***

Read an excerpt from “I’ll Be a Sunbeam” here.

***

 

Total Solar Eclipse
Total Solar Eclipse (Photo credit: Wikipedia) By E. Weiß (E. Weiß: “Bilderatlas der Sternenwelt”) [Public domain], via Wikimedia Commons
To see paths of future eclipses, click here. It looks like the one scheduled for 2024 won’t require travel. David and I will just step outside, pull up a couple of lawn chairs, and look up. Which is kind of a shame, because part of the excitement resides in getting out of town. But maybe Kaye will put together another anthology. That’s exciting. I’ll ask.

***

*”Your jaw will drop when you first see the corona and witness totality.” I don’t doubt it.

 

 

 

 

 

 

100-Word Story: You’ll Be Fine

PHOTO PROMPT © Fatima Fakier Deria

GENRE: One line of fiction. The rest is truth.
100 words

Dedicated to my dear cousin Mary Veazey, who said, “Let’s go on a cruise.”
I have almost forgiven her.

POETIC JUSTICE or, YOU’LL BE FINE

 

Beautiful . . . waves, sunset . . .

Deck chairs . . .

Two nights at sea, then—shopping in Can Cún.

Uh-uh. Swimming, sunbathing, siestas. Bar open yet?

#

Soooooo relaxing. Waves rocked me to sleep.

Hurry, let’s claim our chairs.

Breakfast?

Chairs. There’s pizza near the pool.

#

I’m queasy.

Wearing your patch?

Don’t have one.

Sit here. Sea air helps. ‘Bye.

#

Find a doctor.

You’ll be fine.

Move, or I’ll ruin your sneakers.

#

I’m going home . . .

You’ve had a shot of phenergan—you’ll be fine.

. . . if I have to swim.

#

Phenergan worked! I’m fine. Let’s shop till we drop.

. . . I’m queasy.

*****

For more stories by Friday Fictioneers, click the Frog:

That’s How the Smart Money Bets

Roaming around online, I happened upon the Damon Runyon Cancer Research Foundation.

And instead of thinking what a normal person would, I thought like a member of the Professional Organization of English Majors: Why Damon Runyon?

Runyon wrote the stories on which the musical Guys and Dolls was based. You remember–“A Bushel and a Peck,” “I’ve Never Been in Love Before,” “Luck Be a Lady”…

What did he have to do with cancer research?

Then it occurred to me the foundation might be named for someone else.

And that, although I’d assumed I was well informed, nearly everything I knew about Damon Runyon could be, and was, expressed in the third paragraph of this post.

So I headed for Wikipedia and discovered my original Why? was right on. They’re the same person. I learned a few other things as well:

Alfred Damon Runyan was born  in Kansas and grew up in Pueblo, Colorado, where he started in the newspaper trade. He is believed to have attended school only through the fourth grade. At one of the newspapers he worked for, the spelling of his last name was changed to Runyon, and he let the new spelling stand.

While covering spring training in Texas, he met Pancho Villa in a bar, and later he went on the American expedition into Mexico searching for Villa.

For years, he covered sports and general news for various Hearst publications and syndicates. His “knack for spotting the eccentric and the unusual, on the field or in the stands, is credited with revolutionizing the way baseball was covered.”

He was a “notorious gambler” and paraphrased Ecclesiastes: “The race is not always to the swift, nor the battle to the strong, but that’s how the smart money bets.”

He wrote stories celebrating Broadway life that grew out of the Prohibition era. The stories are “humorous and sentimental tales of gamblers, hustlers, actors, and gangsters, few of whom go by ‘square‘ names, preferring instead colorful monikers such as ‘Nathan Detroit’, ‘Benny Southstreet’, ‘Big Jule’, ‘Harry the Horse’, ‘Good Time Charley’, ‘Dave the Dude’, or ‘The Seldom Seen Kid’.”

The stories were carefully constructed, but their style made them distinctive. He avoided present tense with “an almost religious exactitude.” He created a special jargon for his characters to speak. He used slang, sometimes rhyming, reminiscent of cockney slang, as in the following passage from “Romance in the Roaring Forties”:

“Miss Missouri Martin makes the following crack one night to her: ‘Well, I do not see any Simple Simon on your lean and linger.’ This is Miss Missouri Martin’s way of saying she sees no diamond on Miss Billy Perry’s finger.”

Twenty of his stories were made into films, including Little Miss Marker, which launched Shirley Temple’s career, and which was the biggest film of 1934. It was remade as Sorrowful Jones (1949), 40 Pounds of Trouble (1962), and, again, Little Miss Marker (1980).

And now to answer my original Why?

When Runyon died of throat cancer in 1946, his friend Walter Winchell went on the radio and asked listeners to give to cancer research.

“Mr. and Mrs. United States! A very dear friend of mine – a great newspaperman, a great writer, and a very great guy – Damon Runyon, was killed this week by America’s Number Two killer – Cancer. It’s time we tried to do something to fight this terrible disease. We must fight back, and together we can do it. Won’t you send me a penny, a nickel, a dime, or a dollar? All of your money will go directly to the cancer fighters, in Damon Runyon’s name. There will be no expenses of any kind deducted.”[

“The organization gained more visibility in 1949 when Milton Berle, a long-time friend of both Runyon and Winchell, hosted the first-ever telethon, raising $1.1 million for the foundation over 16 hours. In its first three decades, the foundation was a popular cause among celebrities from Hollywood to Broadway and the sports world. Marlene Dietrich, Bob Hope, Marilyn Monroe, Joe DiMaggio, and many of their contemporaries served as supporters and board members.”

Today the Damon Runyon Cancer Research Foundation “identifies scientists with the highest potential to revolutionize how we prevent, diagnose, and treat all forms of cancer.”
It supports promising young researchers, who are typically unlikely to receive government funding until they’re past forty. Scientists study all types of cancer at the molecular and genetic levels, and not according to the organs in which they are found.
Fundraising events include the Runyon 5K at Yankee Stadium, the William Raveis Walk + Ride, theater benefits, and an annual breakfast. In the Runyon Up, participants run up the 72 flights of stairs in World Trade Center 4. The Foundation accepts memorial gifts and encourages friends to like it on Facebook and Twitter. Donors can sponsor the research of a current scientist.
Since 1946, Damon Runyon Cancer Research Foundation has invested more than $300 million and funded research by over 3,500 scientists. 100% of donations go to research.
Among the latest  “New Discoveries,” the website lists the following articles:
The Foundation describes its mission this way:
“Unlike other cancer charities, we do not place safe bets on well-known, established scientists. We seek emerging talent with bold innovative ideas, the rising stars of cancer research who are willing to take risks and are not daunted by the most complex scientific challenges.”
Damon Runyon gambled. Obviously, so does the foundation bearing his name. And obviously, it’s very good at it.
The odds are, Runyon would say, “That’s the way the smart money bets.”

Brazos Writers’ Women and Crime: Facts, Projected Details, and a Streak of Luck

Just the Facts, Ma’am:

 Gale Albright and Kathy Waller spent a pleasant and productive day at  Brazos Writers’ Women and Crime workshop, held at the Southwood Community Center in College Station, Texas.

Speakers included

  • Mary Ringo, private investigator at Gumshoe Investigative Services, on Life as a PI;
  • Courtney Head, DNA Analyst at the Houston Forensic Science Center, on Life in the Houston Forensic Science Center; and
  • Lesley Hicks, Lieutenant, College Station Police Department, on Life in the PD.

A panel of authors–

discussed How to Create a Strong Female Detective, Professional or Amateur.

Over lunch, Mark Troy, author of The Splintered Paddle, hosted a Jeopardy! Style Game about Women and Crime. Players in the final round received copies of mysteries written by women.

At the end of the day, a reception was held during which guests mingled and authors signed books.

So much for the bare facts.

Presentations were excellent–imagine a surveillance operation that involves wading through sewage, hiding in tall grass, and feeding crackers to an enormous, foul-smelling dog who refuses to leave your side, while you’re trying to get pictures of people you wouldn’t want to meet in a dark alley–and details will appear in the near future.

Some will probably show up at Gale Albright’s Crime Ladies blog.

Gale might also tell how she wiped out the competition in the lunchtime Women and Crime game, and how she managed to snatch a door prize from the hands of the writer sitting next to her, whose ticket was only one digit off.

Said writer will tamp down her resentment and allow Gale to ride back home with her today. If I make her take a bus, she might not critique my story this week.

But I mean, really. Two prizes?

*****

Note: I fibbed. Gale deserved the game prize. She was a powerhouse.

*****

Related articles

Excerpt: “A Nice Set of Wheels”

Excerpt from “A Nice Set of Wheels” by Kathy Waller appears in MURDER ON WHEELS: 11 TALES OF CRIME ON THE MOVE, published by Wildside Press, 2015

***

When the stranger stepped through the door, everyone in the store looked up. Old men playing dominoes at the Formica-topped table beside the front window. Farmers sitting in metal lawn chairs, their boot soles propped against the cold pot-belly stove, cussing Khrushchev and the Russians. Teen-aged girls wearing shorts and white blouses, pink hairnets protecting their pin curls, looking at the makeup shelf.

They checked out the worn jeans, the frayed collar on the plaid shirt, the scuffed boots. The beat-up old black suitcase he carried. The black hair close-clipped but with a lock falling across his forehead. The scar on his cheekbone. The eyes like pale blue ice.

In those few seconds he stood in the doorway, with the sun shining through the screen door behind him, they sized him up.

He didn’t look to left or right, just walked straight to the counter. I should have asked how I could help him, but I didn’t. I was holding my breath.

“Are the Coca-Colas cold?”

I nodded at the cooler half hidden by a rack of chips. He opened the lid and pulled out a king-sized bottle, shook it a bit to get some of the water off, and brought it to the counter. I took it from him and dried it with a clean terry cloth towel I kept behind the counter, then gave him the towel to dry his hands. When Uncle Harry sold Cokes, he let the bottles drip. He said if customers wanted them ice cold, they’d have to put up with a little water. But I like to make things nice.

I handed him the Coke and pointed to the bottle opener nailed to the end of the counter.

“That’ll be a dime,” Uncle Harry shouted from behind the meat counter at the back of the store. “Seven cents if you drink it here and leave the bottle.”

The man pulled a dime from his pocket and dropped it into my hand. “I’ll bring the bottle back tomorrow.”

Uncle Harry left the meat counter and walked up to the front, still holding a butcher knife. His apron was stained with blood. “Where’d you come from?” he said.

That was none of his business, but the stranger didn’t take offense. “Shreveport, last stop. Working my way west. Been hitching rides, decided to stop here and look for work. You know anybody needs odd jobs done, or farm work?”

The girls hiding behind the makeup shelf giggled and shushed each other, except for Wanda Patterson, who looked directly at the man and smiled. Uncle Harry’s eyes narrowed. His frown told me he was about to say “No,” like he always does when men from outside talk about hanging around, but before he could say anything, Old Brother Fisher, who always tried to help people, slapped down a domino and called out, “Try the Conrad place. Frank Conrad owns several hundred acres the other side of the river. Heard him say the other day he needs some fences repaired, and three of his hands got caught in the draft and left for the Army. Bet he’d take you on. Might keep you to haul hay, maybe pick cotton.”

The stranger raised the Coke bottle and nodded at the old man. “Much obliged, sir.”

“Go up the road about a half mile to where there’s a gap in the fence on the left. Go on through—it’s private property, but nobody’ll care—and follow the old wagon ruts down to the river. Cross the footbridge. Other side belongs to Conrad. Big white house at the top of the hill.”

The stranger picked up his suitcase and started toward the door. Every eye followed him.

“Wait.” The eyes all looked my way. “What’s your name?”

He turned around and smiled right at me. Just at me. “Campbell. Campbell Reed. What’s yours?”

“I’m Rosemary.”

“I’m pleased to meet you, Miss Rosemary.” Still smiling, he pushed through the screen door and was gone.

Uncle Harry grabbed my arm and jerked me around to face him. “What have I told you about talking to strange men? That one’s trouble. Leave him alone.”

I pulled away and ran through the storeroom and out the back door, past Uncle Harry’s house and the outbuildings, up the footpath and onto the gravel bar that lay along a stretch of the river bank. Wading in to where the water was clear, I bent down and splashed some on my cheeks, then straightened up and let the slight breeze cool my face. I was fifteen years old, and I’d had enough of Uncle Harry treating me like a baby. I would stay down here till time for supper. If Uncle Harry wanted me back at the store, he could come find me.

I recognized the looks the men had given Campbell. Except for Old Brother Fisher, they thought the same as Uncle Harry: he was trouble. I knew what Wanda Patterson and her friends thought, too: not trouble, but a good-looking man to take them out on Saturday nights, to park with in the cemetery after dark, to beg their mamas to invite for dinner, and, if they were lucky, to marry and have babies with.

But when I looked at him, I didn’t see trouble or fun or babies or anything like that.

In the time it took Campbell Reed to tell me his name, I looked at him and saw a savior.

 

***

Austin Mystery Writers' New Crime Fiction Anthology

Join Austin Mystery Writers for the launch of MURDER ON WHEELS at 7:00 p.m. on August 11, 2015, at BookPeople Bookstore, 6th and Lamar, Austin. Authors will read and sign. Refreshments will be served.

Print and Kindle editions available at Amazon.com
Print edition available at Barnes and Noble.com and at Wildside Press.com

Abraham Lincoln, Lewis Thomas, George Will, & Me: Great Minds Think Alike; or, Kurt Vonnegut, Go Fly a Kite

Semicolon
Semicolon (Photo credit: Wikipedia). Public domain.

 

 Abraham Lincoln

“With educated people, I suppose, punctuation is a matter of rule; with me it is a matter of feeling. But I must say I have a great respect for the semi-colon; it’s a useful little chap.”
Abraham Lincoln

Lewis Thomas

Sometimes you get a glimpse of a semicolon coming, a few lines farther on, and it is like climbing a steep path through woods and seeing a wooden bench just at a bend in the road ahead, a place where you can expect to sit for a moment, catching your breath.
Lewis Thomas, M. D.

Kurt Vonnegut

“Here is a lesson in creative writing. First rule: Do not use semicolons. They are transvestite hermaphrodites representing absolutely nothing. All they do is show you’ve been to college.” 
 Kurt Vonnegut, A Man Without a Country

George Will

Semicolons . . . signal, rather than shout, a relationship. . . . A semicolon is a compliment from the writer to the reader. It says: “I don’t have to draw you a picture; a hint will do.”
George Will

Kathy Waller

I love semicolons.

My master’s thesis was rife with them.

But my critique group says I mustn’t use them any more. They say I should follow Kurt Vonnegut’s rule.

Mr. Vonnegut is wrong. The semicolon is not a transvestite hermaphrodite, representing absolutely nothing.

It is a compliment from the writer to the reader.

It is a wooden bench, where you can sit for a moment, catching your breath.

It’s a useful little chap.

When Mr. Vonnegut called the semicolon a transvestite hermaphrodite–well, bless his heart, he must have gotten up on the wrong side of the bed.

 

 

100-Word Story: Pogo Stick

Friday Fictioneer Challenge: Write a 100-word story based on the photo.

PHOTO PROMPT © Douglas M. MacIlroy
PHOTO PROMPT © Douglas M. MacIlroy

 

I heard them talking.

Daddy said, She wants a pogo stick.

Mama said, She has enough presents.

Santa brought a pogo stick.

Daddy smiled. Sturdy.

We went outside.

Mama frowned. Don’t fall.

She’s fine. Daddy lifted me on.

I bounced. The pogo stick didn’t.

Daddy frowned. Spring’s tight. You’re not heavy enough.

Daddy tried. He bounced down the sidewalk.

Mr. Smith came over. Can I try?

Daddy jumped off. Sure.

Mr. Smith bounced down the driveway. This is fun.

Let me try again, Daddy.

Daddy bounced up the driveway.

Mama brought me my doll.

She’s right. I have enough presents.


*

Instructions for this week’s story

” The following photo is the PHOTO PROMPT. What does it say to you? I dare you to look beyond the subject. I double dare you!”

I looked far beyond the subject: The rings of metal at the base of the metal skeleton reminded me of a spring, which reminded me of a pogo stick, which prompted my 100-word story. Maybe I’ll look more closely at the reptile and try again. There’s a lot of potential in that lizard.

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To read more stories by Friday Fictioneers, click the frog, below.

100 Words: Nothing But Gray

Friday Fictioneer Challenge: Write a 100-word story based on the prompt.

*****

PHOTO PROMPT - Copyright Jan Wayne Fields
Friday Fictioneer Prompt. Copyright Jan Wayne Fields

Nothing But Gray

Paul stood, hands in pockets, looking out.

She’s set four places again, he thought. And she sits in a different chair now, doesn’t talk, just looks out the window at nothing but gray stone.

She brought in a covered dish. “Chicken casserole. Your father’s favorite.”

He heard Jack slip in and pull out a chair. Paul didn’t move.

She sat down. “Come. Eat.”

He turned. “Every night, Mom, four plates. And you, just staring.”

“Four people, four plates.”

“Dad’s dead, Mom. He’s dead. Three months now.”

She unfolded her napkin. “And I watch for your father. He’ll be home soon.”

*****

Rochelle Wisoff – Fields – Addicted to Purple

Prompt: 16 January 2015

A Finely Shaped Head

When I think of my wife, I always think of her head. The shape of it, to begin with. The very first time I saw her, it was the back of the head I saw, and there was something lovely about it, the angles of it. Like a shiny, hard corn kernel or a riverbed fossil. She had what the Victorians would call a finely shaped head. You could imagine the skull quite easily. ~ Gillian Flynn, Gone Girl

 

A First Line of Note

“Should I have taken the false teeth?” ~ Robertson Davies, The Cunning Man

About twenty years ago, I went on a Robertson Davies binge. I plowed through a number of his big, fat, fascinating novels, one right after the other.  Then I moved on to another literary addiction, but Davies’ stories still haunted me. Last week I came across a copy of The Cunning Man, opened it, read the first line, and was again hooked. I’m going to have to read all those books a second time.

Laura Oles presents Inside Photo Secrets for Authors, March 9 @ Sisters in Crime (Austin) – Free and Open to the Public

Laura Oles
Laura Oles

Inside Photo Secrets for Authors

Storytelling through photography has long been a powerful method of connecting people emotionally. For authors and writers, the use of photography can greatly assist in reaching and retaining readers. However, the digitization of photography has left the public largely confused about this new medium’s rules and regulations.

At Sisters in Crime – Austin’s March 9 meeting, member Laura Oles, a photo industry journalist and author of Digital Photography for Busy Women, will cover some current issues surrounding digital photography.

Topics to be covered will include:

  • Basic guidelines for using photos on your author blog & website
  • Creative Commons: What it is and why it matters
  • When you can and cannot use photos you find online
  • How to determine if a photo has been edited (for fictional story lines, etc)
  • What metadata is and what it tells you about the photo
  • How to use photography to strengthen your author page and blog posts
  • Tips for taking that perfect author headshot
  • Examples & resources for writers to find photos to use under license
  • General photography tips for powerful imagery
  • Why authors should use Pinterest & how to get started

Laura Oles was fortunate enough to have entered the digital photography industry long before Photoshop had become a verb. She is a founding team member of Pixel Magic Imaging, which was purchased by DNP Photo Imaging America in 2006, and has continued to advocate for digital solutions that improve the experience for shooters of all skill levels. She spent over ten years building and leading sales and marketing teams and understands the challenges of helping businesses establish a strong, unique presence in a crowded marketplace.

Laura has published over 200 articles in industry and consumer magazines and has been a columnist for Digital Camera Magazine, Memory Makers Magazine, Picture Business, PhotoInduced, ClubMom (now Cafe Mom) and others. Her book, Digital Photography for Busy Women, was named a photography category finalist in USA Book News.com’s ‘Best Books’ awards. In addition, she has served as an expert speaker for a variety of imaging conferences and conventions across the country. She continues to consult and write for the digital photo industry.

Sisters in Crime Heart of Texas Chapter (Austin) meets the second Sunday of each month at 2:00 p.m., at Recycled Reads, 5335 Burnet Road, Austin. Meetings are free and open to the public.

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A Pitch-Perfect Paragraph–For Readers Who Know Cows

English: Herefords, The Park, Ashford Carbonel...
English: Herefords, The Park, Ashford Carbonel. The light coloured bull calf (1 month old) belongs to the cow on the right. (Photo credit: Wikipedia) “Herefords, The Park, Ashford Carbonel” by Richard Webb is licensed under [CC-BY-SA-2.0 via Wikimedia Commons
I head into the house for my hat and my cane and the keys to my truck. There’s not a thing wrong with me but a bum knee. Several months ago one of my heifers knocked me down accidentally and it spooked her so bad that she stepped on my leg. This happened in the pasture behind my house, where I keep twenty head of white-faced Herefords. It took me two hours to drag myself back to the house, and those damned cows hovered over me every inch of the way.

~ Terry Shames, A Killing at Cotton Hill

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AMW Workshop: Special Invitation for Procrastinators

Austin Mystery Writers spent Thursday making last-minute preparations for Anatomy of a Mystery, the free workshop it’s sponsoring today from 9:30 a.m. to 3:00 p.m. at BookPeople in Austin. I offer two photographs as proof. Some of the people in them are duplicated. (My assigned task was to cut up paper for the raffle. Mission accomplished.)

IMG_2550IMG_2551

This post, which is being typed around a large cream tabby who insists on operating the space bar, is directed to people like me–people who forget to register, to sign up, to RSVP. People who put things off.

Part of large cream tabby
Part of large cream tabby

The message is this: RSVPs are not required for Anatomy of a Mystery.

If you wake in the morning with an insatiable urge to attend a workshop about how to write the mystery novel, do not despair.

Come on down to BookPeople.

Authors Reavis Wortham, Janice Hamrick, and Karen MacInerney, all of whom have proved they know how to write–and have accepted for publication–multiple mystery novels, will share some of their secrets with other writers, aspiring writers, and readers.

It would be a shame to miss this opportunity just because you forgot to tell us you were planning to come.

It would be more of a shame to miss the great swag we’re handing out.  One example is pictured here. There are also some books and who-knows-what-else.

Swag
Swag

So take the advice of a veteran procrastinator: show up at Anatomy of a Mystery–and if you can’t stay all day, spend the morning or the afternoon with us.

And don’t worry about crowds. If the room is SRO, you can have my chair and I’ll sit on the floor.

Provided, that is, that you promise to help me get back up.

IMG_2439.1AMW- logo

Blatant Self-Promotion

*

Did I mention my story “And Justice for All”
appears in the Fall 2012/Winter 2013 issue of
Mysterical-E?

English: Sparkler Polski: Zimny ogień
English: “Sparkler Polski: Zimny ogień” (Photo credit: Wikipedia) By Krzysztof Maria Różański, (Upior polnocy) (Own work) is licensed under CC BY 3.0  via Wikimedia Commons

*