A Disjointed Post . . .

. . . because my brain is fried.

When we tried to medicate William last night, a pill fell into the pit between the seat of my recliner and the arm, and we weren’t able to locate it. It’s in there somewhere, or it fell through onto the floor under the chair. After a cursory look, we gave up. We feel safe leaving it there because it’s a sure thing neither cat will gobble it up. If it were one of my pills, they would vacuum it up in a nanosecond.

The pill fell because I was careless and William got his tongue in gear and spat it out. We got another pill. Which means he’ll get only twenty-nine pills instead of thirty. William thinks that’s okay.

William

William is being dosed for pancreatitis. David is the cat holder. Due to my vast experience, I am the pill poker. It took a week for me to remember that coating the pill with butter makes the job easier. William doesn’t resist as enthusiastically and once in his mouth, the pill slides down more easily. He also doesn’t run upstairs after the ordeal, just jumps down and licks the inside of his mouth with vigor but no expression of distaste. Hurrah for butter. We have about two more weeks to go.

Ernest is probably unpillable. We haven’t tried, and I don’t want to.

I use a piller now. I had a piller in years past, but Chloe didn’t take to it, and I didn’t take to Chloe’s offer to use her fangs on my fingers while they were nearby. Every time she had to be pilled, I left her with the vet and let the experts handle her. Same with Christabel. Chloe was wiry and muscular and if she didn’t bite me, she wriggled out of my grasp. Christabel was big and built like Jello and rolled out of every half Nelson I applied.

At the end of this post, there’s a link to a video tutorial on pilling cats. I include it so you can see the piller. The starring vet says the process is easy peasy. Take that with a grain of salt. He’s a vet. He’s had practice. The cat knows resistance if futile. I suspect he’s a clinic cat. Those animals tolerate many outrages with aplomb. I suspect they have no reflexes at all.

My old neighbor, Steve Dauchy, a big orange tom, was a retired clinic cat. One cold winter day, his family smelled something burning and found Steve sleeping on a propane space heater in the kitchen with his tail hanging down beside the vent. His hair was singeing. He woke up when they pulled him off.

One winter night, I woke, reached out my hand, and touched fur I recognized as not my cat. Scared me half to death. I turned the light on, and there was Steve, snoozing away, the third cat on the bed. He’d sneaked into the house when I opened the door, hidden somewhere, and emerged at lights out, I guess. He was very astute. On cold nights, he slept on the seat of the riding lawnmower in his humans’ garden shed, a nice, tight bedroom, but when he saw a chance of a mattress, he jumped at it. The next morning, while Steve breakfasted in my kitchen, I called next door and told the worried humans about the slumber party he’d engineered, and later, when it warmed up, put him outside.

Tonight’s dose went down in record time. David wanted to medicate him before he went to the grocery store, but we waited for him to come downstairs under his own steam. Between four and five-thirty every day, awakened by his circadian rhythms, he waltzes downstairs for insulin and dinner. Mainly dinner. He hardly notices the insulin.

When I was a teen, I read a book about caring for cats. There was a chapter about medicating them. The authors, a married couple, used the terms cat holder and pill poker.

When I pilled my Siamese, Ms., I was both cat holder and pill poker, but after the first few confrontations, she cooperated. I didn’t have a piller, but she didn’t Didn’t open her mouth on command, but I didn’t have to use much force, and she sat still. She was highly intelligent and behaved more like a dog than a cat, except for pilling. Dogs never cooperated.

The Siamese’s first name was Mademoiselle–for some ridiculous reason–until I realized she was liberated, the Gloria Steinem of cats, good looks and all–and I changed it to Ms. That was ridiculous, too, because I called her Kitty. And Puddy. And Puddy-Wuddy. And Feetie-Pie. All the usual cat names.

Ernest

She produced kittens when she was eleven months old. Her idea, not mine. Wonder of wonders, they were Siamese kittens. Praise goodness for the gentleman Siamese down the street. The kittens would probably have been just as easy to give away as if they’d been generic, but people seemed extra pleased to have purebreds. No official papers, of course. Ms. was not an aristocrat, and considering the kittens were conceived under dubious circumstances, they would never have been accepted into High Society.

My one disastrous encounter with a sick cat occurred at the veterinarian’s. The tech was attending to one end of William and I was holding the other end, the one with teeth. He’d buried his head as far back between my body and my forearm as he could go, considering I had my arm clamped to my side. After suffering indignity for longer than I thought he would, he rebelled. I think he tried to bite me, but he managed only to rub his fang against my arm, hard enough to scrape the skin slightly. Within minutes, I had a budding case of cellulitis–I recognized it as such because I’d had it before from an encounter with cat teeth–and I had to go to the urgent care clinic for pills of my own plus shot of antibiotic. It turned out that William wasn’t sick. That night I wrote a verse about the experience and posted it on my blog, here:

William bit me at the vet,
Didn’t like the aide’s assistance,
Used his claws and fangs to set
On the path of most resistance.
Say I’m teary, say I’m mad,
Say that pills and needles hit me,
Say my arm’s inflamed, and add,
William bit me.

It’s patterned after one of my favorite poems, Leigh Hunt’s “Jenny Kissed Me”:

Jenny kissed me when we met,
Jumping from the chair she sat in;
Time, you thief, who love to get
Sweets into your list, put that in!
Say I’m weary, say I’m sad,
Say that health and wealth have missed me,
Say I’m growing old, but add,
Jenny kissed me.

If Hunt and Jane (Jenny) Carlyle were around to read the parody, they might not approve, but if I didn’t like the original, I wouldn’t have used it. I don’t consider my version an homage, exactly, but I’m fond of it. I’m a rotten poet, but I do pretty well at parody, if I do say so myself. I wish I could write them for a living.

I’m can’t write anything for a living. I don’t write fast enough, and as yet I haven’t hit upon the Great American Novel. I haven’t hit upon any novels at all, just short stories. A couple have brought in a few dollars from contests, and those that have been anthologized bring in a few cents in royalties (which are divided with the other authors), but the cents are donated to charity every year (supplemented, of course). The truth is–like many lightly published authors, I would be tempted to pay to get my stories in print or online. But I wouldn’t do that. My efforts are worth at least $0.00.

I didn’t plan to say anything about my literary efforts, but in a stream-of-consciousness post, things just happen, so I’ll happen to add that my stories appear in the three anthologies pictured in the sidebar–MURDER ON WHEELS, LONE STAR LAWLESS, and DAY OF THE DARK. My best stories, two of them, are in Murder on Wheels, which has an unimpressive cover but good stuff inside, so if you buy one, please buy that one. They’re all available in paperback and ebook formats. They might be available from your local public library–if they’re not, I’d appreciate your requesting the library acquire copies.

Royalties from Murder on Wheels go to Meals on Wheels in Austin, Texas. Royalties from Lone Star Lawless go to the Port Aransas Public Library, which lost its collection and everything else to Hurricane Harvey in 2018. Royalties from Day of the Dark go to Earth & Sky, which through its website presents information about science and nature. The radio program Earth & Sky (EarthSky) used to air on commercial, NPR, and other public radio stations, but since June 2013 has concentrated on its website and social media.

So there it is, a disjointed post. I went to bed too late last night and woke up too early this morning, so I can’t work on my novella-in-progress, because the characters are too tired to do or say anything interesting. They’ve already said and done one hundred + pages, but they need to do and say it better. Anyway, since they’re not cooperating, and since I’m tired, too, I abandoned them for this post.

The novella will be out this fall. I won’t mention the title or anything else, because it’s a secret, but you can be sure more Blatant Self Promotion will appear in a future post. Not a disjointed one, I hope.

Now I’ll go back to those characters and try to rev them up. They produced pretty well yesterday, when they were rested, so I know they can do it. With the deadline they’re working under, they need to get on a stick.

*

This turned out less disjointed than I expected it to. Half about cats, my default topic, and the rest about books and writing. All about me, my perpetual topic. The experts say not to write about yourself, but except for Helen Hunt Jackson’s nineteenth-century novel RAMONA, I’m about all I know.

I’m putting what I know about Ramona on a separate blog, but doing so requires typing a lot of footnotes, and that’s a slow and sleep-inducing procedure. The text is interesting, though, if I do say so myself.

*

 

Coming July 21: DAY OF THE DARK & More of the Murderous Marva Lu

“The good old days.” Joe turned his eyes up to the ceiling and sighed.

“Oh, I remember it all. Fried chicken, sunbathing, you grabbing me and holding me under the water till I almost drowned before you let me go. . . . What I don’t remember is anybody actually swimming.”

“We had too much fun doing other things. I wasn’t a strong swimmer anyway. But I loved playing in the water. And just being with y’all.”

I personally believed what he loved most was Bonita and her bikini. My sister Bonita was the youngest in the crowd, but she developed early. Mama absolutely forbade her to wear anything but her blue gingham one-piece, and as long as Mama was taking us out to Paradise Bluff, that’s what she wore. But when I turned fifteen and got my driver’s license, I started driving us out there. And every day, as soon as we got to the Mobil station on Main Street, Bonita would set up a howl, and nothing would do but we had to stop so she could slip into the restroom and change.

Joe goofed around with me, but when Bonita was wearing that bikini—there wasn’t enough cotton in it to stop up an aspirin bottle—he only had eyes for her.

Joe leaned forward and rested his elbows on his knees. He had a faraway look in his eye. “I haven’t been out there in years. It’s kind of sad, you grow up and get responsibilities, seems like you to forget the simple pleasures of youth.”

“Um-hmm, sad.” Watching him leave with that silly smile on his face, I knew he was thinking about Bonita’s little red bikini.

~ M. K. Waller, “I’ll Be a Sunbeam”

 

Marva Lu Urquhart is on the move again. This time, she’s celebrating the 2017 eclipse with a picnic at Paradise Bluff.

If you remember Marva Lu from “Hell on Wheels,” in Austin Mystery Writers’ anthology MURDER ON WHEELS, you’ve probably already guessed the picnic has less to do with the eclipse than with–well, it has more to do with knocking the memory of Bonita’s little red bikini out of Joe’s head and replacing it with–let’s put it this way: Marva Lu hasn’t been taking belly dance lessons all these years for nothing.

“I’ll Be a Sunbeam” will be published in DAY OF THE DARK, a crime fiction anthology edited by Kaye George and due out from Wildside Press on July 21st–a month before the August 21st eclipse.

All twenty-four stories in DOTD focus on those crucial minutes at midday when the moon devours the sun and anything can–and does–happen

Especially if you’re Marva Lu Urquhart.

Austin will see only a partial eclipse, so David and I will watch from Kansas City. Our eclipse glasses arrived through the mail this week.

 

Now there’s nothing to do but pack, grab my copy of DAY OF THE DARK–a little escape reading for the drive–drop William and Ernest off at their hotel, and head north. Where we trust our experience will be much less eventful than the one Marva Lu has planned for her friends.

Branding: It’s Not Just for Cows Any More

Before launching into the post, a definition of terms:

brand

noun

1. kind, grade, or make, as indicated by a stamp, trademark, or the like: the best brand of coffee.
2. a mark made by burning or otherwise, to indicate kind, grade, make, ownership, etc.
3. a mark formerly put upon criminals with a hot iron.
4. any mark of disgrace; stigma.
5. branding iron.
6. a kind or variety of something distinguished by some distinctive characteristic:
The movie was filled with slapstick—a brand of humor he did not find funny.

*****

In such moments of doubt, I look to history for reassurance. It’s always comforting to be reminded that literary whoring — I mean, self-marketing — has been practiced by the greats.

~ Tony Perrottet, “How Writers Build the Brand,” NYT Sunday Book Review

***

The Waller Brand. © MK Waller (Yes, that is a blanket used as a drape.)

When I think of brands, I think of Opal the White-faced Hereford.

She was big and sleek and fat, the only registered cow in the Waller herd, and the best escape artist in the history of cowdom.

No matter how strong the fence–heavy cedar posts, six strands of barbed wire, stretched tight, a barricade I couldn’t get through without a follow-up of iodine and gauze–she broke out. How the beast breached the barricade was a mystery and remained so for a long time.

Finally she slipped up, as bovines sometimes do, and busted out while my father was watching. He said she just lay down beside the wire and rolled under. A regular Hairy Houdini.

To her credit, she never fled, nor did she meander into the neighbor’s maize, but grazed beside the narrow lane between the fence and the property line.

Nevertheless, since cows are capricious, my father bought a brand. In my honor–and because technically Opal was mine–he chose a K.

“chisholm trail 2” by S. J. Driscoll is licensed under CC BY 2.0

I hasten to say the branding was nothing like you see on Rawhide. He did not restrain Opal, stick the iron into a blazing fire, and sear her hide. After repeatedly shooing her back through the gate, he probably wanted to, but he didn’t.* He merely dipped the iron into an acid designed for the purpose, walked up to her, patted her on the back, and pressed it against her hip. The acid ate the hair and killed the follicles, so she was left wearing the initial. Maybe she itched a for a few days, but that was nothing compared to what the barbs must have felt like.

The K didn’t keep her confined, of course, but it made her easier to spot if she ever decided to widen her social circle.**

Well, anyway, when I think of brands, I think of Opal, or did until the writing thing came along–and I learned I must have a brand so readers can identify me.

The prospect wasn’t pleasant. I felt like a box of Kleenex.™

But it had to be done, so finally I’m designing my brand.

Unfortunately, the K won’t do. I mean, it really won’t do. When I put MURDER ON WHEELS (see sidebar) on Goodreads, I was immediately confused with a different Kathy Waller. That required some straightening out. Googling Kathy Waller brings up a multitude of people I’m not, including the EVP and CFO of the Coca-Cola Company (NYSE: KO). (I wouldn’t mind being the EVP of Coca-Cola, but the company would.)

Officially, I’m a Mary Katherine, so I have options. Mary Katherine isn’t one of them. In the early years, I liked it just fine, but lately I’ve heard, “Are you a nun?” often enough not to want it hanging around.

“Lone Star Attitude – DFW” by kathywd is licensed under CC BY-NC-SA 2.0

People who don’t know me well, and some who do, call me Mary, so when I hear that name shouted out in a doctor’s waiting room, I answer, but it’s still a little foreign. I sign Mary K., a name I’ve come to despise, in part because it’s sometimes confused with Mary Kaye and I have to get that untangled, but mainly because Mary Kay makes lipstick and I don’t.

Once again, Google proves its worth. M. K. Waller brings up only one other person with my initials. That’s good.

When I search for MK, Google thinks I mean MK Wallet and pulls up only Michael Kors, which appears to be more of a business (jet set luxury: designer handbags, watches, shoes, clothing & more. Receive free shipping and returns on your purchase). That’s even better. But I don’t like the way it looks on the page.

So I’ve settled on M. K. 

The name chosen, I changed the theme–appearance–of the blog. I wanted to change it anyway, because I was tired of the previous one, and it seemed best to make one smooth transition rather than two bumpy ones. I’m not sure about the new theme. I may change it again, but M. K. will remain.

There’s one more aspect of branding I’m still ruminating** over, so I’ll leave it for another time.

I’ll add, however, that I first ran across the word ruminate in a line from James Thomson’s “Winter”:

The Cattle, from th’untasted Fields, return,
And ask, with Meaning low, their wonted Stalls;
Or ruminate in the contiguous Shade . . . 

In the context of the poem, ruminate means “to chew again what has been chewed slightly and swallowed :  chew the cud.”

And I complete this post by circling back to the beginning, starting with cows and ending with cows, and thus preserve the unities, as every writer, duke, and scoundrel knows is proper.

*

P. S. What do you think of the new design? Both positive and negative comments are welcome. I need to know. The page I’d like feedback on is here: http://kathywaller1.com

***

* If he’d threatened to brand her the old-fashioned way, I would have cried and that would have been the end of that. (Maybe.)

“Cows at the County Fair 1” by Laura Ritchie is licensed under CC BY 2.0

**In fairness, I add that Opal wasn’t the only one who*** got over the wall. Clyde Barrow escaped a couple of times. But he was a Holstein and flew over the fence, as Holsteins are often wont to do, so there was no mystery. We would have been surprised if he hadn’t.

The animals in the photograph are cows, not steers, and they might not be Holsteins, but they’re black and white, and they’re sweet, and I have poetic license, so I ask you to suspend disbelief for the moment.

*** My animals are who, not that

Waiting for the universe to cough & the #ROW80 report

Earlier this evening, I had an idea for a post. I knew the first line. I was confident I could write the middle without too much suffering. I didn’t know how it would end–I never know the ending when I start out–but I believed what I’d already written would lead to an appropriate close.

I opened WordPress to the Add New Post screen and put my fingers on the keyboard. And wrote–nothing.

Brain 1
Brain 1 (Photo credit: Wikipedia)

I’d forgotten everything: topic, first line, the whole shebang. I think the topic had to do with a comment on a post novelist Terry Shames put on Facebook, but I’ve forgotten which comment. Re-reading her post didn’t help.

I stared at the blank screen for a few seconds, then moved on. Obsessing over memory lapses guarantees the thought won’t return. It’s more effective to go on with life and wait for the universe to cough it up.

As to the #ROW80 report, only one day late: I ate refined sugar (but not too much, not every day), didn’t write, didn’t visit and comment on Writing Wranglers and Warriors and #ROW80 blogs every day, or visit Malvern Books.

I added a few words to the WIP (work in progress) but then realized the ending I’d planned will not do. So far I haven’t worked out an alternative ending, but that’s all right. The universe will cough one up when it’s ready. If the universe doesn’t, Austin Mystery Writers will. That’s what I keep them around for.

I did

  1. finish reading Mark Pryor’s mystery novel The Paris Librarian.
  2. have a blast visiting with Kaye George at this week’s Austin Mystery Writers meeting.

The Paris Librarian is on my list of 20 Books of Summer. It’s a pretty good book. That’s pretty good as in I-sat-up-until-two-o’clock-this-morning-reading-because-I-had-to-know-who-done-it. So there’s one I can check off my reading list.

In addition to The Paris Librarian, since June 1, I’ve read Anne Tyler’s A Spool of Blue ThreadSarah Addison Allen’s Garden Spells, and Isabelle Allende’s The Japanese Lover. I began Yaa Gyasi’s Homegoing but set it aside in favor of Librarian.

At MysteryPeople, BookPeople’s store-within-a-store, for a signing last week, Mark told two stories behind the writing of the mystery. They’re well worth reading. Find them on his blog, D. A. Confidential.

Silver Falchion Award
Silver Falchion Award

Concerning #2 above, I had a blast visiting with Kaye George at the BookPeople coffee shop last Thursday. Conversation meandered through a number of topics, but we kept coming back to (more Blatant Self-Promotion) Austin Mystery Writers’ Murder on Wheels and the Silver Falchion award it won for Best Fiction Short Story Anthology at the Killer Nashville conference. To those who’ve read about the Silver Falchion before, I apologize for bringing it up again. The excitement hasn’t worn off yet.

Kaye is the author of four popular mystery series. She writes the Immy Duckworthy mysteries, the Cressa Carraway Musical mysteries, and the People of the Wind mysteries under her own name. She writes the Fat Cat series under the pen name Janet Cantrell. For more about our visit with her, see Gale Albright’s post on the Austin Mystery Writers blog.

To sum up my progress on the earlier #ROW80 buffet, I’ll say this: I did what I wanted and not much else.

August 29 #ROW80 Buffet 

  1. Read James Ziskin’s Heart of Stone
    Another book that cut in line before Homegoing
  2. Finish reading Yaa Gyasi’s Homegoing

If I read both books, I’ll have finished seven of the twenty I set out to read by September 5. Of course, I didn’t really set out to read twenty. I got a late start and set out to read what I could. Seven, or six, will be what I could. I fear I’ll not have Mark Twain’s Autobiography and Simone de Beauvoir’s The Second Sex read before Monday, but Tuesday is another day. I read The Second Sex in graduate school. It’s worth reading again, but not this week.

And so ends this post. As a writer who forgot what she intended to say, I think I’ve done well.

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Read more #ROW80 posts here.

The Silver Falchion (Again) & #ROW80

Good news on both personal and professional fronts:

silver falchion emblemMURDER ON WHEELS, Austin Mystery Writers‘ crime fiction anthology, has been awarded the Silver Falchion Award for Best Fiction Short Story Anthology. Member Laura Oles accepted the award from author Anne Perry Saturday night at the Killer Nashville International Writers’ Conference 2016.

 

The eleven stories in MURDER ON WHEELS were written by six Austin Mystery Writers–Gale Albright, V. P. Chandler, Kaye George, Scott Montgomery, Laura Oles, and me– and two guest authors who graciously contributed stories–Earl Staggs and Reavis Wortham. Ramona DeFelice Long edited the manuscript. Kaye George handled the business end of the project, no small task. Wildside Press published the anthology in 2015.

Laura Oles accepts Silver Falchion Award from Anne Perry. Photograph by Manning Wolfe.
Laura Oles accepts Silver Falchion Award from Anne Perry. Photograph by Manning Wolfe.

If you’ve already heard about the award, my apologies. I’ve spread it all over Facebook. That’s called BSP–Blatant Self-Promotion–but self, in this case, refers to everyone involved in the anthology’s production. We’re surprised–we didn’t know we’d been nominated until three days before the awards ceremony–and honored and excited, so we’ve announced it at every opportunity.

I like to think that someday I’ll develop the air of dignified detachment that is the hallmark of the professional writer. Maybe I will. Maybe.

(In case the word falchion isn’t familiar–Wikipedia says it’s a “one-handed, single-edged sword of European origin, whose design is reminiscent of the Persian shamshir, the Chinese dadao, and modern machete.” The Silver Falchion seal, above, displays crossed falchions.)

The second item of good news isn’t mine–it’s my husband’s. His video “Invisible Men Invade Mars,” starring cats William and Ernest, will be screened at the Walker Museum Internet Cat Video Festival on Wednesday, August 24, at the Texas Theater in Dallas. David is pleased, but he isn’t bouncing off the walls, as I am over the AMW’s Silver Falchion. He’s taken videos to film festivals, and his Alien Resort Christmas card won John Kelso’s contest. And he’s always been dignified and professional.

Third on the list: I’ve completed five days of radiation treatments. That’s five of a projected twenty–25%. I learned today that I’m doing in twenty days what is normally done in thirty. I don’t know why, and I didn’t ask. This is another area requiring detachment, and I’ve found that detachment and too much information don’t play well together. The doctor kept using the word if –“If you do well with this, then we’ll…”–and upset the balance between optimism and uncertainty I try to maintain. If is too much information. So I pronounce the situation good and move on.

(Before I move on, and I really shouldn’t publicize this, but while I’m being unprofessional–since the first of June, I’ve lost twenty-nine pounds. Disclaimer: twenty-nine pounds equals the nineteen I had gained from taking steroids during chemo, and the ten I lost from having no appetite during chemo. The doctor doesn’t like it, and I understand why. It’s a hell of a way to lose weight, but with a net loss of ten pounds, I’m happy, and I’m taking credit for every one of them. I like being able to take my jeans off without unbuttoning and unzipping them.)

From August 7th List: I dood it.*

  1. Boycotted refined sugar and starches, including starchy vegetables, longer than necessary before the PET scan. Blood sugar was normal. There was no reason to think it wouldn’t be, but still…
  2. Critiqued and returned AMW stories I had at the time.
  3. Wrote and posted on AMW blog, but not exactly on time. I traded post dates with another member, then realized I hadn’t traded. It’s complicated. I posted on the 20th instead of the 15th, but got it in before the Silver Falchion winner was announced.
  4. Wrote and posted on the Writing Wranglers and Warriors blog on the 16th. This one I got right.
  5. Continued reading Mark Pryor’s The Paris Librarian. Good book.
  6. (12.) Cooked chicken and rice, intended to be one decent meal for David. It was horrid. We ate it anyway. I didn’t cook anything else.

#ROW 80 Watermelon Buffet for August 22

  1. Eat no refined sugar. Period.
  2. Critique and return one last AMW story.
  3. Work on draft of “Texas Boss.”
  4. Finish reading The Paris Librarian.
  5. Post #ROW80 report on Wednesday. If I feel like it. Otherwise, post next Sunday.
  6. Visit three #ROW80 blogs a day and comment.
  7. Comment every day on Writing Wranglers and Warriors post.
  8. Visit Malvern Books.
  9. Have a blast visiting with Kaye George at this week’s Austin Mystery Writers meeting.

Might as well face facts. I’ll dust the piano if I dust it, organize books if I organize books, and shred if I shred. They’re more likely to get done if I don’t write them down.

###

I dood it was “one of Red Skelton’s radio catchphrases” of the 1930s and ’40s. It was also the title of a song written by Jack Owens for Skelton in 1942, titled “I Dood It! (If I Do, I Get a Whippin’),” and the title of a movie released the next year.

Skelton originated the line for a character, The Mean Widdle Kid,

a young boy full of mischief, who typically did things he was told not to do. “Junior” would say things like, “If I dood it, I gets a whipping.”, followed moments later by the statement, “I dood it!”

My mother told me about Skelton’s I dood it line when I was a child.  She thought it was funny; I thought it was funny; I still think it’s funny. I never heard him say it–until today, when I watched the movie trailer on Youtube. The first part is devoted to introducing the cast, so it takes a little time to get to Skelton.

Wikipedia refers to the movie’s rather ungrammatical title. I agree: it is, rather.

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Visit other #ROW80 bloggers by clicking here.

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“Hell on Wheels”: The Story of a Lethal Librarian

Excerpt from “Hell on Wheels” by Kathy Waller appears in MURDER ON WHEELS: 11 TALES OF CRIME ON THE MOVE, published by Wildside Press, 2015

***

The day I found Mama stirring ground glass into the filling for a lemon meringue pie, I took the bowl away from her and called a family conference. We had to do something before she dispatched some poor, unsuspecting soul to his heavenly rest and got herself thrown so far back into prison she couldn’t see daylight.

The next day, while Mama was down at Essie’s Salon de Beauté, my brothers and sister and I crowded into a booth at the old Dairy Queen, just across the corner from the library where I worked. The DQ was practically empty. The only customers—besides Frank and Lonnie and Bonita and me—were senior citizens, and most of them had their hearing aids turned off.

When the waitress had delivered our orders and retreated behind the counter to her copy of People magazine, I explained why I had called the meeting.

“It hurts me to say it, but the time has come to put Mama out of her misery.”

Lonnie stabbed his straw through the plastic lid on his frosted Coke. “Mama don’t have no misery. I never seen nobody so contented with her lot.”

Bonita poked her pointy elbow into my side and reached across the table to pat Lonnie’s hand. “I think Marva Lu’s talking about a different kind of misery, baby brother. I’ll explain later.”

That was a case of the pot calling the kettle black. Bonita’s explaining was why it took Lonnie till he was twenty-nine to get his GED.

Frank, sitting across the table from me, grabbed a napkin and wriggled his way out of the booth. “Now look what you made me do. Scared me half to death, making such a mean joke about Mama.”

He dabbed at his tie with a napkin. “This necktie is a souvenir from when we took the kids to Disney World. That gravy landed right on Donald Duck’s tail feathers.”

I glanced over my shoulder at the other diners, several of whom were looking our way. “Frank Dewayne Urquhart, stop carrying on and sit back down,” I hissed. “You’re attracting attention.”

Frank unclipped his tie and laid it across the back of the booth. By the time he settled down to finish his steak fingers, the senior citizens had turned back to their burgers.

“Now, quit worrying about that duck’s derriere and look me in the eye,” I said, in the steely tone of voice I used on seventh-grade boys I found hiding in the how-to books, giggling over The Joy of Sex. “I am not joking. This is serious.”

Frank stuffed a couple of napkins into his collar and dunked another steak finger. “Serious?” He leaned toward me, his eyes wide and his voice just a whisper. “You want to … put Mama down … just because you saw her add something to the pie? I bet you didn’t have your contacts in. Might’ve been powdered sugar. She’s probably practicing something new for the Methodist ladies’ fundraiser cook-off.”

“The new bishop’s going to judge the cook-off.” I took a sip of my Diet Dr. Pepper and gave Frank time to think. “I can see the headlines now: ‘Murderous Methodist Does in Bishop with Omelet’. And every penny of our inheritance will go to pay a lawyer to try to keep Mama out of prison. Squeaky Vardaman says defense attorneys charge more when the client’s guilty. And Squeaky’s the district attorney, so he ought to know.”

Bonita stabbed me again with her elbow. “Uh-oh, look who’s coming.” We all followed her gaze.

A bright red Corvette was racing up the street. Ignoring the stop sign, the driver shot through the intersection, just missing a pedestrian, who scrambled onto the high curb and wrapped his arms around a light pole for support.

“There she is, on her way to Essie’s to get her hair screwed up.” Lonnie grinned. “Man, Mama can drive that car, can’t she?”

Frank cleared his throat and wiped his fingers on a napkin. “Yeah, Marva Lu, I see your point.”

Bonita wrinkled her nose and wound a blonde curl around her finger, a habit she’d gotten into when she was five years old and people told her it was cute. “Why don’t we keep a real close watch on Mama and make sure she doesn’t have a chance to put anything bad in the food? I mean, killing her seems a little extreme.”

“Are you volunteering to babysit around the clock?” I said.

Bonita wrinkled her nose again. “Well, what about putting her in the Silver Seniors Retirement home? We could have her committed. Then she couldn’t cook at all.”

“No way,” said Frank. “Old Dr. Briggs is as loony as Mama. He isn’t about to certify her. Hell, there’s not a man, woman, or child in the county, including us, who’d dare to cross her. After all, she owns the bank.” He wadded his napkin into a ball and dropped it into the empty basket. “You going to convince her to move to the home, Bonita?”

Before Bonita could get her nose back in gear, Lonnie finally caught up with the conversation. He sat up straight. “Killing her? What do you mean, killing her? You saying you want to kill Mama?”

“Shhh. Use your library voice, Lonnie.” Bonita patted his hand again. “Kill is just a figure of speech. Like one of those smilies we talked about before your test.”

I rolled my eyes. “No, it’s not a smilie. We’d better make sure right now that everybody understands what we’re doing.”

“I’m not doing anything,” whispered Lonnie. “If you’re going to kill Mama, I’m heading for the sheriff right now. Move, Frank, and let me out of this booth.”

I glared at Frank. He stayed put. I smacked Bonita’s hand off Lonnie’s and closed my hand around his. Poor Lonnie, he’d always been Mama’s favorite, and so softhearted. I should have known our talk would upset him.

I assumed the sympathetic tone I used when citizens called to complain about the library having dirty books. “Lonnie, sweetheart, you heard what I said about Mama’s new recipe. And you remember how Uncle Percy died last month, just hours after Mama cooked him a special birthday lunch.”

“Dr. Briggs said that was Uncle Percy’s ulcer.” Lonnie jerked his hand back. “Frank, let me out.”

I grabbed his hand again and hung on. “Jasper Alonzo, calm down. I’m going to ask you a question, and I want you to think about it carefully and then give me an honest answer. After that, Frank will let you out, and you can go to the sheriff or anywhere else you want.

“Now, here’s the question: How would it make you feel if they put Mama on trial for killing Uncle Percy? Or somebody else she fed bad food to? And what if she had to spend the rest of her natural life locked up in the prison at Huntsville?”

Lonnie’s brow wrinkled like it always did when he was turning something over in his mind. One thing about my baby brother, he never made snap decisions. I usually admired him for that. In this case, however, even with the answer so obvious, I threw in some details.

“Think about what prison’s like, Lonnie. There wouldn’t be a soul Mama knows. And most of those inmates are so common, not our kind of people at all. Mama would have to share a room, and you know how she values her privacy. There’d be no more trips up to Neiman Marcus, and she’d have to dress just like everybody else, in horizontal stripes. She’s always been dead-set against horizontal stripes. Essie wouldn’t be there to keep up her weekly White Mink rinse, and without that, her gray hair would get that ugly yellow tinge to it. And how would she survive without her Friday bridge club? Think about it, Lonnie. What kind of life would Mama have?”

By the time I got to “yellow tinge,” all the fight had gone out of Lonnie. His brow unwrinkled. Tears welled up in his soft brown eyes. It was just the saddest expression I’d ever seen on that sweet face. He looked so miserable I was tempted to toss the rest of my chocolate sundae into the big red waste bin and tell my siblings to forget the whole thing.

But I didn’t get to be Director of the Kilburn County Public Library and Archives by caving in to every pathetic face that stared at me across the circulation desk.

“All right, Lonnie,” I said. “What’s your answer?”

He pulled on his straw but got only a gurgle, so he quit stalling. “Mama wouldn’t like prison at all. So I guess I’d feel pretty bad.” He shook his cup and managed to suck up one more taste of frosted Coke. “But I still don’t feel good about planning to kill her.”

I looked out the window. Old Judge Vardaman was shuffling down the sidewalk from the courthouse, heading for the library, where he would spend his usual hour dozing over the Wall Street Journal. On his way out, he would tiptoe into my office and sit down for what he called “a little visit with my sweetie-pie.”

Bonita saw me watching him and smirked. “Well, here comes Big Sister’s gentleman caller. Honestly, Marva Lu, I don’t know how you can stand to have that old goat around. He’s older than God.”

“You should talk,” I said. “The way you drool over the old goat’s son since he got elected D. A. is a disgrace.” I passed the remainder of my sundae across the table to Lonnie and smiled. “Anyway, Bonita, he’s not so bad. Goats can be very useful animals.” I shouldered my purse and stood up to leave. “Don’t worry, Lonnie,” I said. “You won’t have to do a thing. I’ll take care of all the planning myself.”

***

Our anthology!

Print and Kindle editions available at Amazon.com
Print edition available at Barnes and Noble.com and at Wildside Press.com

One Trailer. No Horses. No Cows.

Marketing?

NO

I’m happy happy happy when a reader buys a copy of Murder on Wheels, Austin Mystery Writers’ anthology of crime fiction.

BUT

ebook or paperback
ebook or paperback

I share the following link because V P Chandler, an AMW member, created a Murder on Wheels book trailer, and she did a beautiful job. I’d like it to have a wider audience.

SO…

Please check out the trailer. I hope you’re as impressed as I am.

AND I hope that, after watching the trailer, you’ll rummage around a bit on V P’s website. Treasure is hidden there.

“Hell on Wheels”: The Story of a Lethal Librarian

Excerpt from “Hell on Wheels” by Kathy Waller appears in MURDER ON WHEELS: 11 TALES OF CRIME ON THE MOVE, published by Wildside Press, 2015

Join Austin Mystery Writers for the launch of MURDER ON WHEELS at 7:00 p.m. on August 11, 2015, at BookPeople Bookstore, 6th and Lamar, Austin. Authors will read and sign. Refreshments will be served.

***

The day I found Mama stirring ground glass into the filling for a lemon meringue pie, I took the bowl away from her and called a family conference. We had to do something before she dispatched some poor, unsuspecting soul to his heavenly rest and got herself thrown so far back into prison she couldn’t see daylight.

The next day, while Mama was down at Essie’s Salon de Beauté, my brothers and sister and I crowded into a booth at the old Dairy Queen, just across the corner from the library where I worked. The DQ was practically empty. The only customers—besides Frank and Lonnie and Bonita and me—were senior citizens, and most of them had their hearing aids turned off.

When the waitress had delivered our orders and retreated behind the counter to her copy of People magazine, I explained why I had called the meeting.

“It hurts me to say it, but the time has come to put Mama out of her misery.”

Lonnie stabbed his straw through the plastic lid on his frosted Coke. “Mama don’t have no misery. I never seen nobody so contented with her lot.”

Bonita poked her pointy elbow into my side and reached across the table to pat Lonnie’s hand. “I think Marva Lu’s talking about a different kind of misery, baby brother. I’ll explain later.”

That was a case of the pot calling the kettle black. Bonita’s explaining was why it took Lonnie till he was twenty-nine to get his GED.

Frank, sitting across the table from me, grabbed a napkin and wriggled his way out of the booth. “Now look what you made me do. Scared me half to death, making such a mean joke about Mama.”

He dabbed at his tie with a napkin. “This necktie is a souvenir from when we took the kids to Disney World. That gravy landed right on Donald Duck’s tail feathers.”

I glanced over my shoulder at the other diners, several of whom were looking our way. “Frank Dewayne Urquhart, stop carrying on and sit back down,” I hissed. “You’re attracting attention.”

Frank unclipped his tie and laid it across the back of the booth. By the time he settled down to finish his steak fingers, the senior citizens had turned back to their burgers.

“Now, quit worrying about that duck’s derriere and look me in the eye,” I said, in the steely tone of voice I used on seventh-grade boys I found hiding in the how-to books, giggling over The Joy of Sex. “I am not joking. This is serious.”

Frank stuffed a couple of napkins into his collar and dunked another steak finger. “Serious?” He leaned toward me, his eyes wide and his voice just a whisper. “You want to … put Mama down … just because you saw her add something to the pie? I bet you didn’t have your contacts in. Might’ve been powdered sugar. She’s probably practicing something new for the Methodist ladies’ fundraiser cook-off.”

“The new bishop’s going to judge the cook-off.” I took a sip of my Diet Dr. Pepper and gave Frank time to think. “I can see the headlines now: ‘Murderous Methodist Does in Bishop with Omelet’. And every penny of our inheritance will go to pay a lawyer to try to keep Mama out of prison. Squeaky Vardaman says defense attorneys charge more when the client’s guilty. And Squeaky’s the district attorney, so he ought to know.”

Bonita stabbed me again with her elbow. “Uh-oh, look who’s coming.” We all followed her gaze.

A bright red Corvette was racing up the street. Ignoring the stop sign, the driver shot through the intersection, just missing a pedestrian, who scrambled onto the high curb and wrapped his arms around a light pole for support.

“There she is, on her way to Essie’s to get her hair screwed up.” Lonnie grinned. “Man, Mama can drive that car, can’t she?”

Frank cleared his throat and wiped his fingers on a napkin. “Yeah, Marva Lu, I see your point.”

Bonita wrinkled her nose and wound a blonde curl around her finger, a habit she’d gotten into when she was five years old and people told her it was cute. “Why don’t we keep a real close watch on Mama and make sure she doesn’t have a chance to put anything bad in the food? I mean, killing her seems a little extreme.”

“Are you volunteering to babysit around the clock?” I said.

Bonita wrinkled her nose again. “Well, what about putting her in the Silver Seniors Retirement home? We could have her committed. Then she couldn’t cook at all.”

“No way,” said Frank. “Old Dr. Briggs is as loony as Mama. He isn’t about to certify her. Hell, there’s not a man, woman, or child in the county, including us, who’d dare to cross her. After all, she owns the bank.” He wadded his napkin into a ball and dropped it into the empty basket. “You going to convince her to move to the home, Bonita?”

Before Bonita could get her nose back in gear, Lonnie finally caught up with the conversation. He sat up straight. “Killing her? What do you mean, killing her? You saying you want to kill Mama?”

“Shhh. Use your library voice, Lonnie.” Bonita patted his hand again. “Kill is just a figure of speech. Like one of those smilies we talked about before your test.”

I rolled my eyes. “No, it’s not a smilie. We’d better make sure right now that everybody understands what we’re doing.”

“I’m not doing anything,” whispered Lonnie. “If you’re going to kill Mama, I’m heading for the sheriff right now. Move, Frank, and let me out of this booth.”

I glared at Frank. He stayed put. I smacked Bonita’s hand off Lonnie’s and closed my hand around his. Poor Lonnie, he’d always been Mama’s favorite, and so softhearted. I should have known our talk would upset him.

I assumed the sympathetic tone I used when citizens called to complain about the library having dirty books. “Lonnie, sweetheart, you heard what I said about Mama’s new recipe. And you remember how Uncle Percy died last month, just hours after Mama cooked him a special birthday lunch.”

“Dr. Briggs said that was Uncle Percy’s ulcer.” Lonnie jerked his hand back. “Frank, let me out.”

I grabbed his hand again and hung on. “Jasper Alonzo, calm down. I’m going to ask you a question, and I want you to think about it carefully and then give me an honest answer. After that, Frank will let you out, and you can go to the sheriff or anywhere else you want.

“Now, here’s the question: How would it make you feel if they put Mama on trial for killing Uncle Percy? Or somebody else she fed bad food to? And what if she had to spend the rest of her natural life locked up in the prison at Huntsville?”

Lonnie’s brow wrinkled like it always did when he was turning something over in his mind. One thing about my baby brother, he never made snap decisions. I usually admired him for that. In this case, however, even with the answer so obvious, I threw in some details.

“Think about what prison’s like, Lonnie. There wouldn’t be a soul Mama knows. And most of those inmates are so common, not our kind of people at all. Mama would have to share a room, and you know how she values her privacy. There’d be no more trips up to Neiman Marcus, and she’d have to dress just like everybody else, in horizontal stripes. She’s always been dead-set against horizontal stripes. Essie wouldn’t be there to keep up her weekly White Mink rinse, and without that, her gray hair would get that ugly yellow tinge to it. And how would she survive without her Friday bridge club? Think about it, Lonnie. What kind of life would Mama have?”

By the time I got to “yellow tinge,” all the fight had gone out of Lonnie. His brow unwrinkled. Tears welled up in his soft brown eyes. It was just the saddest expression I’d ever seen on that sweet face. He looked so miserable I was tempted to toss the rest of my chocolate sundae into the big red waste bin and tell my siblings to forget the whole thing.

But I didn’t get to be Director of the Kilburn County Public Library and Archives by caving in to every pathetic face that stared at me across the circulation desk.

“All right, Lonnie,” I said. “What’s your answer?”

He pulled on his straw but got only a gurgle, so he quit stalling. “Mama wouldn’t like prison at all. So I guess I’d feel pretty bad.” He shook his cup and managed to suck up one more taste of frosted Coke. “But I still don’t feel good about planning to kill her.”

I looked out the window. Old Judge Vardaman was shuffling down the sidewalk from the courthouse, heading for the library, where he would spend his usual hour dozing over the Wall Street Journal. On his way out, he would tiptoe into my office and sit down for what he called “a little visit with my sweetie-pie.”

Bonita saw me watching him and smirked. “Well, here comes Big Sister’s gentleman caller. Honestly, Marva Lu, I don’t know how you can stand to have that old goat around. He’s older than God.”

“You should talk,” I said. “The way you drool over the old goat’s son since he got elected D. A. is a disgrace.” I passed the remainder of my sundae across the table to Lonnie and smiled. “Anyway, Bonita, he’s not so bad. Goats can be very useful animals.” I shouldered my purse and stood up to leave. “Don’t worry, Lonnie,” I said. “You won’t have to do a thing. I’ll take care of all the planning myself.”

***

Our anthology!

Print and Kindle editions available at Amazon.com
Print edition available at Barnes and Noble.com and at Wildside Press.com

Excerpt: “A Nice Set of Wheels”

Excerpt from “A Nice Set of Wheels” by Kathy Waller appears in MURDER ON WHEELS: 11 TALES OF CRIME ON THE MOVE, published by Wildside Press, 2015

***

When the stranger stepped through the door, everyone in the store looked up. Old men playing dominoes at the Formica-topped table beside the front window. Farmers sitting in metal lawn chairs, their boot soles propped against the cold pot-belly stove, cussing Khrushchev and the Russians. Teen-aged girls wearing shorts and white blouses, pink hairnets protecting their pin curls, looking at the makeup shelf.

They checked out the worn jeans, the frayed collar on the plaid shirt, the scuffed boots. The beat-up old black suitcase he carried. The black hair close-clipped but with a lock falling across his forehead. The scar on his cheekbone. The eyes like pale blue ice.

In those few seconds he stood in the doorway, with the sun shining through the screen door behind him, they sized him up.

He didn’t look to left or right, just walked straight to the counter. I should have asked how I could help him, but I didn’t. I was holding my breath.

“Are the Coca-Colas cold?”

I nodded at the cooler half hidden by a rack of chips. He opened the lid and pulled out a king-sized bottle, shook it a bit to get some of the water off, and brought it to the counter. I took it from him and dried it with a clean terry cloth towel I kept behind the counter, then gave him the towel to dry his hands. When Uncle Harry sold Cokes, he let the bottles drip. He said if customers wanted them ice cold, they’d have to put up with a little water. But I like to make things nice.

I handed him the Coke and pointed to the bottle opener nailed to the end of the counter.

“That’ll be a dime,” Uncle Harry shouted from behind the meat counter at the back of the store. “Seven cents if you drink it here and leave the bottle.”

The man pulled a dime from his pocket and dropped it into my hand. “I’ll bring the bottle back tomorrow.”

Uncle Harry left the meat counter and walked up to the front, still holding a butcher knife. His apron was stained with blood. “Where’d you come from?” he said.

That was none of his business, but the stranger didn’t take offense. “Shreveport, last stop. Working my way west. Been hitching rides, decided to stop here and look for work. You know anybody needs odd jobs done, or farm work?”

The girls hiding behind the makeup shelf giggled and shushed each other, except for Wanda Patterson, who looked directly at the man and smiled. Uncle Harry’s eyes narrowed. His frown told me he was about to say “No,” like he always does when men from outside talk about hanging around, but before he could say anything, Old Brother Fisher, who always tried to help people, slapped down a domino and called out, “Try the Conrad place. Frank Conrad owns several hundred acres the other side of the river. Heard him say the other day he needs some fences repaired, and three of his hands got caught in the draft and left for the Army. Bet he’d take you on. Might keep you to haul hay, maybe pick cotton.”

The stranger raised the Coke bottle and nodded at the old man. “Much obliged, sir.”

“Go up the road about a half mile to where there’s a gap in the fence on the left. Go on through—it’s private property, but nobody’ll care—and follow the old wagon ruts down to the river. Cross the footbridge. Other side belongs to Conrad. Big white house at the top of the hill.”

The stranger picked up his suitcase and started toward the door. Every eye followed him.

“Wait.” The eyes all looked my way. “What’s your name?”

He turned around and smiled right at me. Just at me. “Campbell. Campbell Reed. What’s yours?”

“I’m Rosemary.”

“I’m pleased to meet you, Miss Rosemary.” Still smiling, he pushed through the screen door and was gone.

Uncle Harry grabbed my arm and jerked me around to face him. “What have I told you about talking to strange men? That one’s trouble. Leave him alone.”

I pulled away and ran through the storeroom and out the back door, past Uncle Harry’s house and the outbuildings, up the footpath and onto the gravel bar that lay along a stretch of the river bank. Wading in to where the water was clear, I bent down and splashed some on my cheeks, then straightened up and let the slight breeze cool my face. I was fifteen years old, and I’d had enough of Uncle Harry treating me like a baby. I would stay down here till time for supper. If Uncle Harry wanted me back at the store, he could come find me.

I recognized the looks the men had given Campbell. Except for Old Brother Fisher, they thought the same as Uncle Harry: he was trouble. I knew what Wanda Patterson and her friends thought, too: not trouble, but a good-looking man to take them out on Saturday nights, to park with in the cemetery after dark, to beg their mamas to invite for dinner, and, if they were lucky, to marry and have babies with.

But when I looked at him, I didn’t see trouble or fun or babies or anything like that.

In the time it took Campbell Reed to tell me his name, I looked at him and saw a savior.

 

***

Austin Mystery Writers' New Crime Fiction Anthology

Join Austin Mystery Writers for the launch of MURDER ON WHEELS at 7:00 p.m. on August 11, 2015, at BookPeople Bookstore, 6th and Lamar, Austin. Authors will read and sign. Refreshments will be served.

Print and Kindle editions available at Amazon.com
Print edition available at Barnes and Noble.com and at Wildside Press.com

Join AMW for the Launch of Murder on Wheels ~ August 11

Please join

Austin Mystery Writers

Gale Albright, Valerie Chandler, Kaye George,
Scott Montgomery, Laura Oles, and Kathy Waller
&
Earl Staggs and Reavis Wortham

as they celebrate the launch of their first crime fiction anthology

MURDER ON WHEELS:
11 Tales of Crime on the Move

“Eleven stories put the pedal to the floor and never let up! Whether by bus, car, tractor, or bike, you’ll be carried along at a breakneck pace by the talented Austin Mystery Writers. These eight authors transport you from an eighteenth-century sailing ship to the open roads of modern Texas, from Alice’s Wonderland to a schoolbus yard in the suburbs of Dallas. Grab your book, hold on to your hat, and come along for the ride!”

Tuesday, August 11, 2015
7:00 p.m.

BookPeople Bookstore
6th Street and Lamar

Austin, Texas

“There is something for everyone…” ~ Amazon Review

“…light-hearted (and occasionally black-hearted) collection of short stories… I thoroughly enjoyed it. … take your choice–historical, humorous, dark and light. Good reading for mystery fans.” ~ Amazon Review

 “… dialog that is realistic and makes the characters believable and three dimensional. There is something for everyone…” ~ Amazon review

“… a diverting read.” ~ Barry Ergang, Kevin’s Corner

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Murder on Wheels: 11 Tales of Crime on the Move

murder on wheels largeMURDER ON WHEELS, Austin Mystery Writers’ first crime fiction anthology, has been released by Wildside Press.

Since it appeared, the Writers have been difficult to live with. We’ll get over it, but only after a decent interval of frolicking.

The cover copy reads–

“The eleven stories in MURDER ON WHEELS put the pedal to the floor and never let up! Whether by bus, car, tractor, or bike, you’ll be carried along at a breakneck pace by the talented Austin Mystery Writers. These eight authors transport you from an eighteenth-century sailing ship to the open roads of modern Texas, from Alice’s Wonderland to a schoolbus yard in the suburbs of Dallas.”

For a sample of what’s between the covers, see below.

CONTENTS

INTRODUCTION, by Kaye George

A NICE SET OF WHEELS, by Kathy Waller

FAMILY BUSINESS, by Reavis Wortham

ROTA FORTUNA, by Valerie Chandler

MOME RATH, MY SWEET, by Gale Albright

THE WHEELS ON THE BUS GO ROUND AND ROUND, by Kaye George

BUON VIAGGIO, by Laura Oles

APORKALYPSE NOW, by Gale Albright

HAVE A NICE TRIP, by Kaye George

DEAD MAN ON A SCHOOL BUS, by Earl Staggs

HELL ON WHEELS, by Kathy Waller

RED’S WHITE F-150 BLUES, by Scott Montgomery

Reavis Wortham and Earl Staggs aren’t Austin Mystery Writers–they’re Texas authors who kindly contributed stories to the anthology. We’re pleased they joined us.

Kaye George, a former member, now lives in Tennessee, but she hasn’t managed to escape the AMW. Before she left, we named her Grand Pooh-Bah Emerita. Now we email every day. (See Kaye’s certificate, here.)

When Austin Mystery Writers was formed twelve years, members had no intention of publishing anything together. They (and we) simply wanted to improve their writing.

The idea for MURDER ON WHEELS came from banter via email late one night.

In the midst of our silliness, we began naming as many vehicles as we could think of. Then we switched to using them in titles for mystery novels:

Crime in a Convertible; Victim on a Velocipede; Garrotted in a Gas Guzzler; Whopped in a Wheelbarrow, Bumped Off in a Barouche-Landau…

Then Kaye said, “Let’s put together an anthology.”

So we did.

Ramona DeFelice Long edited the manuscript. Wildside Press published it.

Modified rapture! And now we frolic.

The moral–must be a moral!–of the story is this: Creativity begins in play.

This morning another group email arrived: When will we begin the next anthology?

Well, one thing does lead to another. . .

Amazon
Barnes & Noble