A Knotty Problem

Deutsch: "Kopfschmerzen". Die wohl b...
Deutsch: “Kopfschmerzen”. Die wohl berühmteste – stark von James Gillray beeinflußte – Arbeit in einer Reihe von sechs Blättern “medizinischer” Karikaturen, in denen Cruikshank Krankheiten als Teufelswerk brandmarkt. Erstmalig publiziert: 12. Februar 1819. Originalgröße: 210 x 255 mm (Photo credit: Wikipedia)  George Cruikshank [Public domain], via Wikimedia Commons, PD-Art
 Yesterday Dominica felt faint, and Molly, my main character, steered her to a bench on the courthouse lawn and then dithered over what to do. She couldn’t leave Dominica, but she thought asking a passerby (of which there were none at the time) for help sounded lame.

Today, talking about treatments for migraines, one of my brilliant critique partners took a bottle of peppermint oil from her purse and passed it around. At the first whiff, I said, “Molly carries peppermint oil in her purse! She’ll use it to revive Dominica.”

In one fell swoop, I both saddled Molly with migraines and solved a knotty problem.

That is why I go to critique group.

She Likes Me, She Really… Zzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzz

Snoozing chimp
Snoozing chimp (Photo credit: World of Oddy). [Not my cousin MV]
I’m sharing a hotel room with my cousin MV following this afternoon’s bridal shower for our great-niece and this evening’s dinner with great-niece’s grandfather.

(Don’t waste time on the relationships. Only the cousinship applies here.)

MV crawled into bed early, turned on the TV, and channel surfed, but could find nothing interesting.

“I need someone to read me a story,” she said.

I volunteered to read the latest version of my Molly manuscript. She said something like, “Oh goody.”

Booting up the laptop, I located “The Definitive Summer 2012 Version” (so named to distinguish it from the other 3,243 Molly files) and crawled onto the queen-sized bed opposite hers. And I began to read.

I had reached the last paragraph of page 11 when I heard snoring.

Could this be, I thought, an omen?

And if an omen, is it good or bad?

I never stood on ceremonies, but–when your own blood kin, whom you’ve known for over half a century (wow!), whose infants you fed and diapered and lugged around as if they were your favorite baby dolls, for whom you served as target for the all the slings and arrows of outrageous cousinhood she let fly–like the time she was visiting you and she got all wasp-stung picking Kentucky Wonder beans off Mr. Armentrout’s fence and went to bed with an ice pack on her hand and in the middle of the night she laid it on your mid-section just to see what you would do and you were only sixteen and she was thirty and old enough to know better–well, when your own blood kin can’t stay awake to see what happens at the end of chapter one, then you might do well to find something to take the place of novelizing. Like playing Bookworm for eight hours straight without guilt rather than with it.

So. I sat for a while in contemplation, and then I emailed several friends for opinions on the omen question, and then I checked what’s happening on Facebook. And about the time I got to the fifth cat picture of the evening, I had remembered several circumstances that might be called extenuating:

1. MV liked the very first draft I wrote and keeps telling me I’ve ruined it and I need to toss all my (years of) revisions and bring back the original. It’s nowhere near publishable, but she liked it.

2. She laughed at all the right places, or most of them, while she was awake.

3. She’d had a long day and was tired.

4. She might have been motivated by revenge because I told her she was old. Which I’ve done several times on this trip. Like when she wanted to lift my suitcase onto the luggage rack for me. I mean, my doctor has referred to me as an “older person,”* but she’s been eligible for the senior citizen breakfast at IHOP for years. And just minutes ago, at midnight, she racked up another birthday.

In short, it’s possible her untimely entry into the land of Nod is a non-ominous omen, having zilch to do with literary criticism, and therefore no reason to get my knickers in a twist.

I’ll interpret it that way anyhow.

About paragraph #9, above, MV woke up and walked to the refrigerator for a bottle of water. On the way back to bed, she noticed me sitting on the sofa where I am still parked, composing.

“You’re not going to want to get up in the morning,” she said.

“I never do,” I replied.

She didn’t ask what I was doing, so I didn’t tell her I’m writing about her. I didn’t tell her about the photo I’d already chosen to illustrate this piece either. She’ll find out soon enough.

She’ll also learn what happens to kinfolk who fall asleep during a dramatic reading of Kathy’s Perfectly Polished Prose.

*****


Happy Birthday, Mary Veazey!

*****

* But he did it only once.

*****

Photo of Snoozing Chimp by World of Oddy via Flickr (CC BY-NC-SA 2.0).

#ROW80 & Symboling

The so-called Portrait of a Sculptor, long bel...
The so-called Portrait of a Sculptor, believed to have been Del Sarto's self-portrait--Image via Wikipedia

“Ah, but a man’s reach should exceed his grasp, or what’s a heaven for?” ~ Robert Browning, Andrea del Sarto

My reach last week exceeded my grasp.

I followed Tuesday’s stellar 1000 Molly words (or 921, depending on who’s counting) with 0 Molly words for the rest of the week. But I was so pleased with the 1000 that the 0 hasn’t worried me.

Anyway, I’m not going to use them. I realized, after the scene had symboled* for a couple of days, that it should be seen but not heard. Instead of setting the altercation (among three jealous thespians) inside the cafe, I’ll put it on the patio, where Molly and her cohorts can watch through the picture window.

Establishing distance between the two groups of characters creates detachment. Molly, who has already been yelled at once this morning, merely observes the battle. She doesn’t get involved, as she would be required to do if the brouhaha took place in her presence. She’s free to comment on the behavior of the egomaniacs on the other side of the glass. And comment she does. A generally restrained person, Molly is having more and more trouble curbing her tongue.

So that’s what I accomplished week: 1000 words I will not use.

Does this bother me? No. I wrote; I learned. I demonstrated to myself that less can be more.

I didn’t do so well at keeping records. I brought them up to date this evening, but they’re not complete. A daily log would have shown more writing time than the one I cobbled together from memory.

Regarding goal #3: I did not join or volunteer for anything this week. I did promise David I would dismantle the bulwark of books and papers surrounding my chair. We were having friends over tonight, and he thought we would appear more welcoming if we didn’t make them climb over my library to get to the tacos. Having spent more than two years working in tort litigation, I agreed. But picking up toys doesn’t constitute joining or volunteering.

Lest it be thought I wrote 1000 words and stopped cold, I’ll add that I put out another newsletter, approximately 6600 words, most of which were not written by me. But I did wrestle them into place. That’s worth a couple of brownie points. At least by my estimation. And since I award my own points, the say-so is mine.

*

*One of my freshman literature professors had a cook who claimed that soup tasted better if it was allowed to symbol for a while. The professor said she thought writing, too, was better when it was given time to symbol. I don’t remember a great deal about Beowulf, but the lesson on symboling has stayed with me for—a long time.

*


Retread: Why I go to critique group

I said to my critique partner this morning, The whole project is stinky it stinks it’s just nothing no hope.

She read chapter 13 and said, But it’s so good so funny Molly is so funny it’s not stinky.

I said, Yes, the first part of chapter 13 and the last part of chapter 13 are funny and very very good but there’s still no middle of chapter 13 and what there is stinks and anyway the other 47,000 words stink except for a few hundred here and there.

And she said, But the middle could be revised edited it has promise.

I said, But it won’t work because I have written myself into a hole and can’t get out so I have to trash that part and anyway the whole concept stinks.

And she said, NO you can fix it just keep going because I like Molly she’s so funny.

And that is why I go to critique group every blessed week.

**********

The post above originally appeared on Whiskertips, September 13, 2009. A modified version is posted here by popular request.

An Ever-widening Wilderness

Okay. Enough of this sweetness-and-light, writing-is-my-life, revising-is-a-glorious-process, retreats-are-so-inspiring, the-daily-miracle-will-come baloney. Writing stinks.

Last night, no matter how hard I tried to make the technician at the other end of the line understand that the problem was caused by a short in the ground wire on the keyboard, and was surely related to the March 30 keyboard malfunction, he kept insisting that my hard drive is going out, and he made it clear that if I wanted to get to bed before 1:00 a.m., I’d stop asking questions and agree with him.

Back in the good old days, when faced with equipment failure, I just asked my daddy to get out his pocket knife and sharpen my pencil. But now I have to wait for the external hard drive to arrive, and back everything up–and I don’t want to hear one word about not having it backed up already; the critical things are on a flash drive and in my e-mail–and then call the service technician and tell him I’m ready for him to replace the hard drive. Of course, he will have already have called me, and I’ll have told him I’ll call him after I’ve received the external hard drive and run the backup.

That was Plan #2. Plan #1 was to send the corrupted hard drive to the factory and lose everything.

It’s enough to turn one into a raving Luddite.

Then there’s The Chair. For the past two years, I’ve sat in a recliner, feet up,  laptop on my lap, and typed away. The most discomfort I’ve felt has come from Ernest draping himself over my left forearm, and that’s not too terrible. At fifteen pounds, he’s not heavy enough to completely stop blood flow to my fingers. As long as he keeps his paws off the touch pad, I can work.

But now I’m sentenced to the desktop, which means sitting in The Chair. I love The Chair. It’s been in the family for over a hundred years. It’s an office chair. It wasn’t meant for sitting. A little while ago I sneaked upstairs and stole my husband’s vintage-1950s plastic chair with the wide contoured seat. It’s some improvement but I might as well make an appointment with the massage therapist while I’m thinking about it.

And what else? The Just for the Hell of It Writers meet tomorrow morning, and my critique partner, bless her heart, has decreed we must show up with fifty pages. Each. She has well over fifty pages of a coherent draft. I have a zillion pages of nonsense, rubbish, bilge, bunk, drivel, gibberish, hooey, hogwash, piffle, stultiloquence, and tripe. And that’s just the beginning. I haven’t even started on the adjectives.

Actually, it’s not all tripe. Some parts are decent. If they were adjacent parts, I’d be working on them now. But they’re scattered, and I’ll have to go looking for them, piece them together, and then fill in the blank spaces.

Furthermore, I’m sick of the characters. I’ve known them for a long time, and you know what they say about familiarity and contempt. If I had my way, I’d knock off the whole bunch of them: Miss Pinksie and all the suspects and Molly and her cousin Claudia and the Rat Butlerish love-hate interest and those cute twins. And the goat.

In addition, last week I received the Silver Lining Award, which made me smile, and here I am frowning before I’ve even had time to pass it on.

And to top it all off, I need to lose 900 pounds. By Monday.

The way things are going, that’s more likely to happen than my turning up tomorrow with fifty pages in hand.

In summary, writing is Sheer Hell. It’s a Vast Wasteland, like the tangle of cholla, prickly pear, dead brush, and dried grass in the photograph at the beginning of this piece, with splashes of yellow flowers and green trees representing false hope in an ever-widening wilderness.

Not that I’m complaining, of course.

***********************

The photograph at the head of this post was taken at Paisano Baptist Encampment, near Alpine, Texas, during the Texas Mountain Trail Writers Writing Round-up. Paisano is a beautiful place. The opinions expressed in this post reflect the writer’s thoughts about writing and not about Paisano or the TMTW retreat. In fact, she likes cactus and dried grass and would love to drive so far back into a mesquite pasture that she can’t find her way out, an unlikely event in 21st-century Central Texas.