A Harbinger of Spring & a Video Fest

Today we saw the first sign that spring is upon us.

It wasn’t a robin. It wasn’t a bluebonnet.

chameleon on screen 2/29/2020
Chameleon on window screen

It was a chameleon, the first one I’ve seen in years. Once, a zillion lived in my yard in Fentress, crawled across window screens, sneaked into a bedroom and blended into the leaf-patterned draperies, causing minor panic when discovered.

Then Ms, my Siamese cat, went on a lizard binge, causing more havoc. If you think it’s unsettling to see, without prior notice, a lizard running across the bedroom floor, try opening the door and finding one lying belly up, dead, often minus the skin of his soft underbelly, right where you were planning to plant your foot. I appreciated Ms’s thought, but the gift, not so much.

Ernest focusing on chameleon

Anyway—maybe because the chameleon population had been decimated, maybe because survivors got wise and relocated—by the early ’80s, they were gone.

They didn’t frequent our former apartment, either. But now that one has appeared outside the window at our new place, more will surely follow. I hope.

Ernest hopes so, too. He saw the visitor before I did, jumped onto the window sill, stood, and batted. Stood down, stood up, and batted. Again and again.

Ernest not looking at chameleon 2/29/2020
Ernest not focusing on chameleon

Watching a beloved pet hunt and not gather is heartrending, up to a point. Mostly it’s a grab-the-camera-and-holler-at-David-to-come-see moment. We focused on the scene as closely as Ernest focused on his prey.

The hunt ended when the lizard scooted eighteen inches to the right. Ernest lost him.  He lay down and stared out the window. David tapped on the window and pointed but failed to catch his attention.

A few minutes later, we abandoned him and headed downtown to the Violet Crown Theater for CatVideoFest—”a compilation reel of the best cat videos culled from countless hours of unique submissions and sourced animations, music videos, and, of course, classic internet powerhouses.”

Most were short-shorts, amateur cats being cats, filmed by their owners. A few were scripted. I’ve included links to two of those—”An Engineer’s Guide to Cats 2.0—The Sequel” and “Henri 2—Paw de Deux.” Cat lovers—crazy or not—have likely seen them online. Crazies might think they’re worth watching again.

Here’s a link to a list of theaters (nationwide) where you can view the movie. Today’s showing was the last in Austin, but if you’re elsewhere and interested, you can look it up.

CatVideoFest raises funds for “cats in need.” Part of the proceeds from the three Austin showings will go to Austin Pets Alive, an animal rescue and advocacy organization that fosters homeless animals and finds them forever homes.

 

Bonus: Chris the Story Reading Ape’s Blog with “Caturday Funnies”

Years ago, I closed my first blog, Whiskertips, because it had, against my will, become catcentric. The title was the only one I could think of that wasn’t already in use, and I’d just acquired William and Ernest (from APA) and so had cats on the brain. I suppose the name constituted a self-fulfilling prophecy.

I’ve vowed this blog will not fall into feline paws, but lately I’ve been walking a very fine line.

Color Me… Something

This blog was offline during April while I tampered with its appearance. I tried nearly every theme WordPress offers. I tried nearly every color WordPress offers.

I understand that for blogs, white is in fashion, but I like color. I’ve played with the colors a lot. My main specifications:

  1. Background must be light enough for text to be easily read.
  2. Font must be dark enough for text to be easily read.
  3. Colors must enhance header.
  4. Colors must be attractive.

Numbers 1 and 2 are easy enough to satisfy, but 3 and 4 are just bears. Grays are too brown or too blue; whites are too yellow or too pink; blues are too green or too gray; greens are too blue or too yellow; reds jump out at you; pinks and yellows are insipid.

All I want is what I want. It shouldn’t be that difficult to get.

After serious consideration, I’m putting Telling the Truth, Mainly back in public view.

But I still don’t like its looks.

Elegance

Dinner with the cast of Giant at El Paisano in Marfa, Texas.

 

Photographs of James Dean, Elizabeth Taylor, and Rock Hudson by Kathy Waller shot from photographs hanging in El Paisano Hotel, Marfa, Texas

Patterns

I’m watching Patterns, a movie written by Rod Serling. Van Heflin plays a young production engineer hired by a ruthless industrialist to replace his vice-president, whose ethics and integrity make him, in his superior’s eyes, a liability to the company. The new executive finds himself caught in a pattern he’s determined to break.

The movie’s name reminded me of the Amy Lowell poem, in which a woman trapped in a different pattern wishes to break free.

PATTERNS

English: Formal Garden, Quarry Bank Mill This ...
Formal Garden, Quarry Bank Mill This section of the former mill-owners garden is laid out in a formal pattern. (Photo credit: Wikipedia)

I walk down the garden paths,

And all the daffodils
Are blowing, and the bright blue squills.
I walk down the patterned garden-paths
In my stiff, brocaded gown.
With my powdered hair and jewelled fan,
I too am a rare
Pattern. As I wander down
The garden paths.
My dress is richly figured,
And the train
Makes a pink and silver stain
On the gravel, and the thrift
Of the borders.
Just a plate of current fashion,
Tripping by in high-heeled, ribboned shoes.
Not a softness anywhere about me,
Only whalebone and brocade.
And I sink on a seat in the shade
Of a lime tree. For my passion
Wars against the stiff brocade.
The daffodils and squills
Flutter in the breeze
As they please.
And I weep;
For the lime-tree is in blossom
And one small flower has dropped upon my bosom.
And the plashing of waterdrops
In the marble fountain
Comes down the garden-paths.
The dripping never stops.
Underneath my stiffened gown
Is the softness of a woman bathing in a marble basin,
A basin in the midst of hedges grown
So thick, she cannot see her lover hiding,
But she guesses he is near,
And the sliding of the water
Seems the stroking of a dear
Hand upon her.
What is Summer in a fine brocaded gown!
I should like to see it lying in a heap upon the ground.
All the pink and silver crumpled up on the ground.
I would be the pink and silver as I ran along the
paths,
And he would stumble after,
Bewildered by my laughter.
I should see the sun flashing from his sword-hilt and the buckles
on his shoes.
I would choose
To lead him in a maze along the patterned paths,
A bright and laughing maze for my heavy-booted lover,
Till he caught me in the shade,
And the buttons of his waistcoat bruised my body as he clasped me,
Aching, melting, unafraid.
With the shadows of the leaves and the sundrops,
And the plopping of the waterdrops,
All about us in the open afternoon —
I am very like to swoon
With the weight of this brocade,
For the sun sifts through the shade.
Underneath the fallen blossom
In my bosom,
Is a letter I have hid.
It was brought to me this morning by a rider from the Duke.
“Madam, we regret to inform you that Lord Hartwell
Died in action Thursday se’nnight.”
As I read it in the white, morning sunlight,
The letters squirmed like snakes.
“Any answer, Madam,” said my footman.
“No,” I told him.
“See that the messenger takes some refreshment.
No, no answer.”
And I walked into the garden,
Up and down the patterned paths,
In my stiff, correct brocade.
The blue and yellow flowers stood up proudly in the sun,
Each one.
I stood upright too,
Held rigid to the pattern
By the stiffness of my gown.
Up and down I walked,
Up and down.
In a month he would have been my husband.
In a month, here, underneath this lime,
We would have broke the pattern;
He for me, and I for him,
He as Colonel, I as Lady,
On this shady seat.
He had a whim
That sunlight carried blessing.
And I answered, “It shall be as you have said.”
Now he is dead.
In Summer and in Winter I shall walk
Up and down
The patterned garden-paths
In my stiff, brocaded gown.
The squills and daffodils
Will give place to pillared roses, and to asters, and to snow.
I shall go
Up and down,
In my gown.
Gorgeously arrayed,
Boned and stayed.
And the softness of my body will be guarded from embrace
By each button, hook, and lace.
For the man who should loose me is dead,
Fighting with the Duke in Flanders,
In a pattern called a war.
Christ! What are patterns for?