Making a Killing

Writing Wranglers and Warriors’ first cartoon–a guest post

Writing Wranglers and Warriors

DSCN1633 (3) Cartoon by guest poster David Davis

2018-07-31 WWW DDAVIS COPYRIGHTED 157 mystery novelAlien Resort © David Davis. All rights reserved.

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Before becoming a cartoonist, David Davis produced, directed, and wrote sci-fi videos. Notable among them is Invisible Men Invade Earth, which received the Judge’s Choice award at the 2017 What the Fest Film Festival (Dallas); the Out of This World award at the 2016 Lionshead Film Festival (Dallas); and the Most Original Concept award at the 2016 Houston Comedy Film Festival. His films also appeared at the 2017 Fort Worth Indie Film Showcase; 2017 Dallas Medianale; 2012 Boomtown Film and Music Festival in Beaumont, Texas, and the 2012 CosmiCon and Sci-Fi Film Festival in Roswell, New Mexico.

Andrew Whalen of Playerone.com writes that David’s Reverse Effects, screened at the 2015 Fantastic Fest (Austin) “is almost like a living comic strip, but undeniably vigorous and fascinating.” He also labeled David “eccentric,” but the jury is still…

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Seven

A Sampler from Writing Wranglers and Warriors

Writing Wranglers and Warriors

Kathy Waller UnCon 10 06 2016 Written by M. K. Waller (and others)

23:59 hours.

That’s how late I am in getting this post online.

That’s how late I am in writing this post I’m late in getting online.

Instead of belaboring the point, I’m going to do something I should do more often–remind you of some fine posts I didn’t write that deserve another look.

Here are seven–click on the title links to read. And there are more where these came from:

OBSESSING ON ELF EARS…

by Mike Staton

Mike Staton

Please forgive me. I’m so embarrassed. I just don’t know if I can actually write this post. I’ll do my very best. You see I have this peculiar fascination with ears – not with any old ears. Elf ears… the long pointed ones that project out from the heads of lady elves.

My admission is not something that makes me proud. I’d rather have a fascination with…

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Story


 

 

Story, as it turns out, was crucial to our evolution–more so that opposable thumbs. Opposable thumbs let us hang on; story told us what to hang on to. Story is what enabled us to imagine what might happen in the future, and so prepare for it–a feat no other species can lay claim to, opposable thumbs or not. Story is what makes us human, not just metaphorically but literally. Recent breakthroughs in neuroscience reveal that our brain is hardwired to respond to story; the pleasure we derive from a tale well told is nature’s way of seducing us into paying attention to it.

Lisa Cron, Wired for Story

 

 

 

Reference Questions* I Have Known

 

  1. Is cabbage juice good for you?
  2. What is cystic ovary syndrome?
  3. Do you have any more picture books about fire trucks? He won’t read about anything but firetrucks.
  4. Is chemotherapy an effective treatment for multiple sclerosis?
  5. Do you have a book about condoms? I need to know who invented them.**
  6. How do I know what size bra to buy?
  7. How do you cure hams?
  8. Was Rachel Carson married to Kit Carson?
  9. How do you get to Gatesville, Texas?
  10. How do you make cherry pie?
  11. What did people eat in Victorian England?
  12. What do you call the 125th anniversary of the founding of a city?
  13. Is there a town called San Simon in Texas?
  14. Do you have any stories with voices?
  15. I need to know the names of some saints.
  16. Do I have to wear a hat to a Catholic christening?
  17. I need a list of scientists who’ve won the Nobel Prize.
  18. What does the Federal Reserve do?
  19. How many teeth does a giraffe have?
  20. How do you make a Sally Lunn cake?
  21. Where’s the book that was on that table the other day? It’s white.

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*Some of the above might be outside the official realm of the reference question. But they’re close.

*No, dear freshman boy, in this little school library in this conservative little town in this conservative big state, I do not have a book about who invented the condom, and I’m trying very hard not to guffaw while I tell you this. (And when the little school library became a little public library, I didn’t have a book about it then, either. But I had books that came close.)

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Images licensed under CC0, via pixabay

 

 

A Serious Emotion, Grammatically Speaking

Did you ever know a serious emotion to express itself in a subordinate clause?

2018-07-20 ttm pixabay couleur CC0 monocle-1620948_640~ Clouds of Witness, BBC TV miniseries, 1972, based on Dorothy L. Sayers’ novel Clouds of Witness, a Lord Peter Wimsey mystery. IMBd credits both Sayers and Anthony Stevens as writers, but because the line is used solely to create atmosphere, and Sayers died in 1957, I doubt it was her idea.

Cat Talking, Part 2

In Part 1 of Cat Talking, I conceded that, although it’s been scientifically demonstrated that people who talk to their pets–anthropomorphize–are more intelligent than those who don’t, I might not be quite so smart as other pet talkers. In fact, I admitted my IQ might be three points below that of the sea sponge.

For the moment, however, let’s forget all that and assume I’m as smart as all the rest.

Yesterday’s subject was William, who doesn’t take direction.

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Ernest incorrectly positioned

Today I write about Ernest, who, wonder of wonders, does.

We’ve had our battles. He clings. He stomps on me. He stomps on the keyboard. He stomps on me . . .

So I set out to teach him to lie down.

Lie down. Lie down. Lieeeeeee dowwwwwwwwwn.  Lieeeeeee dowwwwwwwwwn.  Lieeeeeee dowwwwwwwwwn.  Lieeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeee dowwwwwwwwwnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnn. 

Somewhere in the 1.5 million repetitions, he not only figured out what I wanted him to do, but he started doing it.

For a while, we fought over positioning–he wanted to lie facing away from me, with his rear straddling my forearm, for maximum tummy exposure. See photo above.

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Ernest correctly positioned

Now he lies down facing me, his head on the laptop. He does it voluntarily. Just jumps onto the chair beside me and plops himself down.

Our system isn’t perfect. He lies down only on his right side, never his left. And he seems to think a laptop must be present.

But I am impressed. In fact, I am gobsmacked.

I’ve had many intelligent cats. But Ernest is the first cat I’ve ever trained to do something he didn’t want to do. I’m impressed with him, and I’m impressed with me.

And I think we’re both way ahead of the sea sponge.

 

 

Cat Talking

An article posted on Facebook–my chief source of information these days–states that people who talk to their pets are smarter than those who don’t.

This is not news. We pet owners have always known we’re more intelligent than the rest of the population. If the rest of the population didn’t know this, that wasn’t our fault. But now everyone knows it, because everyone belongs to Facebook.

DSCN1633 (3)It seems that talking to pets is an example of anthropomorphizing, the attribution of human traits, emotions, or intentions to non-human entities. I was familiar with the word but had been told it meant my IQ was three points below that of the sea sponge. Obviously, that was wrong.

I have one question: Does talk mean traditional adult speech or does it also include baby talk?

For example, I say, Go stairsies? to my cats; would a scientist say that’s evidence of my mental superiority? The phrase means Do you want to go downstairs? or upstairs, depending on where we are. Ernest usually wants to go stairsies as soon as he’s asked; William mulls over the possibilities and decides later. He wants to make sure it’s his idea.

I tell William and Ernest they’re sweet puddy tats (readers my age will know where that comes from). Sometimes they’re feet puddy tats. Or they’re feet puddy wuddies. I tell them I wuv them (I wuv ooo). When I step on a tail, I say, I sowwy. 

I ask them if they’re hungwy and  want some breakbus, which is silly, because they’re always interested in food.*

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Ernest being unconcerned

This afternoon, William was hungwy.  He jumped onto the arm of my chair–something he rarely does, because he doesn’t want his humans to think he likes them–and headed for the plate of bread crumbs on the table beside me. I moved the plate to the other side. William stayed where he was. I went back to work and forgot about him.

Suddenly he was in front of me, standing on the keyboard, again focused on the plate. I pushed him backward, then forward, but he weighs more than twenty pounds and is passive aggressive. He stayed where he was.

I finally gave up and let him cross in his own time, but not before he’d typed gggggggggggggggggggggggggggggggggggggggggggg and sent an email comprising one sentence, one fragment, and the line of g‘s. It was a business email. By the time I realized it had been sent, it was too late to Undo.

At that point, I wanted to say something that wasn’t baby talk but I kept my peace. William ignores criticism. Orders. Suggestions. Requests. Invitations. Pretty much everything. It all has to be his idea.

I’ve just realized this post has taken an unfortunate turn. I began by praising myself for being an intelligent cat talker, and am ending with a story about allowing my cat to send an email. Which suggests the cat is pretty high in the IQ department. And maybe I really am three points below the sea sponge.

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*A relative I won’t identify used to ask her little boys what they wanted for lunch–eggy-do or soupy-doup. I have not yet fallen so low.

The Chaos Theory of Writing

Part 2 of my thoughts on writing: my writing process. Some observations, and a couple of Rules about Facebook and Candy Crush.

Writing Wranglers and Warriors

In a post on Telling the Truth–Mainly, I defined my writing process as chaos.

In the beginning, it wasn’t chaos. When I was in elementary school and junior high, writing was easy. I started at the beginning and stopped at the end.

My early writing process

When I entered the eighth grade, trouble began. I thought about the assignment for about ten seconds; then my brain vaporized and was replaced by a vacuum.

I realize now that things got all balled up because assignments became more complicated: a certain form, a certain length, a topic more abstract than I’d ever wrestled* with.

About thirty minutes before deadline, my brain started up again, but in fits and starts, like it had the hiccups. I always produced the essay, but writing was a harrowing experience. Chaotic. It still works that way.

My current writing process

I like to think of it…

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Truth and Embroidery

As a beginning blogger, I wanted to be serious. I intended to write about the writing process, to quote famous authors, and to record my progress toward publication (or toward the satisfaction of having written). I wanted to write about Literature and Life.

Halfway through my first post, I discarded that notion. Once upon a time, I could tear apart novels and poems with the best of them, but as soon as they put that Master’s Degree in my hand, every scrap of every thought about literature leaked out of my head. And I didn’t want to work hard enough to get them back.

And my writing process is chaos, pure and simple. Chaos. Other people write books about how they write books. They say, This is the way to write a book, as if they know. But I don’t know.

So I write about life with a lower-case l. Life with a lower case l comprises cats, a mis-spent career in education, memories of my youth, my crazy family, and my general ineptitude. General ineptitude comprises such things as the time I dropped the remote control into the Jello instant pudding mix and milk that I was trying to beat into pudding.

For a while, I was reluctant to share stories of ineptitude. I envisioned applying for a job with a company whose personnel director googles me and learns more than is good for me.

But then I realized I wasn’t going to apply for anything, and if I did it wouldn’t be a job important enough to require a background check, so I said, What the heck, just tell it all.

I titled this blog Telling the Truth–Mainly because I admire Mark Twain as both a writer and a social critic, and because I thought the name appropriate.

I embroider some of the stories I tell; the embroidery relates to the Mainly.

But nearly every post begins with Truth, and most of them stick pretty close to it. The story about the remote and the pudding, for example, didn’t need any embroidery at all. I told the story exactly as it happened.

“Hell on Wheels,” the story about the librarian, which appears in the crime anthology Murder on Wheels, is not true. I didn’t find my mother pouring ground glass into lemon pie filling, and I didn’t plan to push her off a bluff. I was a librarian, but I didn’t take belly dancing lessons for years so I could fit into a bikini and spend the rest of my life on the beach in Aruba.

The completely true, entirely non-fiction story: I took three belly dancing classes because I once saw a belly dancer on the Tonight Show lie on the floor and roll a quarter over and over all the way down her torso, all that was open to public view, so the speak, and I thought it was really neat. I also liked the costumes. I had no illusions about ever replicating the act, but basic belly dancing looked like fun.

I stopped after the third lesson because I was so tired after working all day and then driving to Austin to attend class that gyrating around a room with a bunch of other middle-aged women was not doable.

I used belly dancing in the story to add verisimilitude, etc., etc., etc.

So. The librarian story was fiction, plus a few bits from lower-case l life, merely corroborative detail, intended to give artistic verisimilitude to an otherwise bald and unconvincing narrative.*

The question now arises: Is fiction ever true? Yes. But it’s complicated and I don’t want to discuss it.

I planned to end with a few comments on my writing process–not how I write, or how to write, but lessons I have learned from chaos.

But that will wait till next time.

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*”Merely corroborative detail, intended to give artistic verisimilitude to an otherwise bald and unconvincing narrative” is a phrase written by W. S. Gilbert for the character Pooh-Bah in Gilbert and Sullivan’s The Mikado.
(The funniest play ever written, with music or without.)

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photographs from morguefile