Veterans Day: Henry Waller, Letter from France, 1918

*

 

AMERICAN Y.M.C.A.
ON ACTIVE SERVICE WITH THE AMERIAN EXPEDITIONARY FORCE

July 23, 1918

Dear Mother and Sisters,

After a lengthy but very interesting overseas journey, we at last arrived at our point of destination. Perhaps you can imagine how proud we were to see land after a weeks ride on a crowded boat; and I want to say right here that there is no prettier country under the blue sky than that with which these people are blessed and for which they are making a sacrifice to hold. Any picture you might imagine I think would hardly do the real France justice.

The streets of the city where we landed, and through which we marched to our camp on the outskirts, was lined with old men, women and children, for that is about all there is left to welcome the soldiers.

We are comfortably located in tents now in the suburbs of a city of 100,000 population, a very pretty place. We are provided with plenty to drink, good water, I mean, plenty of good fresh meat and lots of other good things to eat. The Y.M.C.A. here, as in the states, look after our interests in the usual way. The hospital accommodations are excellent, but so far, fortunately, few of us have had to avail ourselves of their service.

Altho I have seen very little of the country as yet, I can readily see why these people are so patriotic and so willing to make sacrifice for their country; it is such a pretty and prosperous land. Picture some large & irrigated truck farm and you have an idea of the appearance of this country It is harvest time now, and the people are blessed with an abundant crop. They grow most everything there is to eat.

On the surface there is little evidence of grief or mourning on the part of these people, not withstanding the fact that most every family have lost one or more members. The women and children, for that is all you see, except occasionally a few return from the front on a short furlough, are always up and going, and the spirit of self-sacrifice and determination is such that defeat for them is out of the question.

Mama, we are quite a ways from the firing line now and as yet have seen little of the real war that you read of in the states; yet we are close enough to see the effects and to feel that not all of the paper reports are fiction. I don’t know just how long we shall remain here. But for my part, I am anxious to get into the very thick of it all.

Our branch of the service affords us an opportunity so see a great deal of the country–to see history in the making, to learn the custom and characteristics of the people first hand.

Now Mama, regardless of how close to the front we are placed, or what kind of work we shall be called upon to do you should not worry in the least about me but rather be proud that you can contribute in this way, what little I may be able to do, to this cause, and share with me the praise, if any, and the blessing that all who serve, keeping in mind the high ideal for which we are here, shall receive.

I have never been in better spirits nor in better health. The weather is fine, very similar to N.Y. Over coats are comfortable at times. I shall not write more now for I don’t know how much will pass, and too there is some poor censor that will have to read this with scores of others. Take good care of yourself, and give my love to all the family.

With lots of love to you and sisters from

Your loving Son

Henry

*

Henry Waller was my grandfather’s younger brother. What I know about him:

He was born in 1887, in Guadalupe County, Texas. His parents were Ophelia Ann Graham Waller and Edward Pettus Waller. He served as either superintendent or principal of the rural school at Staples, Texas, near his family’s farm.

Thirty years old when the United States entered World War I, he enlisted in the army and served overseas. A transcription of a letter he sent to his mother and his sisters, Ethel and Jessie, appears above.

He was already drinking to excess when he enlisted. By the time the war was over, his alcoholism had progressed so far that he refused to return home–because, he said, he didn’t want his mother to see what he’d become.

He lived the rest of his life in New York City. I have a snapshot of him standing with friends, wearing a straw katie and looking well and happy.

I don’t know how he supported himself, but there came a time when he was unable to do so, and when his family in Texas could no longer support him adequately. In 1933, he committed suicide. He is buried at the Masonic Cemetery in Prairie Lea, Texas.

How much his experience in combat contributed to his alcoholism, I don’t know.

Pyrenees…Special Breeze…Do You Know This Poem?

In the original post, I asked whether anyone could identify the poem beginning

“Oh, somewhere there are people who
Have nothing in the world to do
But sit among the Pyrenees . . .”

Author N, M, Cedeno provided the answer: “Midsummer Melancholy,” by Margaret Fishback (1900-1985).

She also provided a link to the entire (?) poem on The Berkshire Edge

***

I heard this poem recited on Anyone for Tennyson?, a series that ran on PBS from 1976-78. I haven’t been able to find it online.

If you know the author and/or a book in which the poem appears, please leave the name/title in a comment.

Thinking of Heaven

No heaven will not ever Heaven be

Unless my cats are there to welcome me.

–Anonymous

***
Ernest, William, Alice B Toeclaws, and Chloe
Unpictured: Christabel, Ms. Siamese, Nicole, Ashley,
Mr. Peyton, Ten-Thirty, Miss Kitty, Tinker,
Olivia, Bunny, Edith, Pitti-Sing, and many others
Alice B. Toeclaws
Chloe

The Maven: A Poe-ish Poem for Halloween. Again.

2018-10-20 ttm pixabay poe cc0 pd writer-17565_640

I would say this post is back by popular demand, but I’d be lying. No one has demanded it. I post it because it’s almost Halloween, and because I had fun writing it way back when, and because I want to.

To learn why I wrote it, read on. If you don’t care why I wrote it, skip the next part, but the poem will be easier to understand if you just keep reading.

*****

Why? Because–A friend called to confirm that David and I would meet her and her husband the next day for the Edgar Allan Poe exhibit at the Harry Ransom Center. She mentioned that her house was being leveled for the second time in three years*: “There are thirteen men under my house.”

I hooked up Edgar Allan Poe with the number thirteen and house with Usher and wrote the following verse.

Note: Tuck and Abby are my friends’ dogs.

Another note: Maven means expert. I looked it up to make sure.

*

THE MAVEN

To G. and M. in celebration
of their tenth trimester
of home improvement,
with affection.
Forgive me for making
mirth of melancholy.

Once upon a midnight dreary, while I pondered weak and weary

Over many a quaint and curious volume of forgotten lore,

While I nodded, nearly napping, suddenly there came a rapping,

As of someone gently tapping, tapping at my chamber floor.

“‘Tis some armadillo,” said I, “tapping at my chamber floor,

Only this, and nothing more.”

Ah, distinctly I remember it was in the dry September,

And my house was sinking southward, lower than my bowling score,

Pier and beam and blocks of concrete, quiet as Deuteron’my’s cat feet,

Drooping like an unstarched bedsheet toward the planet’s molten core.

“That poor armadillo,” thought I, “choosing my house to explore.

He’ll squash like an accordion door.”

“Tuck,” I cried, “and Abby, come here! If my sanity you hold dear,

Go and get that armadillo, on him all your rancor pour.

While he’s bumping and a-thumping, give his rear a royal whumping,

Send him hence with head a-lumping, for this noise do I abhor.

Dasypus novemcinctus is not a beast I can ignore

Clumping ‘neath my chamber floor.”

While they stood there prancing, fretting, I imparted one last petting,

Loosed their leashes and cried “Havoc!” and let slip the dogs of war.

As they flew out, charged with venom, I pulled close my robe of denim.

“They will find him at a minimum,” I said, “and surely more,

Give him such a mighty whacking he’ll renounce forevermore

Lumbering ‘neath my chamber floor.”

But to my surprise and wonder, dogs came flying back like thunder.

“That’s no armadillo milling underneath your chamber floor.

Just a man with rule and level, seems engaged in mindless revel,

Crawling round. The wretched devil is someone we’ve seen before,

Measuring once and measuring twice and measuring thrice. We said, ‘Señor,

Get thee out or thee’s done for.'”

“Zounds!” I shouted, turning scarlet. “What is this, some vill’nous varlet

Who has come to torment me with mem’ries of my tilting floor?”

Fixing myself at my station by my floundering foundation,

Held I up the quaint and curious volume of forgotten lore.

“Out, you cad!” I said, “or else prepare to sleep beneath my floor,

Nameless there forevermore.”

Ere my words had ceased resounding, with their echo still surrounding,

Crawled he out, saluted, and spoke words that chilled my very core.

“I been down there with my level, and those piers got quite a bevel.

It’s a case of major evolution: totter, tilt galore.

Gotta fix it right away, ma’am, ‘less you want your chamber floor

At a slant forevermore.”

At his words there came a pounding and a dozen men came bounding

From his pickup, and they dropped and disappeared beneath my floor.

And they carried beam and hammer and observed no rules of grammar,

And the air was filled with clamor and a clanging I deplore.

“Take thy beam and take thy level and thy failing Apgar score

And begone forevermore.”

But they would not heed my prayer, and their braying filled the air,

And it filled me with despair, this brouhaha that I deplore.

“Fiend!” I said. “If you had breeding, you would listen to my pleading,

For I feel my mind seceding from its sane and sober core,

And my house shall fall like Usher.” Said the leader of the corps,

“Lady, you got no rapport.”

“How long,” shrieked I then in horror, “like an ominous elm borer,

Like a squirrely acorn storer will you lurk beneath my floor?

Prophesy!” I cried, undaunted by the chutzpah that he flaunted,

And the expertise he vaunted. “Tell me, tell me, how much more?”

But he strutted and he swaggered like a man who knows the score.

Quoth the maven, “Evermore.”

He went off to join his legion in my house’s nether region

While my dogs looked on in sorrow at that dubious guarantor.

Then withdrawing from this vassal with his temperament so facile

I went back into my castle and I locked my chamber door.

“On the morrow, they’ll not leave me, but will lodge beneath my floor

Winter, spring, forevermore.”

So the hammering and the clamoring and the yapping, yawping yammering

And the shrieking, squawking stammering still are sounding ‘neath my floor.

And I sit here sullen, slumping in my chair, and dream the thumping

And the armadillo’s bumping is a sound I could adore.

For those soles of boots from out the crawlspace ‘neath my chamber floor

Shall be lifted—Nevermore!

*

The reason the house was leveled twice in three years is a story in itself, not to be told here.

81st Wedding Anniversary

My parents, Billie and Crystal Barrow Waller, were married on October 24, 1942. Today is their 81st anniversary.

They married on a Saturday afternoon at the home of the Baptist minister in San Marcos. My father’s first cousin and my grandmother Barrow’s best friend, Carmen Barber Harper, served as witness.

On Monday, my mother, an office manager at Fort Sam Houston in San Antonio, turned in a change-of-name form. Major Joseph, whom she’d worked for for nearly two years, called her into his office and said, “Miss Barrow, what have you done?”

She told him she’d married.

“How long have you known this man?”

“Six years.”

“Oh.” He seemed relieved to know she hadn’t formed a wartime alliance with a GI after a two-day acquaintance. “Where is your husband?”

He was at the house she shared with her mother and her younger sisters. In a week he would be rejoining his unit in Southern California.

“Miss Barrow, go home and stay there.”

She stayed there until my father’s leave was over.

 

When my father arrived in California, he found his unit had already shipped out. He rode a flatcar, guarding tanks, to Hershey, Pennsylvania, where he was stationed until he left for England, Scotland, England, France, Belgium, Germany, and again France.

My mother stayed in San Antonio, working at Fort Sam Houston. When her military employers moved to Dallas, she and her mother and sisters moved there.

My father returned home from service on October 23, 1945, one day before their third anniheversary. Six months later, my mother resigned her job and they moved to my dad’s home town of Fentress.

I was born on their ninth anniversary.

BSP: Alien Whisperer

David’s short video Alien Whisperer was screened at the Gulf Coast Film Festival in Clear Lake, Texas, last weekend.

David doesn’t like to do BSP–Blatant Self-Promotion–so I help him out. I guess that makes it Blatant Spouse Promotion.

Alien Whisperer isn’t on David’s YouTube channel yet, but here’s a link to Invisible Men Invade Earth, my favorite of his videos. It was named What the Fest Judges’ Pick at Dallas’ Pocket Sandwich Theater in 2017.

Judges liked Invisible Men because it has a “purity”–which is a departure from the usual description of his videos as “weird”–but I like it because it features our William and Ernest. Asked how he got William and Ernest to follow direction, he said that he figured “if you set up a camera on a tripod, cats will do something.”

To see more of David’s videos, go to Youtube.com and search for @daviddavisvideo.

 

 

Review: Manning Wolfe’s Dead by Proxy

Manning Wolfe’s latest, DEAD BY PROXY, is out today. Here’s my take on it:

When defense attorney Byron Douglas must flee New York City before a mob hitman takes him out—and the Feds decline to help—he designs an unofficial witness protection program, fakes his own death, and disappears.

And the reader assumes he’ll spend the rest of the book living on the fringes of society, making no friends, keeping a low profile.

Wrong. Here’s where the author throws in a twist. Byron takes the opportunity to practice criminal defense law under a new identity, and suddenly he’s in the spotlight—the courtroom, the headlines—and lying not only to casual acquaintances, but to police, to judges, to everyone. He’s trapped in a web of lies. And thanks to his high-profile job, he’s looking over his shoulder double time.

From now on, it’s twist after twist: hitmen surface, a dead man returns, another dead man views his own body at the morgue. And finally a murderer is exposed.

Reading DEAD BY PROXY is like playing a game of literary Twister. Kudos to Manning Wolfe for serving up a suspenseful—and fun—book.

***

FTC Disclaimer: I received an Advance Review Copy of Dead by Proxy and then purchased a copy for my Kindle. I paid for the ebook with my very own money. Nobody paid me to write this review. Nobody threatened me to get me to write it. Nobody said I’d better like the book or else. The words are all mine, and so are the ideas.

Such a Kerfuffle O’er a Runcible Spoon

[I don’t know why several paragraphs are jammed together.
I double-spaced. I triple-spaced.
But the paragraphs insist on bunching up
in an unattractive and almost unreadable lump.
My apologies.
I tried.]

Today I answer the question—Exactly what is a runcible spoon?

You no doubt remember that Edward Lear’s Owl and Pussy-Cat use one at their wedding breakfast:

“They dined on mince, and slices of quince,
   Which they ate with a runcible spoon;” . . . 
Since the term isn’t in general usage, many readers don’t understand it but accept it as a Lear-ism and ask no further.
Those who do go further and consult Merriam-Webster find it is “a sharp-edged fork with three broad curved prongs,”—but MW cites no sources, a no-no in scholarly circles. Some sources claim it’s a spork.
Wikipedia goes on and on about runcible spoons but offers no definitive answer. It includes a long list of authors, screenwriters, composers, and others who’ve used the word runcible. These two jump out at me:
  • Paul McCartney‘s 2001 album Driving Rain includes the track “Heather” which features the lyrics: “And I will dance to a runcible tune / With the queen of my heart”. McCartney has explained the connection to “The Owl and the Pussycat” in various interviews since its release.
  • In Lemony Snicket‘s 2006 The End, an island cult eats using only runcible spoons
Such a kerfuffle over something that should be as plain as the nose on the Pussy-Cat’s face.
Lear himself defines the term—not in O&P, but in a lesser-known work. In Twenty-Six Nonsense Rhymes and Pictures, he writes of
The Dolumphious Duck,
Who caught Spotted Frogs for her dinner
With a runcible spoon
and provides a picture:

 

Tricia Christensen, writing in LanguageHumanities, notes that

A Latin word runcare means to weed out. This word could explain the Dolumphious Duck’s fishing process with a runcible spoon. The duck is really weeding out the frogs from the water.

That should settle the question. But it doesn’t.

For one thing, it seems to me that eating mince and slices of quince with a runcible spoon would be difficult if not downright messy.

And Christensen notes that Lear also applies the adjective to a goose, a hat, and a wall. Wikipedia points to a runcible cat and a Rural Runcible Raven. None of the aforementioned, at least as we understand them, resembles a ladle.

“Despite the nebulous meaning of the words runcible spoon,” she says, “they trip off the tongue with delight and account for their many uses by other authors.”

So—what is a runcible spoon? It’s nonsense.

What else would it be? It comes from the brain of Edward Lear.

###

Except, to muddy the water:

Wikipedia dates publication of “The Owl and the Pussy-Cat” at 1870.

Here’s a photo of a George III Sterling runcible spoon by Eley & Fearn, L0ndon, 1817

George III Sterling Silver runcible spoon – by Eley & Fearn, London. TonyGosling, CC BY-SA 4.0, via Wikimedia Commons

 

Maybe the item wasn’t originally called a runcible spoon. Maybe the adjective was applied post-1870. I don’t know.

More nonsense.

Song of the Day: Her Beauty Was Sold . . .

She’s only a bird in a gilded cage,
A beautiful sight to see,
You may think she’s happy and free from care,
She’s not, though she seems to be,
‘Tis sad when you think of her wasted life,
For youth cannot mate with age,
And her beauty was sold, for an old man’s gold,
She’s a bird in a gilded cage.

*

This song was playing in my brain when I woke yesterday morning.

I thought that if I posted it, I might stop singing it.

David would be grateful.

*

Facts:

Sylvester Stallone sings the song in his guest spot of The Muppet Show. Elmo sings the first verse of this song when he is a pet bird in a bird cage in the Elmo’s World segment Pets on Sesame Street.Wikipedia

*

Read the rest of the song—and hear a recording—at https://www.lyricsondemand.com/t/traditionallyrics/abirdinagildedcagelyrics.html

“Rain, rain, rain, rain! Today!”

It’s pretty pathetic when, upon glancing through the window and seeing water falling from the sky, you 1) scream for your spouse to come look, and 2) grab a camera to memorialize the event.

It’s even worse when your spouse runs in and checks the Internet to make sure you’re not experiencing a collective hallucination.

The phenomenon lasted about five minutes. If that. The local weather website showed the cell right above us and nowhere else.

According to lore I learned in childhood, we damp ones have been 1) living right and/or 2) paying the preacher.

Rain cascading off roof of neighboring building. Austin, Texas. August 1, 2023.

*

*Post title taken from “Rain Song,” 110 in the Shade, book by N. Richard Nash, lyrics by Tom Jones, music by Harvey Schmidt. More about that later.

American Cancer Society Write 30 Minutes a Day in May

I’m participating in Write 30 Minutes in May to raise funds for the American Cancer Society.

ACS2022Wiki, CC BY-SA 4.0 , via Wikimedia Commons

There’s nothing like a writing challenge to teach you something you should already know. Or to remind you of something did know but forgot or stopped believing.

For several months before the fundraiser began, I went through a slump. The I-hate-writing/Everything-I-write-is-worthless/The-book-I’ve-been-working-on-forever-is-trite-trivial-stupid-flawed-doomed/I-can’t-make-the-plot-work-anyway/I-should-scrap-all-40,000-words-and-binge-watch-Law-and-Order-and-play-Candy-Crush slump.

It happens periodically. But this was a particularly long and depressed dry spell.

And when you get out of the habit of writing, it’s difficult to start again. I dreaded the arrival of May 1. It arrived anyway.

To ease back in, I got out the journal I bought in January. I had resolved to write in it every day. That resolution, of course, wandered away with the others. But better late than never.

I’ve always enjoyed writing longhand, so the journal seemed just the thing. Sort of.

The first few days were modified torture. I stopped every few minutes to check the clock: 25 more minutes; 18 more minutes;12 more minutes; 11 more minutes . . .

It was like writing a 500-word essay in high school, when I stopped every few lines to count the words I’d written.

That went on for eight days.

On May 9, sitting in the infusion room at Texas Oncology, I opened the journal, uncapped my pen, and prepared for misery. After two lines in which I expressed frustration at having gotten myself into this mess, a shift occurred. I was suddenly rewriting part of a scene for the novel—brief, but pivotal to the plot. Then I drafted a new scene.

While I was working, the volunteer who’d provided me with a blanket and a cup of hot tea approached. “May I ask a question?”

Of course.

“Are you writing a journal?”

I said I was.

“The reason I ask,” she said. “My daughter gave me a journal, but I don’t know what to write in it.”

“Anything,” I said. “Everything. Start by writing, ‘I don’t know what to write. I don’t know what to write. I don’t know what to write.’ And suddenly you’ll be writing about something.”

Arkansas

She smiled. “That’s very encouraging.”

After she left, I thought, “Well, d’oh.” How many times had I read that same advice in how-to-journal books: Start writing about nothing and your topic will appear.

How many times had I told my students to do that? How many times had I forgotten to take my own advice?

And what had I just done? I’d started writing about nothing—I am so frustrated with having to write and not being able to think of anything to say—and worked my way into something. The very something I’d needed—and wanted—to write.

Three days later, we left on a road trip. I wrote in the car. From Little Rock to Knoxville to Lake Charles to Houston to Austin. On smooth roads (Arkansas and Tennessee) and rough (Louisiana). Through road construction (Texas).

Louisiana

I worked on that-trite-trivial-stupid-flawed-doomed book. I wrote new scenes and revised old ones. I wrote notes about scenes I need to shift around, characters I need to flesh out, darlings I need to kill.* I wrote blog posts. I continued to write that night at the hotel.

I didn’t stop at 30 minutes. I kept going for two or three hours.

Since we got home last week, I’ve continued to write. I’ll write to the end of the fundraiser.

And on June 1, I’ll still be writing.

Thanks to the American Cancer Society for all it does to find a cure for cancer and to make life better for those affected by it.

Thanks for giving me back the desire to write.

***

Kill Your Darlings–I’ll let MasterClass explain:

“The phrase “kill your darlings” has been attributed to many writers over the years. Writers as varied as Oscar Wilde, G. K. Chesterton, and William Faulkner have been credited with coming up with the phrase. But many scholars point to British writer Sir Arthur Quiller-Couch who wrote in his 1916 book On the Art of Writing: “If you here require a practical rule of me, I will present you with this: ‘Whenever you feel an impulse to perpetrate a piece of exceptionally fine writing, obey it—whole-heartedly—and delete it before sending your manuscript to press. Murder your darlings.’”

Since then, variations of Quiller-Couch’s phrase has been used by many writers and scholars. Stephen King had this to say on the art of writing in his book On Writing: A Memoir of the Craft: “Kill your darlings, kill your darlings, even when it breaks your egocentric little scribbler’s heart, kill your darlings.”

***

 

Sulfur, Brimstone, and McDonald’s

We’re in Sulfur, Louisiana, for the Calcasieu Short Film Festival, where David’s video Alien Whisperer was screened.

Brimstone Cockatoo

Unfortunately, we didn’t make the screening. This morning, before the festival began, I fell in the McDonald’s restroom. And couldn’t get up. I managed to get myself and my walker to the door and call David, who I knew was waiting outside. Imagine his surprise when he saw me walking on my knees,  maneuvering the walker with my forearms.

A digression: Please don’t say you’re sorry. I’m sorry enough for all of us. But I try to take these events with a light heart and write jolly posts about them. As long as my bones stay put, I won’t complain. Much.

Two firemen kindly got me into the wheelchair–which resides in the trunk of the car for just such an eventuality, and which I’ve made my peace with–and the McDonald’s manager filled out an incident report. Then David rolled me to the car, where I poured water over my hands. At the hotel, I also divested myself of my clothes. Restroom floors are not known for being pristine, and this one left me feeling particularly grubby.

As I told everyone who passed (while I was sitting on the floor) and asked, I’m physically fine. Psychologically bruised–sitting on the floor at a fast food place, especially at my age, will do that to you. One knee does have a bruise, not from the fall, but because my knees are bony, and walking on them always leaves its mark. It also hurts like crazy while in progress.

Colossus of Rhodes

I fell because my feet were too close together and I overbalanced.  A therapist once told me to walk like John Wayne and to stand like the Colossus of Rhodes, the opposite of what my mother told me to do, so I have trouble remembering to do it. I tried to stay vertical by grabbing the handle of the walker, and the brakes failed.

David said the brakes didn’t fail–he’d fixed a loose one yesterday, and he demonstrated that they’re fine–and said it requires more weight than I placed on it. He said it’s a basic law of physics. It’s like trying to stop with bald tires: the brakes work, but the tires slide.

I told him I should have enough weight to stop anything. And my tires aren’t bald.

Anyway, by the time I finished with the fire department and the incident report, the film was over.

Sulfur. By Ivar Leidus, CC BY-SA 4.0, via Wikimedia Commons

David went into the Brimstone Museum, where the festival was held, and told the director that we’d been held up by his wife’s medical issue. He was kind enough not to say I’d fallen all over the place.

I was disappointed, of course, and felt bad for David. He said he wasn’t disappointed because it’s not his best video and he wasn’t looking forward to seeing it. He also doesn’t like being called up onto the stage to answer questions.

I was also disappointed at not touring the Brimstone Museum. I wanted to see what was on display. The Brimstone Museum in Sulfur, Louisiana, sounds so John Miltonish. David, however, said there wasn’t much on display because they’re remodeling.

Although the trip didn’t meet our expectations, it was less of a disappointment than the time we went to a festival in Houston and learned that the email saying his video had been selected didn’t mean it would be shown. So we went to Galveston.

When I get home, I shall insist my doctor refer me for physical therapy so I can regain strength enough to walk without that brake-challenged walker and to stop falling, or at least to stop having to call the fire department for aid and comfort. When I finished chemo, I was ambulatory, bopping merrily into radiation twice a week so the techs could admire my cute socks, bopping out to the grocery store. During the pandemic, I bopped nowhere. That’s taken a toll.

The whole trip hasn’t been a disappointment, though. In our first real getaway in four years, we drove to Knoxville, then looped back to Sulfur. That was fun. But it’s a story for another post.

***

I’ll add that yesterday we checked into a very nice hotel and then learned there would be no hot water for three days. Showers were bracing. Today we moved.

***

Image of brimstone cockatoo by Karsten Paulick from Pixabay

Sulfur. (2023, May 16). In Wikipedia.

Image of Colossus at Rhodes via Wikimedia Commons. Public domain.

Our revels now are ended

William Shakespeare

Baptized April 26, 1564 – Died April 23, 1616

Our revels now are ended. These our actors,
As I foretold you, were all spirits and
Are melted into air, into thin air:
And, like the baseless fabric of this vision,
The cloud-capp’d towers, the gorgeous palaces,
The solemn temples, the great globe itself,
Ye all which it inherit, shall dissolve
And, like this insubstantial pageant faded,
Leave not a rack behind. We are such stuff
As dreams are made on, and our little life
Is rounded with a sleep.

***

The Tempest, Act IV, scene i

Portrait of William Shakespeare attributed to John Taylor, 1585 – 1681. Public domain. Via Wikipedia.

All in the April Evening

On Good Friday several years ago, I posted “All in the April Evening,” words and music by Sir Hugh Roberton, based on a poem by Katharine Tynan.

Good Friday is past, but music and poetry shouldn’t be limited, so I post it again.

Roberton modified the poet’s words slightly; his version is the one I use. A link to the poem is here.

Links to performances and biographies of the composers follow.

Years ago my voice teacher introduced me to the song. Now I can’t sing it, because I can’t even hear it without tears.

***

All in the April evening
April airs were abroad
The sheep with their little lambs
Passed me by on the road
The sheep with their little lambs
Passed me by on the road
All in the April evening
I thought on the lamb of god

The lambs were weary and crying
With a weak human cry
I thought on the lamb of god
Going meekly to die
Up in the blue blue mountains
Dewy pastures are sweet
Rest for the little bodies
Rest for the little feet

But for the lamb, the Lamb of god
Up on the hilltop green
Only a cross, a cross of shame
Two stark crosses between

All in the April evening
April airs were abroad
I saw the sheep with the lambs
And thought on the Lamb of God

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All in the April Evening
Sung by the Glasgow Orpheus Choir
Directed by Sir Hugh Roberton”

All in the April Evening”
Instrumental performed by the Grimethorpe Colliery Band

***

—from Wikipedia:

Sir Hugh Stevenson Roberton (23 February 1874 – 7 October 1952) was a Scottish composer and Britain’s leading choral-master.

“Roberton was born in Glasgow, where, in 1906, he founded the Glasgow Orpheus Choir. For five years before that it was the Toynbee Musical Association. A perfectionist, he expected the highest standards of performance from its members. Its voice was a choir voice, its individual voices not tolerated. He set new standards in choral technique and interpretation. For almost fifty years until it disbanded in 1951, on the retirement of its founder, the Glasgow Orpheus Choir had no equal in Britain and toured widely enjoying world acclaim. Their repertoire included many Scottish folk songs arranged for choral performance, and Paraphrases, as well as Italian madrigals, English motets and the music of the Russian Orthodox Church. The choir also performed the works of BachHandelFelix MendelssohnPeter CorneliusBrahms and others.

“He wrote the choral work (words by Katharine TynanAll in the April Evening, and the popular songs Westering Home and Mairi’s Wedding.

“He was a pacifist and member of the Peace Pledge Union. For this reason both he and the Glasgow Orpheus Choir were banned by the BBC from broadcasting during the Second World War.”

*

from Wikipedia:

Katharine Tynan (23 January 1859 – 2 April 1931) was an Irish writer, known mainly for her novels and poetry.

“Tynan was born into a large farming family in ClondalkinCounty Dublin, and educated at St. Catherine’s, a convent school in Drogheda. Her poetry was first published in 1878. She met and became friendly with the poet Gerard Manley Hopkins in 1886. Tynan went on to play a major part in Dublin literary circles, until she married and moved to England; later she lived at ClaremorrisCounty Mayo when her husband was a magistrate there from 1914 until 1919.

“For a while, Tynan was a close associate of William Butler Yeats (who may have proposed marriage and been rejected, around 1885), and later a correspondent of Francis Ledwidge. She is said to have written over 100 novels. Her Collected Poems appeared in 1930; she also wrote five autobiographical volumes.“

Superscripts have been deleted from the Wikipedia articles.

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