What I Learned from Ernest Hemingway, Plus a Photo of Gregory Peck, Plus Snakes

What if soy milk is just milk introducing itself in Spanish?*

***

To Write, etc., has been dormant for a while because I’ve been (a) playing spider solitaire, and (b) working on two pieces of literature:

(1) a story entitled “When Cheese Is Love,” which needs to be 5,000 words but is currently 6,200 words, necessitating radical surgery and the murders of a few darlings; and,

(2) a post for the Austin Mystery Writers blog that would have been online last Monday had I not suffered at tiny fall (and, no, I’m not going to tell how it happened), which rendered me indisposed for just long enough to figure out the post wasn’t coming together as I wanted because I was trying to write about two different topics at once.

I can’t complain about an indisposition that allows me time to realize the first half of a post I’ve drafted says one thing and the second half contradicts it.

My next project will appear right here on To Write, etc. It is tentatively entitled “Snakes I Have Known.”

I spent this evening telling snake stories on Facebook and suddenly realized–it’s like that chapter in For Whom the Bell Tollsno, it’s in “The Snows of Kilimanjaro,” actually–where Hemingway wastes a lot of material writing about what his character would never write:

Now he would never write the things that he had saved to write until he knew enough to write them well. . .

***

He remembered the good times with them all, and the quarrels. They always picked the finest places to have the quarrels. And why had they always quarrelled when he was feeling best? He had never written any of that . . .

***

No, he had never written about Paris. Not the Paris that he cared about. But what about the rest that he had never written?

What about the ranch and the silvered gray of the sage brush, the quick, clear water in the irrigation ditches, and the heavy green of the alfalfa. The trail went up into the hills and the cattle in the summer were shy as deer. . . 

About the half-wit chore boy who was left at the ranch that time and told not to let any one get any hay, and that old bastard from the Forks who had beaten the boy when he had worked for him stopping to get some feed. The boy refusing and the old man saying he would beat him again. The boy got the rifle from the kitchen and shot him when he tried to come into the barn . . . 

So there it is. Hemingway threw away all those stories by putting them inside of a dying character thinking about the stories he will never write.

And Hemingway never wrote them either. He wrote about them. What a waste.**

Heaven forfend that I should meet a similar fate. I’m not going to write about those snake stories. I’m going to write them.

So watch this space.

In case you don’t care for snakes, don’t worry–I won’t include pictures of them. And no one will be bitten. All my snake stories are true, but I kept my distance while they were happening.

***

*The question is rhetorical and appears only because I’m feeling whimsical. And because this is  my blog and nobody’s grading it and I can do whatever I please. So there.

**For most of this post, my tongue is firmly planted in my cheek, but this paragraph comes from the heart. It’s sad that Hemingway left stories untold. It’s sad that any writer does that. And I guess they all do.

Grappling with King Charles’ Head

Portrait of King Charles I in the robes of the...
Portrait of King Charles I in the robes of the Order of the Garter. (Photo credit: Wikipedia)

I have been–to use a term I learned from fellow blogger Kate Shrewsday–in a funk hole.

Recent events in the American political arena have had me biting my tongue and wearing mittens to keep from making an abject fool of myself on this blog.

Every time I started a post, I immediately thought of a number of men whose names I will not mention–yes, always men–and my chosen topic veered off the rails into an area I prefer not to traverse.

I felt like Mr. Dick, David Copperfield’s friend, whose attempts to complete his Memorial were repeatedly obstructed by the intrusion of King Charles’ Head.

Lacking Mr. Dick’s good sense, sweet temper, and ability to construct a kite from a laptop monitor, I went underground. Crawled under the porch. Played Bookworm for two or three weeks.

Bookworm is a good game. One evening I racked up 2,000,000 points before my library burned up. This is not a boast. It is a source of shame. But it kept me from posting.

I’ve also watched all the P. D. James mystery adaptations on Netflix, some of them twice. And all the episodes of Kingdom three or four times. I was so unhappy to learn Kingdom ran only three seasons. Here I am left hanging, wondering who Peter Kingdom really is.

But I believe my topic has once again taken off on its own.

The point is that you, Dear Reader, do not come here to read what I think of the current U. S. political scene, nor do you need to know about my obsessive-compulsive personality. Or my sharp tongue.

I prefer that you think of me as a kindly, marshmallowy creature, constitutionally incapable of an unrefined thought. Kind of like Jane Bennett.

And to that end, I found myself a funk hole and crawled in.

When I came out to test the waters, I wrote about cats, the subject least likely to attract King Charles’ Head.

Having passed that test, I now return to the fold.

Round #2 of A Round of Words in 80 Days begins this week. I flunked–if that’s possible–Round #1–but I’m willing to give it another try.

My Round #2 goal is to submit to my critique group every week. Period.

King Charles and the U. S. Congress can go fly a kite.

#ROW80 8/7 & 100 Words

From US Patent 19783 Combination of Lead-Penci...
Image via Wikipedia

On Sunday, I wrote on assignment: 100 words.

The assignment was extraordinary because someone asked me to write it.

People don’t often ask me to write. I usually ask myself, and then I either grant or refuse my own request.

If I want me to write a blog post, I write it.

If I want me to write something requiring effort, I make a list of all the housework I need to do, and then I sit down and start an old P. D. James mystery on Netflix and immerse myself in e-mail.

Or I take Ernest to the vet.

Never mind. That was last week. Monday has arrived, and with it new resolve.

Today: Draft new Molly scenes and send to critique group.

I’d like to add a sunny little punch line here. If one occurs to me later, I’ll add it.

*

Image by Dmgerman at en.wikipedia [Public domain], from Wikimedia Commons

Pact and Peoria

There was a young girl from Peoria
Whose name was Regina Victoria.
Said she with a sigh,
“It is certain that I
Should reside at the Waldorf-Astoria.”

I’ve made a pact: I will write for at least forty-five minutes each morning before going on-line to check e-mail.

When I start with e-mail, a message leads to a blog to a website to a who-knows-where, and before I know it, I’m surfing.

Surfing and writing aren’t the same thing.

Surfing involves the muscles of one index finger.

Writing involves the muscles of the brain.

Surfing results in a little burst of dopamine at every click.

Writing drains the dopamine right out of you.

I’ve never heard of anyone having surfer’s block or surfer’s anxiety.

You see where this is going.

Pacts normally involve at least two people. Mine, however, involves only me. Consequently, after two days, it’s already getting loose at the seams.

This morning, for instance, before I could open the file wherein lives my budding novel, I remembered McGill Rhyming Dictionary. I downloaded the program–free!–several weeks ago but never installed it.

Why I thought of it today, I have no idea. Just lucky, I guess.

Anyway, I found where it was hidden and installed it. Then I decided to take a peek and see what it looked like.

It looked pretty good, so I decided to see how it works. I clicked all the little icons and admired all the little bells and whistles–it has a hyperbolic thesaurus, plus Wikipedia, plus Wikisomethingelse, plus both proper and common nouns, plus context, plus rime schemes, plus syllable count, plus line numbers…

So I decided to try it out.

At the end of forty-five minutes, I had written three limericks. One of them is at the top of this page.

I’m not going to share the other two. They are perfectly nice, respectable verses. But I do have a reputation to uphold.

I e-mailed them to some friends as evidence of my industry. One suggested a new project: Kathy’s Limerick Blog.

I hate to say it, but I’m tempted. Some people write a haiku a day. I could write a limerick a day.

Two more lines than a haiku. More syllables. The added pressure of rime. But the extra work would be balanced by the fact that when writing a limerick, I know when I’m finished.

Haiku are different. Airy, elusive. I can have the arithmetic exactly right but still feel that something needs fixing.

That’s not a good feeling.

I don’t know yet about the new blog. It would be smart to forget it.

Because limericks are as addictive as e-mail.

I’d just end up needing a new pact.


Just for the Hell of It Writers adopt motto*

*Motto: a short phrase that usually expresses a moral aim or purpose. Or, in this case, an immoral aim or purpose. Or an amoral one. Whatever. Anyway, writing is high on our to-do list, and tomorrow is most assuredly another day.**

**JFTHOI Writers–at least the one responsible for this blog–hope readers understand that (1) irony is the spice of life, and (2) we write a lot more than we let on, and (3) the process is more fun when we can laugh about it.

Back in the slammer again

Today’s horoscope said, “A person who means well will throw a wrench into the works.”

That was the man who came to paint the front door. The go-between told me he would be here at 9:00 a.m. I was supposed to secure my cats before he arrived.

Securing cats meant I had to (1) get them into the bedroom and (2) keep them in the bedroom. There’s never a guarantee of either.

The only guarantee was that I would stay with them. They don’t like closed doors. I don’t like being stuck in the bedroom all day.

But I also don’t like my mattress to be shredded.

So I rose early, performed my usual exercise routine (Dear Abby, crossword puzzle, op-ed page, and letters to the editor), and considered the ordeal before me. I wished I had a can of tuna. I could have lured them upstairs with that.

But fate was on my side. Last night, according to vet’s orders, I drizzled olive oil over their midnight snack. They disapproved, so they didn’t eat it, so this morning they were hungry.

I grabbed a clean bowl and their food and climbed the stairs, crinkling the Friskies bag as I went. William and Ernest followed.

I plopped the bowl onto the middle of the bed and poured in a cup of kibble. William and Ernest followed.

I shut us in. William and Ernest leaped from the bed and prostrated themselves before the door. They reached under it with their little paws and stretched their little forelegs as far as they would go.

Knowing that within seconds they’d be using their little claws to bust out of the joint, I harrumphed as if I meant it. They ran under the bed.

I galloped downstairs and grabbed the laptop. I needed to work on my novel. There’s a manuscript contest coming up. I have a lot to do.

By the time the painter arrived at 12:25 p.m. (not his fault), we three had been sharing a cell for nearly four hours. I had canceled my lunch date. Ernest had eaten a few bites. He batted a few more bites onto the bedspread to use as pucks. Normally I would have discouraged this activity; today I saw it as a blessing.

William stayed under the bed sulking. When I lifted the bed skirt, he looked the other way. Even when I opened the blinds, he refused to come out.

Later I saw Ernest tiptoe to the door. He stretched out in a casual fashion. Then he lifted one paw and gave the door a pat. I harrumphed. Withdrawing the paw, he looked at me. Then he looked at the door. Then at me. Then at the door.

I won. He joined William under the bed.

He didn’t know that a third of that harrumph was aimed at the cramp in my back. Lying on my side to type wasn’t smart.

When fumes wafted up the stairs, I slid open the door to the balcony. The cats emerged. They lay side by side, listening to birds and enjoying the illusion of freedom. Then the yardmen turned on the mowers and the painter turned on the sander. William and Ernest scooted back under the bed.

Having scraped, sanded, and applied primer, the painter left at 2:30. I told the cats he was gone. They didn’t respond. By this time I was as stir crazy as they were.  I wanted to crawl under the bed with them.

But I didn’t. I remembered the second part of my horoscope: “The element of unpredictability will be good for you, and so will the delay this causes.”

That sentence wasn’t so easily interpreted. On the one hand, the painter told me  he refinishes furniture. I told him about my oak dining table. He said he could fix it.

Without doubt, that’s good for me. The table top has been teetering on the pedestal since ever since the movers got it off the truck and brought it inside. I’ve been expecting a lapful of lasagna  for the past six months.

On the other hand, there’s the novel. Between cats, fumes, poor posture, and funk, I didn’t get much writing done. In that respect, the delay wasn’t good.

Tomorrow the painter will come back to paint. Friday he’ll come to replace the weather-stripping. That means two more days imprisoned with cats–if they’re dumb enough to cooperate, which is questionable–and two more days of potential writing avoidance.

When it comes to not writing, I prefer to invent my own excuses.

But what’s done is done. The milk has been spilt.

I’ll get up early in the morning. I’ll do whatever has to be done to return the cats to the slammer. I’ll borrow pillows from the guest room to better prop myself up.

I’ll bow my neck and put my shoulder to the wheel and my nose to the grindstone, and I will write and write and write.

But I’ll skip the horoscope. There’s no use borrowing trouble.