We’re pleased to announce that “Invisible Men Invade Earth” was named audience favorite at the Central Arts Short Film Battle in Hurst last night. It competed with “Don’t Die” by Cody Lovorn from San Antonio.
As winner, “Invisible Men” will compete with other 2019 audience favorites later in the year.
After the Battle, a 90-minute feature film, The Monster of Phantom Lake, produced by Film Battle organizer Christopher Mihm, was shown. The Creative Spotlight terms Mihm a “retro-styled director.” Of the film, it says,
“Made on a nearly non-existent budget, this B-movie went on to garner much critical acclaim, appear in many genre-based film festivals, win multiple awards, and continues to screen across the world.”
Without further ado, here are pictures of writer-director-producer-camera man-sound engineer-casting director-key grip-best boy-etc. David Davis, stars William the Cat and Ernest the Cat, and one wall of the theatre.
Photos of David Davis by Kathy Waller
Photo of wall by David Davis
Photos of William and Ernest by Charla, our vet tech cat minder, for whom William and Ernest always pose nicely, because they like her more than they like David and me
In June, David’s “Alike and Different,” a video “dedicated to the kindness of strangers,” won the Out of This World Award at the Lionshead Film Festival in Dallas.
The emcee who introduced the video said–and I wrote this down so I would get it right–“Not much I can say. Four minutes.” And then, to the audience, “We’ll see what you say.”
But he was half grinning/half giggling, which said a lot. And the audience laughed in all the right places.
When people you don’t know, and who don’t know you, laugh in all the right places–well, it makes you feel darned good.
Afterward, the emcee said David’s video shows what can be done using just a few household objects. I assume the household object to which he referred was my vegetable steamer. It does make a stunning spacecraft.
When David told me the festival would be held at Valley View Center, an old mall on Preston Road, I said, “I know Preston Road.” And that is true. Sort of. I know approximately two blocks of Preston Road. Or, I knew two blocks of it. My knowledge peaked sometime between, oh, 1957 and 1965.
Consequently, as a navigator, I was hopeless. I read the big green exit signs and said things like, “There’s Walnut Hill Lane. I know that.” And, “There’s Belt Line. I know that.” I’m just a bit hazy on how all the streets I know fit together, like on a map.
[Typical on-the-road conversation:
David: The mall is in the Galleria area. Do you know where the Galleria is?
Me: Yes. It’s in Houston.]
Fortunately, David had performed due diligence and we reached our destination without having to depend on the kindness of strangers.
The Lionshead festival was smaller than others we’ve attended: all fifty-two films were screened in one small room. But I was impressed by the quality. “Call for a Good Time,” was one of my favorites. It was named Best Student Comedy Micro Short. The director, a student at Baylor University, said it was inspired by Baylor’s Moody Memorial Library, which serves as an unofficial social center. He said you have to get pretty deep into the library to study, which is what his characters do. Sort of.
My other favorite was a comedy titled “Hard Broads.” I can’t explain. You have to see it for yourself. It was named Best Female Directed Short. I didn’t see a Best Male Directed Short on the list.
Two days before the festival, the Dallas City Council voted to tear down Valley View Center to make way for the Dallas Midtown development. It seems it’s “a dead mall on life support.” Dead, maybe, but I liked what I saw of it–art galleries and studios and kiddie rides and a train. I’m a sucker for trains. And stuffed animals, and a store displaying the most well-endowed mannequin I’ve ever seen. I snapped a few of the highlights.
For more out-of-this-world experiences, check out Alien Resort.