Alien Resort: The Bride Was Lovely

King Benjamin of the Archipelago reported the marriage of Coy and Susan on the Alien Resort blog, but in a just-the-facts-ma’am account, lacking the detail readers expect in the Sunday Society rotogravure. Well, that is men for you. Fortunately, I paid attention to the matters of most importance and am pleased to supplement King Benjamin’s account. King Benjamin gave me permission to post this, although he noted it’s awfully fancy. ~ Queen Ramona


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Not Consuelo Vanderbilt’s wedding dress. See note at end of post.

Coy of Alien Resort and Susan of Alpha Pegasi exchanged marriage vows on Wednesday, July 15, 2020,  with Spaceship Captain Plucky officiating.

Social distancing was in effect at all times.

The bride was lovely in a floor-length gown of cream satin with a ten-foot train, fashioned after the dress worn by Consuelo Vanderbilt at her 1895 marriage to the 9th Duke of Marlborough. Her low-heeled slippers were of cream peau-de-soie.

Susan carried a tropical cascade bouquet of Asiatic lilies, ranunculus, and bright blue orchids. Around her neck she wore an antique pearl choker belonging to Queen Ramona, thus completing the tradition of old-new-borrowed-blue.

Ladies-in-waiting were attired less sumptuously but just as attractively in floor-length gowns of orange organza with ruffles at neckline and wrist.

The groom, best man Deadpan, and groomsman Dan Rosandich of Dans Cartoons wore black Vera Wang notch lapel tuxedos. The soles of the groom’s shoes were painted black so they wouldn’t look all dusty when he knelt.

Best man Deadpan carried the rings. Coy had considered having a juvenile ring bearer but dropped the idea when Susan reminded him that children, although cute, are unreliable.

Queen Ramona wore a rhinestone tiara and her Writers’ League of Texas sunglasses, the latter in hopes that no one would recognize her.

The altar was tastefully decorated with a lovely gift of flowers from bluejayblog.

Security was provided by Jett of Comically Quirky and Toby of the Adventures of Bitey Dog. All guests being of a peaceable nature, no biting occurred.

Following the wedding ceremony, guests partook of refreshments of brownies, mixed nuts, and pink champagne, with the option of plain pink punch for teetotalers.

 

Coy and Susan were especially honored by the presence of a Special Guest, the author of mydangblog, who came all the way from Canada to attend the reception.

Unfortunately, the bride and groom skipped the brownies and left for their honeymoon immediately after the service, and most of the guests followed throwing birdseed, so the crowd at the reception was rather sparse, and the guest author was stuck talking to Queen Ramona and an anonymous Truck Driver. The Queen and the Truck Driver enjoyed the conversation immensely, and the mydangblog author proved a really good sport.

When the festivities ended, King Benjamin announced that a good time had been had by all.

Queen Ramona surveyed the leftover brownies and begged guests to take as many as they could carry because there were at least 3,000 and the palace freezer wouldn’t hold them all. She said she’ll store the champagne in the wine cellar for future celebrations.

After a honeymoon of sightseeing at the main island of the archipelago, Coy and Susan are at home at their spaceship at Alien Resort.

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Coy and Susan extend thanks to all who celebrated with them. They’re especially grateful to Zoom for assistance with social distancing.

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Image of wedding rings by Arek Socha from Pixabay

Image of brownie by S. Hermann & F. Richter from Pixabay

Image of pink champagne by Jill Wellington from Pixabay

Image of the dress not belonging to Consuelo Vanderbilt comes from Flickr and is in the public domain. It is identified as American and dated 1894. It’s not so opulent as that worn by Miss Vanderbilt, no ten-foot train (or five-foot train, depending on the source) but it’s as close as I can get without possibly violating copyright or paying a licensing fee.

Many and varied dresses show up on the Internet identified as the Vanderbilt wedding gown. The one I believe is accurate, which  appeared in a magazine of the time, is available for use on the web for about $44.00. I’m not that desperate.

#AtoZChallenge 2020: H Is for Husband

Day H. I’ve worked my way from “Herman” (a kitchen monster) through “Here’s the latest from SIP” (bo-ring) to “Husband,” which I should have thought of in the first place.

Here’s the low-down.

After careers focusing on criminal codes and tax codes, David Davis creates. His Alien Resort cartoon has appeared in newspapers in the United States, Great Britain, and Australia.

Now the developing story of Alien Resort appears on his website, Alien Resort: A Website That Is Actually a Story.

A little background on that: Coy crash landed his spaceship on a Pacific island and has since been joined by other ETs—Plucky, Deadpan, and Lmao—who help him write comics. A group of earthlings, the Beacons of Night and their leader, Rash Lambert, oppose the efforts of Coy and his friends (“We stand for a united earth. If you were born here, you’re one of us. When Alien Resort makes comics, they’re stealing our jobs.”)

Before becoming a cartoonist, David Davis produced, directed, wrote, and sometimes acted in sci-fi videos. His work has appeared at the 2017 Fort Worth Indie Film Showcase; the 2017 Dallas Medianale; the 2012 Boomtown Film and Music Festival in Beaumont, Texas, and the 2012 CosmiCon and Sci-Fi Film Festival in Roswell, New Mexico, as well as other venues.

After Reverse Effects was screened at the 2015 Fantastic Fest (Austin), Andrew Whalen of Playerone.com wrote that the film “is almost like a living comic strip, but undeniably vigorous and fascinating.” He also labeled David “eccentric.” The jury is still out on the latter.

Last Saturday, his first animated video, Blood Bank, was screened at the Dallas Alt Fiction film festival—online, of course, in the comfort of everyone’s living room.

He’s recently completed a second animated short-short: Time Capsule.

In all his creative endeavors, David is self-taught. He also excels at  producing award-winners on a shoestring. Where some directors spend millions, David reaches into a drawer, pulls out a vegetable steamer, applies a few special effects, and—voila! a spaceship rises from the ground and makes for Venus. Or somewhere in the vicinity.

My favorite of David’s videos is Invisible Men Invade Earth, which received the Judge’s Choice award at the 2017 What the Fest Film Festival (Dallas); the Out of This World award at the 2016 Lionshead Film Festival (Dallas); and the Most Original Concept award at the 2016 Houston Comedy Film Festival.

See what you think:

Here’s a link to Blood Bank.

And one to Time Capsule.

All of David’s videos can be viewed on his Youtube channel, here.

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The Blogging from A to Z Challenge 2020 master list is found here.

Find the Challenge on Facebook here.

Comicpalooza Day 1: Men’s Rooms, Thor, & Lumbar Support

We’re in Houston for the screening of David’s short-short animated video, “Blood Bank.”

Before most trips, I stay up half the night doing laundry, but last night I stayed up cooking pot roast. The fixings had been around for several days–I’d told David to buy them and I would cook, but then life got in the way, some of it legitimate, like not having enough cooking oil–and the roast was almost to the cook-it-or-freeze-it point. I would have frozen it but the carrots, potatoes, and onion wouldn’t have frozen well, so I cooked and froze the result.

On the positive side, that roast was absolutely delicious. I know because I tried it before going to bed. A darned good roast. Even if I did forget to put in the potatoes until late and had to let it cook for an extra hour. Or more.

On the negative side, I am absolutely wiped out. I thought I was doing pretty well on the drive over until we stopped for gasoline and trail mix and I followed David into the men’s room. And couldn’t figure out why he was waving at me so vigorously. Sort of flailing like a windmill.

I used a men’s room in Paris with David as lookout–the other ladies’ restroom at the Musee D’Orsay was closed, and I got tired of standing in a line that stretched down the hallway–and nobody said boo. But Americans are more sensitive about those things than are the French.

Anyway, we got to the hotel around noon and had lunch and then I crashed. Then we had dinner and went to the screening. Then we went back to the restaurant because I wanted glass of wine.

I don’t drink–at least, that’s what my doctor said when I told him how much alcohol I imbibe per year–but I am so tired that I was afraid I wouldn’t sleep. I thought a medicinal glass of wine might knock me out.

So David ordered a Stella Artois for himself and ordered me a glass-and-a-half of Fleur de Mer. That’s nine ounces as opposed to a glass, which is six. I don’t like most wine, but rosé isn’t bad. A dessert wine I had at a Greek restaurant years ago was excellent, but I’ve forgotten what it was, so I’m stuck with rosé.

I would have had Dom Perignon if it hadn’t been $350 a bottle. I’ve been trying to remember if I’d ever been in a restaurant that had Dom Perignon on the menu. A restaurant we went to for Valentine’s Day a couple of years ago was serving some kind of steak for $150. I guess that’s the closest I’ve to Dom Perignon that I’ve come. David said it was a joke and no one would order steak for that price, but I pointed out you never know what some men will do to impress a girl they aren’t married to.

The glasses our beverages came in were just this side of mammoth. David took pictures. It was rather gauche of us to notice the glassware, but that’s just the kind of people we are. Furthermore, I’m from the country.

I’d been gauche once earlier in the evening: I asked (had David ask) for catsup. Fried catfish was on the buffet, but there were no condiments, and I’m sorry, but I grew up eating fried catfish on my grandfather’s front porch, and I know that with catfish, catsup is a necessity, even if Conrad Hilton doesn’t.

I used to think that staying at a Hilton meant I had to arrive looking like I’d made an effort, and I guess back in the ’50s that was true, but judging from the other guests wandering in from the parking garage, it ain’t true any more. So I’ve given up trying.

No, that’s not true. I do try. It’s just that nobody can tell it.

Anyway, we sat in the restaurant, and David drank his beer, and I drank my wine, and then I got into the wheelchair and David wheeled me to our room. I can walk just fine, except when I haven’t had enough food or enough sleep, or when someone is watching, and then I stagger, and I don’t go too far too fast under any circumstances, so on our film weekends, I get wheeled a lot.

My fault. I was forced to be sedentary for a while and liked it so much I just kept a-goin’. I’ve been walking more lately, though, and am doing quite well. If no one is looking. I’ve also registered at a gym.

Sad to say, however, I’ve come to enjoy being wheeled around. It was embarrassing at first, but I’ve gotten over that. Why walk when you can ride? Only at huge film festivals, though. Comicpalooza is huge.

Tomorrow we’ll wheel around the George R. Brown Convention Center, looking at people dressed like their favorite comic book characters. I think some will dress however they please. They’re all entertaining.  If I had my old Davy Crockett outfit, I would wear it, if it weren’t too small. I got it for my birthday a million years ago. The coonskin cap was especially nice. Somewhere there’s a snapshot of me wearing the outfit and holding my pet hen, Dickie.

There will be signs saying to ask permission before taking pictures of people in costume. I cannot for the life of me figure that one out. When anyone over the age of eighteen walks around in public around dressed up like Buzz Lightyear, he shouldn’t be surprised to see flashbulbs going off. Although I’m not sure we have flashbulbs any more.

Last year at lunch, we sat very near Thor. He told the man he was with that he needed lumbar support. I didn’t take his picture because I knew just how he felt. But the experience dampened the thrill of being only yards away from a Germanic god. Too much wielding of that hammer, I suppose.

But when I want a photo, I do ask. Rather, David asks. I’m shy. I wait till they walk away and and then take pictures of  their backs. I got one tonight. “Cat Lady Squad.”

Well. That’s my day. Thank you for asking.

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The last time I posted, WordPress had a spell/word check on the toolbar. Tonight it seems to have disappeared. So if this post is riddled with errors, talk to WP about it. I proofed and proofed but that glass of wine is beginning to kick in and standard usage is falling by the wayside.

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“Tor’s Fight With the Giants” by Marten Eskil Winge, public domain, via Wikipedia

I Is for I Like Alien Resort: #atozchallenge

 

About a zillion words into a post about ifferisms, I discovered I was so bored I couldn’t go on, and if I couldn’t go on, neither could anyone else. So I abandoned it. That left a void in the topic area, but the only I word I could think of was I.

Well, they say write what you know: I like these books. I like these movies. I like chocolate.

Then  David gave me permission to write about Alien Resort, a cartoon peopled–or, more accurately, aliened–by visitors from outer space.

Creator, writer, and illustrator, Earthling David Davis, is aided by the four ETs pictured below: Coy, Plucky, Deadpan, and Lmao. Coy founded Alien Resort after crash landing on Earth. The others arrived later. Read their bios here.

Alien Resort. © David Davis.

The cartoon appears in newspapers from California (Alameda Sun) to Brooklyn (Canarsie Courier) to Cumbria, UK (Egremont 2day ) to Australia (Dunoon and District Gazette), plus a number of other publications along the way. They’re listed at the Hall of Fame.

Here’s a sample of what you see at Alien Resort:

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In 2015, David’s submission won John Kelso’s Funny Christmas Card Contest (Austin American-Statesman).

His short film Invisible Men Invade Earth has been screened at a number of festivals. It was named Most Original Concept at the 2016 Houston Comedy Film Festtival and Judges’ Choice at the 2017 What the Fest in Dallas. Read more about it and watch it on vimeo.

Bloggers: Interested in Writing Guest Posts? Joining a Group Blog?

Used with permission. © David Davis

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A group blog I write for is seeking bloggers to write one or two guest posts next month.

We’re also looking for bloggers interested in posting once or twice a month on a regular basis.

If you’ve published books or stories, or if you aspire to publish, blogging with us is a good way to publicize your work and to show readers what you do.  Other members of the group will share your posts on their social media, so there’s the potential for hundreds, maybe thousands, of readers to see your work.

We’re family friendly, but aside from that, topics are up to you.

If you’re interested, leave a comment and I’ll get in touch.

 

 

Dedicated to the kindness of strangers

Alike and Different
Alike and Different

In June, David’s “Alike and Different,” a video “dedicated to the kindness of strangers,” won the Out of This World Award at the Lionshead Film Festival in Dallas.

The emcee who introduced the video said–and I wrote this down so I would get it right–“Not much I can say. Four minutes.” And then, to the audience, “We’ll see what you say.”

But he was half grinning/half giggling, which said a lot. And the audience laughed in all the right places.

When people you don’t know, and who don’t know you, laugh in all the right places–well, it makes you feel darned good.

Afterward, the emcee said David’s video shows what can be done using just a few household objects. I assume the household object to which he referred was my vegetable steamer. It does make a stunning spacecraft.

David @ Lionshead Film Festival, 2016
David @ Lionshead Film Festival, June 2016

When David told me the festival would be held at Valley View Center, an old mall on Preston Road, I said, “I know Preston Road.” And that is true. Sort of. I know approximately two blocks of Preston Road. Or, I knew two blocks of it. My knowledge peaked sometime between, oh, 1957 and 1965.

Consequently, as a navigator, I was hopeless. I read the big green exit signs and said things like, “There’s Walnut Hill Lane. I know that.” And, “There’s Belt Line. I know that.” I’m just a bit hazy on how all the streets I know fit together, like on a map.

  • [Typical on-the-road conversation:
  • David: The mall is in the Galleria area. Do you know where the Galleria is?
  • Me: Yes. It’s in Houston.]

Fortunately, David had performed due diligence and we reached our destination without having to depend on the kindness of strangers.

The Lionshead festival was smaller than others we’ve attended: all fifty-two films were screened in one small room. But I was impressed by the quality. “Call for a Good Time,” was one of my favorites. It was named Best Student Comedy Micro Short. The director, a student at Baylor University, said it was inspired by Baylor’s Moody Memorial Library, which serves as an unofficial social center. He said you have to get pretty deep into the library to study, which is what his characters do. Sort of.

My other favorite was a comedy titled “Hard Broads.” I can’t explain. You have to see it for yourself. It was named Best Female Directed Short. I didn’t see a Best Male Directed Short on the list.

Two days before the festival, the Dallas City Council voted to tear down Valley View Center to make way for the Dallas Midtown development. It seems it’s “a dead mall on life support.” Dead, maybe, but I liked what I saw of it–art galleries and studios and kiddie rides and a train. I’m a sucker for trains. And stuffed animals, and a store displaying the most well-endowed mannequin I’ve ever seen. I snapped a few of the highlights.

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For more out-of-this-world experiences, check out Alien Resort.