William and Ernest Make America Great. For the Second Year in a Row. In Dallas.

David and I are in Dallas for What the Fest 2 at the Pocket Sandwich Theatre, and we are officially chuffed. David’s “Invisible Men Invade Earth,” which was named Judges’ Pick in the 2017 WTF, was screened last night, first on the program–and will be shown again tonight.

What the Fest highlights films that don’t fit into any particular genre. (An understatement if there ever was one.)

Last night’s fan favorite was “Deletion,” the story of a psychiatrist who specializes in erasing patients’ memories. My favorite was “Toasted,” a look at what appliances, including a Scotch tape dispenser that handles tape about as well as I do, get up to when the master isn’t home.

Everyone in the audience received a raffle ticket for door prizes. If you let them stamp your forehead, you got an extra raffle ticket. Well, why not? David won a tote bag. Or maybe I did. I gave him my tickets to care for, and we don’t know whose number was called.

At the second intermission, girls* came around with a black light thingy and took pictures of our foreheads. Results are under Well, why not, above.

Pocket Sandwich Theatre is little and cute and specializes in melodrama, as you can tell from the carpet of popcorn on the floor.

What the Fest is my favorite of all the festivals we’ve been to, in part because little and cute also means informal–the principals say they’re a family, and they act like it. They have fun. So does the audience.

They also like David’s film. When they introduced it, they said they’d watched nine hours of submissions, and to keep themselves going throughout the arduous task, they periodically played “Invisible Men,” because it made them giggle. When we were leaving, a couple of the guys said they watch it a lot and also quote some of the lines (“Well, that sucks,” and “It is not a coincidence.”) One of the girls said she watches it with her mother.

In Austin, “Invisible Men, the story of two cats who save Earth by facing down a horde of space aliens,” and David’s other films are called weird.”** The folks in Dallas speak of “purity” and “a place of love.” In other words, it’s the kind of film you can take home to your mother, and that says a lot.

Once again, stars William and Ernest chose to stay home under the twice-a-day supervision of Charla, who feeds them, pets them, and gives William his insulin injection. They don’t like the carriers or the car, but they like Charla a lot. Charla emailed us that they’re playful.

We’re now using the wi-fi at the Denny’s next door to our hotel. The hotel’s wi-fi keeps slipping off the Internet and refuses to let me upload photos, but Denny’s is excellent.

In about four hours, we’ll head back to Pocket Sandwich Theatre to see “Invisible Men Invade Earth” and several new films. Last night, the audience started laughing before the first scene ended. I’m sure tonight’s viewers will be just as discerning.

***

*A purist would call them women, but where I come from, women that age are girls unless you’re trying to make a point.

**In Austin, weird is a compliment. I don’t know who decided Austin is weird, but “Keep Austin Weird” is right up there, or maybe above, “The Live Music Capitol of the World.” Weird may have started when Jim Franklin drew that armadillo. Oh. I just looked it up. Here’s who decided Austin is weird.

Further note: Lone Star used to be the National Beer of Texas, and I guess it still is. I haven’t seen the commercial in a long time, but there’s a video on youtube extolling its virtues.  (See link above.) According to the expert, It’s got a perfect taste that’s hard to describe.

***

 

Eccentric Director’s Films Like a “Living Comic Strip”

Fantastic Fest: Epilogue

David is taking this in stride, but I am simply agog.

As a result of his participation in Fantastic Fest, David has been profiled the September 30th iDigital Times.

fantastic fest day 2 007

According to writer Andrew Whalen, “perhaps the strangest shorts in this very strange collection [Shorts With Legs] were those of David Davis.”

The article includes two of the shorts–“Alike and Different” and “Reverse Effects”–as well as a link to his Vimeo page.

Warning: The links to Vimeo in the article worked the first time I tried them

but failed a few minutes later. So I’ve added a direct link here.

Rummage around on his Vimeo page and see “Invisible Men Invade Earth,” which was screened in 2012 at Cosmic-Con and Sci-Fi Film Festival in Roswell, New Mexico, and at the Boomtown Film and Music Festival in Beaumont. Ernest the Cat makes an unscripted but serendipitous appearance.

Note: It’s best to use one of the links to access David’s films on Vimeo. I looked for them by googling his name and found several David Davis pages there–and some of the films surprised me. Nothing terrible (I guess; I didn’t exactly watch any of them), but I want to make clear that those surprise collections are not part of the genuine David Davis’ repertoire. The eccentric David Davis.

Another note: David’s short films are short–only two or three minutes. Don’t blink.

 

Boomtown #1

The first screening of “Invisible Men Invade Earth” was an unqualified success.

I should say the first two screenings.

David’s video was scheduled to run at 7:00 p.m. However, due to the enthusiasm of the folks operating the projector, it began at 6:47, right after the Doc Bloc had finished.

Most of the audience had left the theater for the break, so very few saw “Invisible Men.” Just in time, however, the manager appeared and announced the mistake. And “Invisible Men” ran again at the official time.

Now about the unqualified success: The audience laughed. Those who saw it the first time returned after the break telling others, “It’s about a space ship and aliens and cats.” Then they watched and laughed again. So did newcomers.

I don’t know what David learned from the experience, but here’s what I took away from it: When making videos, cast cats in starring roles. Viewers laugh at cats, even when said cats do nothing but lie around being cats.

Viewers laughed at David’s script, too. One line in particular drew a roar. It elicited the same response during a showing for friends in our living room.

The laughter of friends is good.

But when strangers laugh, you know you’ve done something right.

And if David doesn’t know that, something is radically wrong. Because Mrs. Producer Davis has informed him of the fact at least ten times this evening alone.