The House

Only Day 2, and I’m already tempted to drop out of Writing 101.

Yesterday I had all day. I started early, ignored the instructions and wrote what and how I wanted, and took my time doing it. Fine.

Today I had both morning and afternoon meetings, and now I’m as tired as I was when I had an eight-to-five job. In addition, I don’t like the topic. There’s no place I want to beam up to right now except bed.  I’m trying to get my sleep patterns straightened out, and I can’t do that if I stay up writing.

Furthermore–and this the heart of the matter–I don’t like doing descriptive writing. I’m not good at it. When reading, I often skim or skip. I miss a lot of great prose, I know, but I prefer to get on to what the characters are doing. A professor remarked that Hemingway‘s description of the scenery during a drive through the Pyrenees in The Sun Also Rises was some of the finest writing in the English language. We had just read the novel. I tried to look as if I agreed about the quality of the description I hadn’t noticed.

 Now that I’ve expressed my discontent with the topic, I’ll move on to a place I memorized:

My great-grandmother’s house two blocks from the house where I grew up. After you cross FM 20, the street angles off toward the left, and the one house and the foliage between hid Grandmama’s house from ours. The houses weren’t far apart, but when you crossed the two-lane road we called “the highway,” and the street made that little jog you felt like you were in a different part of town altogether.

 My great-grandmother died three years before I was born. When I was a child I called it “Aunt Ethel’s house” for the great-aunt who lived there. When my uncle inherited it, it became “Donald’s house.” My father, who, with his four brothers, had lived there as a child, after his mother died called it simply “the house.” “I’m going up to the house,” he would say. No one ever asked him to explain.

 It sat on the corner a block from Main Street, a white frame house with a big front porch. At each end a door led to a bedroom; the door to the living room was in the middle. Queen’s crown growing up the brick supports (pillars and columns sound too grand) and provided shade in summer and sometimes a measure of privacy. Inside there was no privacy at all: there were lots of windows, and most rooms had french doors. That they had sheers was little comfort. When we spent the night there once, my mother commented it was like living in a fish bowl. Surrounded by trees, it was hot in summer. On winter nights, when propane space heaters were turned off, it was absolutely freezing.

While my father called it “the house,” my mother called it “Grand Central Station.” Two of Grandmama’s sons lived across the street. Their children and grandchildren were in and out all day. Some walked in through the front door, stopped in the kitchen for a glass of water, and walked out the back without saying Hello. (I always said Hello.) When there was a funeral, four generations met there for lunch, sitting in the dining room, spilling out onto the front porch and the back yard. Those who lived there gathered there in the evenings. Mother offended my father early in their marriage by saying she’d rather stay home and listen to Jack Benny on the radio.

 By the time I was out of high school, things had changed. For the first time, I knocked on the door before walking in. The house was no longer a gathering place. Later, it passed out of the family, and none of us went there at all.

 Several years ago, I was invited back. An estate sale had been scheduled, and the auctioneer, knowing that many things there had been in my family for years, allowed me to come in for a pre-sale sale. I bought an old china cheese keeper that my mother had coveted, and some demitasse spoons from what had probably been Grandmama’s first set of flatware, and a place setting of the flatware used daily when I was a child, entirely utilitarian and, in my opinion, about the ugliest pattern imaginable.

It was strange being back after all those years. I remembered huge bedrooms, huge living room and dining room . . . Everything had shrunk. Except the porch. There was still room for several card tables of domino-playing ladies on summer afternoons.

For years, I felt as if that house belonged as much to me as to the great-aunts and the uncle who lived there. When it passed into new hands, I was sad. But it was a house. People had made it special.

The house was sold. My memories were not.

*****

Recently, the house was sold again, this time to a friend. I’m pleased to know it’s in good hands.

One Pure Thought From My Wild Mind

Never again.

 

That’s what I said when I received my M.A. No more school. I’d learned enough. More to the point, I’d stayed up for thirty-six hours at a stretch drafting and typing reams of literary criticism too many times. I’d tired of having to take off the weight (peanut butter) that appeared with each paper. The Idylls of the King alone added five pounds.

Six years later, after receiving library certification, I said the same thing. Enough.

Now here I am in summer school. WordPress’ Writing 101. Post every day in June.

Several years ago, I tried posting every day for a year from January 1 but fell out around March. It was fun but exhausting–sometimes Emily Dickinson had to step in for a guest post–and I had no energy to write anything else. I don’t write fast. I revise and edit as I go. (Please don’t bother telling me I shouldn’t.) I suffer; how I suffer.

But last night I saw the word challenge, which is the emotional equivalent of chocolate, and my resistance is low, so I cratered and registered. It’s just one month with weekends off, so perhaps I will last it out. The catch is that WP provides a topic and a twist.

Today’s topic, or goal, is to unlock the mind: free write for twenty minutes. Follow Natalie Goldberg and access the pure thoughts and ideas of your wild mind.

Today’s twist is to post the free write. It doesn’t matter, says WP, if what you write is incomplete, or nonsense, or not worthy of the “Publish” button.

Yes, it does.

writing-101-june-2014-class-badge-2I respect Natalie Goldberg, but I’m not about to put my wild mind out for the public to view. I will display irony and self-deprecating humor, keep my tongue lodged in my cheek, and present myself as flippant, superficial, frivolous, shallow, and self-absorbed.* My thoughts, which are seldom pure and never simple, thank you Oscar Wilde, plumb a depth those who read my blog and listen to me talk cannot imagine. And I don’t share.

That’s one reason I’ve cut down on Facebooking: It’s too easy to record what I think.

This free write has gone on for an hour and will go on until the manager of the book store tells me my car is about to be towed for violating the three-hour limit on parking if I don’t make myself stop.

To introduce today’s prompt, WP quotes Khaled Hosseini, author of The Kite Runner, on what all writers face:

You write because you have an idea in your mind that feels so genuine, so important, so true. And yet, by the time this idea passes through the different filters of your mind, and into your hand, and onto the page or computer screen — it becomes distorted, and it’s been diminished. The writing you end up with is an approximation, if you’re lucky, of whatever it was you really wanted to say.

– Author Khaled Hosseini, “How to Write,” the Atlantic

 Irish Murdoch expressed a similar idea in fewer words: Every novel is the wreck of a perfect idea.

What jumps out at me is this: Most of life is a wreck of a perfect idea. And we publish it anyway.

There: I’ve accessed a pure thought and idea of my wild mind.

Well. It’s been drummed into me that an essay must have a conclusion. The previous paragraph, although an abrupt ending, is close enough. I’ll leave this and work for a while on the *I#%+)(^! rough draft of the novel, which is what I’ve been avoiding for the past three-plus hours.

Thanks, WP, for supporting procrastination.

*****

 *I am self-absorbed.

Note: This place isn’t busy and the manager hasn’t said anything, so I assume my car is where I left it.

Note: With all respect to Mr. Hosseini, who writes beautiful books, I had no idea to express when I began writing this. I wrote it because WP told me to.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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A Good Time Was Had by All

Sisters in Crime Heart of Texas chapter introduced seven aspiring mystery writers at the annual Barbara Burnett Smith Aspiring Writers Event in May.

Austin Mystery Writers's avatarAustin Mystery Writers

IMG_3022By Gale Albright

There was much happiness on display at the tenth annual Barbara Burnett Smith Aspiring Writers Event (BBSAWE) on May 18 at Recycled Reads in Austin. People were talking, laughing, eating, exchanging e-mail addresses and phone numbers, eating, reading out loud, giving gifts, taking pictures–did I say eating?

The BBSAWE was created in the spring of 2005, after the tragic death of Ms. Smith, who was a published cozy mystery author. She was past president (International 1999-2000) of Sisters in Crime and was known for her helpfulness to other writers. Dynamic, energetic, and talented, her loss was greatly mourned by her family and the Austin writing community. To honor her memory, the Barbara Burnett Smith Mentoring Authors Foundation was dedicated in her honor to support and provide a mentoring community for aspiring mystery writers.

Every year Sisters in Crime: Heart of Texas chapter calls for submissions of the…

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The Wedding: May 24, 2014

Derek and Kaitie got married.

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Human Rights: Why Bother?* or, Hwa, Hwa, Hwa, Hwa, Hwa

I’m watching Latanya Richardson Jackson, Sophie Okonedo, Anika Noni Rose, and Denzel Washington–the cast of Lorraine Hansberry‘s A Raisin in the Sun, now playing on Broadway–on the Charlie Rose show on PBS.

The first time I saw Raisin, I was a high school junior. It was on television, probably Saturday Night at the Movies. The most recent was last week, when it ran on a network that shows old movies 24/7. I’ve never seen it on stage, but if the opportunity arose, I would grab it.

Some stage presentations I see every time I have the chance. I saw Victor Borge three times over the years, the last time only a few weeks before he died. I’ve seen Hal Holbrook‘s Mark Twain Tonight three or four times–I’ve lost count–beginning in the early ’80s. The latest was in San Antonio in 2012, when Holbrook was eighty-seven.

In each performance, Holbrook uses different material, and thanks to Twain, it’s always timely. Two years ago, after reading from Huckleberry Finn and telling The Story of the Old Ram and other humorous pieces, his Twain ended by inveighing against corporations, banks, and corrupt financiers. He also recited The War Prayer. Ugly and true. Nothing funny there.

Two other stage productions I keep going back to originated here in Austin and turn up every fall, if we’re lucky: Greater Tuna and A Tuna Christmas. I wrote about them in a post titled Day 24: Mulomedic (the original topic focused on my adoption of an underused word, but before I could finish, it strayed).

It’s impossible to explain the Tunas to folks who’ve not seen them in person or lived among the characters.  Suffice it to say, actors Joe Sears and Jaston Williams (also writers) wear multiple costumes and play multiple roles and make fun of the people sitting in the audience laughing at them. A video is worth a thousand words, so for further edification, check online. They’re there.

 

English: I took this photo of Jaston Williams,...
English: I took this photo of Jaston Williams, Joe Sears while they were costumed as Vera Carp & Pearl Burras. They were appearing in San Diego in the Play “Tuna Does Vegas.” (Photo credit: Wikipedia) By Philkon Phil Konstantin [Public domain]
Greater Tuna and A Raisin in the Sun intersected in the mid-1990s, when I took my friend Vivian to see one of the Tunas.

I’d first met Vivian when she came to be my mother’s daytime companion, after Mother’s health made it necessary for her to have someone else in the house while I was at work. A nineteen-year-old African-American, Vivian came highly recommended by one of her former high school teachers, who said she was bright, wrote beautifully, and ought to be in college, but was very shy. She was also quiet and spoke only when she had something important to say.

I thought Vivian would enjoy Tuna but wasn’t sure how I would know. True to form, she sat still and silent for the first several minutes.

Then came the scene at Radio Station OKKK, serving the Greater Tuna area, when Arles Struvie and Thurston Wheelis report on the latest production by Little Theater Director Joe Bob Lipsey. Among Joe Bob’s credits, they report, is his all white production of A Raisin in the Sun.

From the seat to my right came a loud Hwa, hwa, hwa, hwa, hwa.

That was Vivian, enjoying the show.

###

*To fully understand this reference, you must watch the first Greater Tuna clip–The Beginning.

 

 

 

 

 

 

 

 

 

 

 

 

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Mentors and Aspiring Writers on May 18

Sisters in Crime Heart of Texas chapter invites you to the Barbara Burnett Smith Aspiring Writers Event. Click on the link to Crime Ladies for all the details.

Gale Albright's avatarCrime Ladies

WELCOME TO THE TENTH ANNUAL
BARBARA BURNETT SMITH ASPIRING WRITERS’ EVENTBarbaraMontage
2 P.M., MAY 18, 2014
RECYCLED READS, AUSTIN, TEXAS

Presented by
The Barbara Burnett Smith Mentoring Authors Foundation
Sisters in Crime Heart of Texas Chapter

Gale Albright delivers welcoming remarks

W.D. Smith speaks about his mother’s legacy

Russ Hall talks about mentoring

Helen GingerMentors introduce the Aspiring Writers, who read their 500-word submissions to the audience:

Jan Grape

After submissions are read, a buffet is served. Social hour follows and aspiring Russ Hallwriters and mentors have consultation.

SUSAN ROGERS COOPER

CAROLINE SHEARER PIX

Elizabeth Buhmann 2

Our seven aspiring writers for 2014:

Mentor Elizabeth Buhmann and Aspiring Writers Sue Cleveland and Dixie Evatt

Mentor Susan Rogers Cooper and Aspiring Writer Lindsay Carlson

Mentor Helen Ginger and Aspiring Writer Shelby O’Neill

Mentor Jan Grape and Aspiring Writer Jane Shaughness

Mentor Russ Hall and Aspiring Writer Alex Ferraro

Mentor Caroline Shearer and Aspiring Writer Eileen Dew

Shelby  O'NeillAlex FerraroLindsay CarlsonJane ShaughnessEileen Dew

Sue Cleveland

Dixie Evatt

BBS frame

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Sam Clemens’ Mother

Portrait of Samuel Clemens as a youth holding ...
Portrait of Samuel Clemens as a youth holding a printer’s composing stick with letters SAM. Daguerreotype; sixth plate. Plate mark: Scovill. Inscribed in case well: G.H.[?] Jones Jonco? / Hannibal Mo / 1850 / Nov. 29th. On case pad: Samuel L. Clem-/ens – [illegible] / Taken Dec. 1850 / Age 15. (Photo credit: Wikipedia)

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My mother had a great deal of trouble with me, but I think she enjoyed it.

               ~ Mark Twain

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All Over Your Leg

“That cat will write her autograph all over your leg if you let her.” ~ Samuel L. Clemens


from memoirs of Clemens’ secretary Mary Howden which were published in
New York Herald, December 13, 1925

It is 3:30 a.m. I stayed up working on a website for a friend. Then I replied to some emails. Then I wrote several more emails to the same people, as if I thought they were awake and waiting for them. In fact, one of them was awake, and she read my email and replied, so I replied to her.

Then I checked out a page of Shakespearean insults. Earlier in the evening I had found a blog with a title very like the one at the top of this page, so it’s obvious I need a new one–the fact that I’m down to a cow as header is another clue things here are wearing thin; I love cows, but I don’t consider them header material–and before I can do anything else, I must have a title, and the title must be literary. And since Lewis Carroll is pretty well taken up, I turned to Shakespeare. Why I chose insults, I don’t know, except that a while back I found a perfect title there–Guts and Midriff. It’s from Henry IV Part I: Act 3, Scene 3. The entire quotation goes this way:

There’s no room for faith, truth, nor honesty in this bosom of thine. It is all filled up with guts and midriff. 

For vivid imagery, there’s no one better than Shakespeare.

Except for Mark Twain. Finding no insult that seemed appropriate, I turned to a site of Twain quotations and, of course, ended up on the cat page. Twain liked cats. A lot. And his family had a passel of them. Put Mark Twain and cats together, and I’ll read quotations all night without a thought of a blog title.

I think my love of Twain comes from growing up among men who talked like Twain wrote. My father and his Woodward uncles, one of whom lived next door, had the same–I don’t know what, but they had it. If a stenographer had followed them around, the transcripts would have had a lot of Huck Finn in them. When Huck says that Pap has a couple of his toes leaking out the front end of his boot–I can hear my dad saying it. One of my greatest regrets is that the last time he and his three brothers were together, I sat there for three or four hours listening to them remember but didn’t get up and go into the next room for the tape recorder. Well, spilt milk.

Anyway, in my moseying through the Twain and cats page, I discovered the quotation at the first of this post–not something Twain wrote, but something he said to his secretary about the cat that was shredding her dress–and thought it would make a decent post. But when I got it on the page, it looked so small all by itself, so I decided to add a few words of my own. And now I have, so I without further ado, I shall sign off.

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Walk this way

Julia Cameron said this years ago, but I hoped she was wrong. Now that Stanford U has weighed in, however, I have no excuse. Do you? Click the link to Writing Wranglers and Warriors and see what Jennifer Flaten says.

Wranglers's avatarWriting Wranglers and Warriors

Jennifer Flaten This post by Jennifer Flaten

A new study by Standford University finds that walking can stimulate creativity. Last year I logged over 700 miles, I should have creativity coming out my ears!

All kidding aside, I firmly believe this is true, or at least it is for me. It isn’t just walking any repetitive motion painting, digging, etc. gives my mind an opportunity to drift. 024

When I was a teenager, I had a job working for the county. My job involved a lot of painting, meeting setting and housekeeping. I came up with some wonderfully detailed stories in my head during my shifts. Sometimes, I would rewrite books or TV shows to how I thought they should end.

It’s a little harder to drift into that dream state vacuuming the house with a bunch of kids tugging at your attention, but every once in awhile I realize I just cleaned…

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The Tale of Mervyn and LeRoy or, What Price Story?

I’m blogging at Writing Wranglers and Warriors today. Please click over and read the full post.

Wranglers's avatarWriting Wranglers and Warriors

0kathy-blog

posted by Kathy Waller

***

I have never started a poem yet whose end I knew. Writing a poem is discovering. ~ Robert Frost

I have never started a post yet whose end I knew. Or a story. Or a novel. Or an essay. Or . . . ~ Kathy Waller

I am a late bloomer. Unlike Stephen King, I did not start writing stories as soon as I learned to spell.

I wanted to, but I didn’t understand how writers work. I thought I had to know everything when I wrote the first word. Writers, I assumed, created  stories and books in their heads and then put them on paper. I didn’t know any writers, but I knew my mother, who made up stories to tell at nap time.

Moose (Alces alces) crossing a road, Alaska, USA Moose (Alces alces) crossing a road, Alaska, USA (Photo credit: Wikipedia)

The most memorable of her creations was the story…

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KAYE GEORGE ON MALICE DOMESTIC PANEL

Kaye George is at Malice Domestic, and Gale Albright, who, along with me, is not, posts a picture of Kaye and one of the cover of her Neanderthal mystery, Death in the Time of Ice (which has been likened to Jean Auel’s The Clan of the Cave Bear).

Gale Albright's avatarCrime Ladies

kaye george at Malice Domestic DITTOIFinalSmall Kaye George discusses her Neanderthal mystery Death in the Time of Ice on the historical fiction panel at the 2014 Malice Domestic convention in Bethesda, MD.

http://www.malicedomestic.org

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Billie

bill at 5 yrs 001
Billie Waller, 5 years old, 1920

My father would have been ninety-nine years old today.

In September, he’ll have been gone for thirty-one years.

It’s easier to imagine him as the child in this picture

than to imagine him at ninety-nine.

Of two things, however, I’m certain:

If here were here today,

his blue eyes would still be twinkling,

and

 he would still be making us laugh.

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When I was a child, my three cousins looked like my mother,

and my grandmother, and my aunts,

but I didn’t look like anyone.

I felt like an outsider and decided I’d been adopted,

although old photographs and witness testimony indicated otherwise.

It was years before I realized I looked like someone after all.

Kathy Waller, 8 years old, 1960
Kathy Waller, 8 years old, 1960

Should A Dog Have Possessions?

Can lamb bones buy happiness? Kate Shrewsday shares the cautionary tale of Macaulay the Dog and his newly acquired wealth.

kateshrewsday's avatarKate Shrewsday

Screen Shot 2014-04-25 at 06.09.10

Oh, the poor dog.

He has become rich beyond the dreams of avarice, and it has – I can categorically confirm – made him unhappy.

This is not the first tale of a bone which has been connected, here in these cyberpages, with Macaulay the Dog. But it is a living, whimpering metaphor; a shadow on the creature who has always been such a happy-go-lucky surfer of life’s waves. Possessions, mark my words, do not always make one happy.

On Sunday evening there was a ring on the doorbell and there stood our kindly dog-friendly neighbour. She had with her a lamb bone. It was huge. Enormous. And delighted, we took the bone and introduced the dog to its rancid charms.

Was it naive to expect a twinkle in the eye, a jauntier gait as those paws clattered out into the garden, carrying jaws bearing gifts?  Because the dog was…

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James Michener Didn’t Object

I blogged at Austin Mystery Writers yesterday, but the post is still fresh. If you’ve a mind to, click over and read.

Austin Mystery Writers's avatarAustin Mystery Writers

By Kathy Waller

0kathy-blog

Last week, Valerie wrote about why she writes. Here’s my take on that subject:

When I was four years old, I took a pair of scissors and a roll of red, gooey adhesive tape and wrote my name on the inside of the kitchen door. It didn’t occurred to me I shouldn’t, and my parents never said a word. I’m sure they discussed it, but I wasn’t privy to that conversation.  The crooked red letters stayed on the door for years. When they were finally removed, a heavy red stain remained.

file4721273872327Image by DuBoix, via Morguefile

When I was eight, my father gave me a ream of legal-sized paper. I produced a newspaper, one copy per issue, focusing on the social activities of dogs, cats, and horses in the neighborhood. I reported on the wedding of Mr. Pat Boone, my fox terrier, and Miss Bootsie, my…

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A Tale of Two Sisters and Hamlet

I’m posting at Writing Wranglers and Warriors today. Hope you’ll visit.

Wranglers's avatarWriting Wranglers and Warriors

0kathy-blog

By Kathy Waller

Do young female college graduates still worry about being consigned to the typing pool?

English: Smith-Premier Typewriter Company of S... English: Smith-Premier Typewriter Company of Syracuse, New York – Model 2 – December 1905 (Photo credit: Wikipedia)

That was a big issue when I was in college in the 1970s: It was well known that educated, qualified women often had to settle for clerical work while their male counterparts filled professional positions.

At a women’s conference I attended in the early 1980s, a college junior announced her plan to prevent such gender discrimination: Both she and her sister had decided they would never learn to type.

Her tone hinted that they looked at typing as royalty once looked at writing by hand: a variety of manual labor reserved for lesser folk. It occurred to me they might regret skipping that skill: after all, because Prince Hamlet could write, he was able to ensure…

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