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Brazos Writers’ Women and Crime: Facts, Projected Details, and a Streak of Luck

Just the Facts, Ma’am:

 Gale Albright and Kathy Waller spent a pleasant and productive day at  Brazos Writers’ Women and Crime workshop, held at the Southwood Community Center in College Station, Texas.

Speakers included

  • Mary Ringo, private investigator at Gumshoe Investigative Services, on Life as a PI;
  • Courtney Head, DNA Analyst at the Houston Forensic Science Center, on Life in the Houston Forensic Science Center; and
  • Lesley Hicks, Lieutenant, College Station Police Department, on Life in the PD.

A panel of authors–

discussed How to Create a Strong Female Detective, Professional or Amateur.

Over lunch, Mark Troy, author of The Splintered Paddle, hosted a Jeopardy! Style Game about Women and Crime. Players in the final round received copies of mysteries written by women.

At the end of the day, a reception was held during which guests mingled and authors signed books.

So much for the bare facts.

Presentations were excellent–imagine a surveillance operation that involves wading through sewage, hiding in tall grass, and feeding crackers to an enormous, foul-smelling dog who refuses to leave your side, while you’re trying to get pictures of people you wouldn’t want to meet in a dark alley–and details will appear in the near future.

Some will probably show up at Gale Albright’s Crime Ladies blog.

Gale might also tell how she wiped out the competition in the lunchtime Women and Crime game, and how she managed to snatch a door prize from the hands of the writer sitting next to her, whose ticket was only one digit off.

Said writer will tamp down her resentment and allow Gale to ride back home with her today. If I make her take a bus, she might not critique my story this week.

But I mean, really. Two prizes?

*****

Note: I fibbed. Gale deserved the game prize. She was a powerhouse.

*****

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Happy Birthday, Veazey

seven-cousins (2)Today is my cousin Mary Veazey’s birthday. I will not say how old she is. I’ll say only that she is old enough that she’s always thought she had the right to boss me around.

We have had many good times together.

The most memorable, right now, aside from the times we almost broke up church because we couldn’t stop laughing, and the time she made me go on the Cruise from You-Know-Where, is the time we went to the drive-in movie to see The Great Gatsby, and her eleven- and twelve-year-old sons–I’ll call them Boy C and Boy G–sat in the back seat griping for the length of the dumb, boring show and yowling to go home.

When the second feature came on, however, the boys displayed immediate interest. It was The Sterile Cuckoo, a cute, sweet movie starring Liza Minnelli. We hadn’t planned to stay for it, but every time Mary Veazey said we had to leave, the boys protested. This was a real good movie, Mom, so we stayed.

We stayed so long that we ran into the scene in the little motel room in which Minneli’s college freshman girl, Pookie Adams, offers Wendell Burton’s sweet, shy freshman boy the opportunity to “Peel the Tomato.”
 And there we were, as they say, ketched.

The boys in the back seat were leaning head and shoulders into the front. They were very, very quiet. I don’t think they were breathing.

Their mother and I didn’t breathe either, because if we had, laughter would have bounced off the screen and echoed throughout the lot.

Suppressing that much laughter for an entire scene hurts.

Finally, the camera pulled waaaay back on the two young characters walking across a field of green, accompanied by the Sandpipers’ lovely rendition of “Come Saturday Morning.”

Mary Veazey saw an opportunity and grabbed it. “Okay, time to go.” She replaced the speaker on its stand, started the car, threw it into gear, and tore out of there.

Boys: “Aw, Mom, it’s not over yet.”

Mom: “Yes it is.”

Boys: “But the music isn’t over. Let’s stay till the music’s over.”

Mom: “No, I want to get out before everybody else does. Don’t want to have to wait in line.”

Boys: “Awwww, Mom. We want to stay.”

Mom: “No, it’s late. Gotta get home.”

Kathy: “Hahahahahaahahahaha.”

Mary Veazey couldn’t give me the evil eye because by that time she was laughing, too.

All the way home, we heard from the back seat, “Boy, that was a good movie.” “Yeah, that was good.” “I wish we could have stayed till the music was over.” “Yeah. That was good.” Periodically, one leaned forward and said, “What’re y’all laughing at?”

Then Boy G said, “What was the name of that movie?” They looked back at the still visible marquee.

Boy G read, “Shirley Cuckoo.”

From the front seat: “Hahahahahahahahahahahahahahahahahaha…”

“Not ‘Shirley,'” said Boy C. “The Stirlee Cuckoo.”

Front seat, louder, “Hahahahahahahahahahahahahahahahahahahahahahahahahahahahaha…”

Laughing that hard hurts, too. And it can be dangerous. I’m surprised Mary Veazey didn’t run the car up onto the sidewalk and get us all hauled off to jail. It’s good she didn’t, because we’d have just laughed harder.

The next morning no one mentioned the movie. But that afternoon, while the boys and two neighbor girls played cards in the living room, and I sat in the kitchen waiting for cookies to bake (cookies the boys were making, hahahaha again), I caught part of the conversation.

Boy G (quietly): “We went to a movie last night.”

Girls: “What was it rated?”

Boy C (whispering): “X, I think.”

I was sorry Mary Veazey was at work and missed the punch line.

Several years later, The Sterile Cuckoo aired on television. About five minutes into the movie, the phone rang. It was Mary Veazey. “What are you doing?”

“You know what I’m doing. Watching The Stirlee Cuckoo.

“Hahahahahahahahahahahahahahahahahaha…”

Happy Birthday, Mary Veazey. We ought to take the boys to the movie again sometime.


Embed from Getty Images

 

*****

mamaw in hat
Mary Veazey Barrow

Note 1: Our grandmother’s maiden name was Mary Veazey. For people who say, Mary What?, it’s pronounced VEE-zee. Alternatives, for those in the family, are Veazey, Merveazey, and other such diminutives. She introduces herself as Mary. I got the Mary part of our grandmother’s name but was spared the Veazey confusion. My problem comes from the Katherine I got from my great-grandmother. I’m Kathy, but I have to introduce myself as Mary to anyone holding an official, or unofficial, record. On seeing Mary Katherine, many people say, “Are you a nun?” I’m not.

Note 2: All this happened in 1974. I don’t know whether Boys C and G have even seen the real ending of The Stirlee Cuckoo. I don’t know whether they ever learned the correct title. I don’t even know whether they remember any of this at all. But if I send this post to their wives on Facebook, they will.

Note 3: President Nixon resigned later that week, but the movie is my more vivid recollection.

Note 4: Both The Great Gatsby and The Sterile Cuckoo had been out for several years before this story took place. I’m always behind in my movie-going.

Here’s a clip from The Sterile Cuckoo.

*****

 

 

 

 

 

 

Shattering a Vase

I’m posting today at Austin Mystery Writers–a meditation on how harrrrrrrrrd I work at writing and why I should stop moaning about it. I also share an anecdote from Tracy Chevalier, author of Girl with a Pearl Earring and Falling Angels, about turning failure into success.

Austin Mystery Writers's avatarAustin Mystery Writers

…it was like taking a vase and setting it down so hard it shatters…

~  Tracy Chevalier

When I taught secondary English, grading essays was my least favorite task. I was happy to read them, but assigning letter grades? I hated that.

I hated judging. I hated trying to determine the difference between a B and an A, or, worse, between a B-plus and an A-minus.

English: Henry Fuseli - Hamlet and his father'... English: Henry Fuseli – Hamlet and his father’s Ghost (1780-1785, ink and pencil on cardboard, 38 × 49,5 cm) (Photo credit: Wikipedia)

But the worst–the part that made me want to moan like the Ghost of Hamlet’s father, “Oh, horrible, oh, horrible, most horrible!”–was listening to students who thought their work merited higher grades: “But I worked so harrrrrrrd.

Some had watched classmates complete an entire assignment during a lull in history class and then score A’s. It wasn’t fair.

“Harrrrrrrrrrd”was my signal to say

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August Heatwave Reading List

Ramona DeFelice Long shares a list of short stories just made for August Reading. Titles are some she–and her readers–remember fondly from school. If you can’t read all of them, at least be sure to read “August Heat.” You’ll see why readers remember it.

Ramona DeFelice Long's avatarRamona DeFelice Long

RamonaGravitarEvery summer, when the doldrums of heat hit and I feel as wilted as the impatiens in my front porch planter, I think of a short story I studied in high school: August Heat by William Fryer Harvey. I re-read it every summer, as a reminder of why I fell in love with short stories.

Reading this story, you can feel the oppressive, brutal, maddening heat. You can understand the confusion of the two men—each an artist in his field—who discover one another by happenstance. Or, is it happenstance? Or, fate? Or, the heat?

Another story I remember from high school is “The Most Dangerous Game” by Richard Connell, though my memory about this one was jogged by recent events rather than the weather. If anyone believes that the short story is no longer a relevant form, this tale of hunting big game might change your mind.

Thinking about…

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Weekly Photography Challenge: Creepy

Finally I have something that fits the category.

I posted one of these shots several years ago and promised to say more about it later, but after some thought I realized I didn’t know what to say. So I let it go.

Now, however, is the time.

The photos were taken at the Dishman Museum on the Lamar University campus in Beaumont, Texas, where David and I attended the Boomtown Film and Music Festival for a screening of one of his videos. We walked into the Dishman to register and found this piece of Art looming over us. It reached out and pulled my camera from its bag. I began snapping.

My first thought was, It’s from The Three Little Wolves and the Big Bad Pig, a picture book I love even more than my second-graders did. The pink, the snouts, the little house, the flowers. Pigs.

Then I realized the pink shapes were more wolfish than piggish. Rabidly wolfish.

Fascinating.

Nightmarish.

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And cute. Darned cute.

***

WordPress Weekly Photography Challenge

Creepy

 

The Cruise from… You-Know-Where

Captain James Kirk will be going on a cruise in 2017. Me? Been there, done that. Read the whole sad story on Writing Wranglers and Warriors.

Wranglers's avatarWriting Wranglers and Warriors

0kathy-blog

Posted by Kathy Waller

Stardate 2015: “William Shatner Announced As First Host of the First Official Star Trek Cruise”

Publicity photo of Leonard Nimoy and William S... Publicity photo of Leonard Nimoy and William Shatner as Mr. Spock and Captain Kirk from the television program Star Trek. (Photo credit: Wikipedia)

Shatner, aka Captain Kirk, said he’s excited to be part of this celebration of Star Trek’s 50th anniversary. He thinks the fans will enjoy it, and it’ll be fun.

I went on a cruise once, with seven cousins, over Thanksgiving. It was fun. We enjoyed it. Ever since, we’ve called it “The Cruise From You-Know-Where.”

Well, that’s what we call it in front of the under-twelve crowd.

I’d never been on a cruise, but I’d always loved carnival rides, so I knew I’d be a good sailor. The first night, I went to bed saying, “I’m going to let the waves rock me to sleep.”

The next…

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“Hell on Wheels”: The Story of a Lethal Librarian

Excerpt from “Hell on Wheels” by Kathy Waller appears in MURDER ON WHEELS: 11 TALES OF CRIME ON THE MOVE, published by Wildside Press, 2015

Join Austin Mystery Writers for the launch of MURDER ON WHEELS at 7:00 p.m. on August 11, 2015, at BookPeople Bookstore, 6th and Lamar, Austin. Authors will read and sign. Refreshments will be served.

***

The day I found Mama stirring ground glass into the filling for a lemon meringue pie, I took the bowl away from her and called a family conference. We had to do something before she dispatched some poor, unsuspecting soul to his heavenly rest and got herself thrown so far back into prison she couldn’t see daylight.

The next day, while Mama was down at Essie’s Salon de Beauté, my brothers and sister and I crowded into a booth at the old Dairy Queen, just across the corner from the library where I worked. The DQ was practically empty. The only customers—besides Frank and Lonnie and Bonita and me—were senior citizens, and most of them had their hearing aids turned off.

When the waitress had delivered our orders and retreated behind the counter to her copy of People magazine, I explained why I had called the meeting.

“It hurts me to say it, but the time has come to put Mama out of her misery.”

Lonnie stabbed his straw through the plastic lid on his frosted Coke. “Mama don’t have no misery. I never seen nobody so contented with her lot.”

Bonita poked her pointy elbow into my side and reached across the table to pat Lonnie’s hand. “I think Marva Lu’s talking about a different kind of misery, baby brother. I’ll explain later.”

That was a case of the pot calling the kettle black. Bonita’s explaining was why it took Lonnie till he was twenty-nine to get his GED.

Frank, sitting across the table from me, grabbed a napkin and wriggled his way out of the booth. “Now look what you made me do. Scared me half to death, making such a mean joke about Mama.”

He dabbed at his tie with a napkin. “This necktie is a souvenir from when we took the kids to Disney World. That gravy landed right on Donald Duck’s tail feathers.”

I glanced over my shoulder at the other diners, several of whom were looking our way. “Frank Dewayne Urquhart, stop carrying on and sit back down,” I hissed. “You’re attracting attention.”

Frank unclipped his tie and laid it across the back of the booth. By the time he settled down to finish his steak fingers, the senior citizens had turned back to their burgers.

“Now, quit worrying about that duck’s derriere and look me in the eye,” I said, in the steely tone of voice I used on seventh-grade boys I found hiding in the how-to books, giggling over The Joy of Sex. “I am not joking. This is serious.”

Frank stuffed a couple of napkins into his collar and dunked another steak finger. “Serious?” He leaned toward me, his eyes wide and his voice just a whisper. “You want to … put Mama down … just because you saw her add something to the pie? I bet you didn’t have your contacts in. Might’ve been powdered sugar. She’s probably practicing something new for the Methodist ladies’ fundraiser cook-off.”

“The new bishop’s going to judge the cook-off.” I took a sip of my Diet Dr. Pepper and gave Frank time to think. “I can see the headlines now: ‘Murderous Methodist Does in Bishop with Omelet’. And every penny of our inheritance will go to pay a lawyer to try to keep Mama out of prison. Squeaky Vardaman says defense attorneys charge more when the client’s guilty. And Squeaky’s the district attorney, so he ought to know.”

Bonita stabbed me again with her elbow. “Uh-oh, look who’s coming.” We all followed her gaze.

A bright red Corvette was racing up the street. Ignoring the stop sign, the driver shot through the intersection, just missing a pedestrian, who scrambled onto the high curb and wrapped his arms around a light pole for support.

“There she is, on her way to Essie’s to get her hair screwed up.” Lonnie grinned. “Man, Mama can drive that car, can’t she?”

Frank cleared his throat and wiped his fingers on a napkin. “Yeah, Marva Lu, I see your point.”

Bonita wrinkled her nose and wound a blonde curl around her finger, a habit she’d gotten into when she was five years old and people told her it was cute. “Why don’t we keep a real close watch on Mama and make sure she doesn’t have a chance to put anything bad in the food? I mean, killing her seems a little extreme.”

“Are you volunteering to babysit around the clock?” I said.

Bonita wrinkled her nose again. “Well, what about putting her in the Silver Seniors Retirement home? We could have her committed. Then she couldn’t cook at all.”

“No way,” said Frank. “Old Dr. Briggs is as loony as Mama. He isn’t about to certify her. Hell, there’s not a man, woman, or child in the county, including us, who’d dare to cross her. After all, she owns the bank.” He wadded his napkin into a ball and dropped it into the empty basket. “You going to convince her to move to the home, Bonita?”

Before Bonita could get her nose back in gear, Lonnie finally caught up with the conversation. He sat up straight. “Killing her? What do you mean, killing her? You saying you want to kill Mama?”

“Shhh. Use your library voice, Lonnie.” Bonita patted his hand again. “Kill is just a figure of speech. Like one of those smilies we talked about before your test.”

I rolled my eyes. “No, it’s not a smilie. We’d better make sure right now that everybody understands what we’re doing.”

“I’m not doing anything,” whispered Lonnie. “If you’re going to kill Mama, I’m heading for the sheriff right now. Move, Frank, and let me out of this booth.”

I glared at Frank. He stayed put. I smacked Bonita’s hand off Lonnie’s and closed my hand around his. Poor Lonnie, he’d always been Mama’s favorite, and so softhearted. I should have known our talk would upset him.

I assumed the sympathetic tone I used when citizens called to complain about the library having dirty books. “Lonnie, sweetheart, you heard what I said about Mama’s new recipe. And you remember how Uncle Percy died last month, just hours after Mama cooked him a special birthday lunch.”

“Dr. Briggs said that was Uncle Percy’s ulcer.” Lonnie jerked his hand back. “Frank, let me out.”

I grabbed his hand again and hung on. “Jasper Alonzo, calm down. I’m going to ask you a question, and I want you to think about it carefully and then give me an honest answer. After that, Frank will let you out, and you can go to the sheriff or anywhere else you want.

“Now, here’s the question: How would it make you feel if they put Mama on trial for killing Uncle Percy? Or somebody else she fed bad food to? And what if she had to spend the rest of her natural life locked up in the prison at Huntsville?”

Lonnie’s brow wrinkled like it always did when he was turning something over in his mind. One thing about my baby brother, he never made snap decisions. I usually admired him for that. In this case, however, even with the answer so obvious, I threw in some details.

“Think about what prison’s like, Lonnie. There wouldn’t be a soul Mama knows. And most of those inmates are so common, not our kind of people at all. Mama would have to share a room, and you know how she values her privacy. There’d be no more trips up to Neiman Marcus, and she’d have to dress just like everybody else, in horizontal stripes. She’s always been dead-set against horizontal stripes. Essie wouldn’t be there to keep up her weekly White Mink rinse, and without that, her gray hair would get that ugly yellow tinge to it. And how would she survive without her Friday bridge club? Think about it, Lonnie. What kind of life would Mama have?”

By the time I got to “yellow tinge,” all the fight had gone out of Lonnie. His brow unwrinkled. Tears welled up in his soft brown eyes. It was just the saddest expression I’d ever seen on that sweet face. He looked so miserable I was tempted to toss the rest of my chocolate sundae into the big red waste bin and tell my siblings to forget the whole thing.

But I didn’t get to be Director of the Kilburn County Public Library and Archives by caving in to every pathetic face that stared at me across the circulation desk.

“All right, Lonnie,” I said. “What’s your answer?”

He pulled on his straw but got only a gurgle, so he quit stalling. “Mama wouldn’t like prison at all. So I guess I’d feel pretty bad.” He shook his cup and managed to suck up one more taste of frosted Coke. “But I still don’t feel good about planning to kill her.”

I looked out the window. Old Judge Vardaman was shuffling down the sidewalk from the courthouse, heading for the library, where he would spend his usual hour dozing over the Wall Street Journal. On his way out, he would tiptoe into my office and sit down for what he called “a little visit with my sweetie-pie.”

Bonita saw me watching him and smirked. “Well, here comes Big Sister’s gentleman caller. Honestly, Marva Lu, I don’t know how you can stand to have that old goat around. He’s older than God.”

“You should talk,” I said. “The way you drool over the old goat’s son since he got elected D. A. is a disgrace.” I passed the remainder of my sundae across the table to Lonnie and smiled. “Anyway, Bonita, he’s not so bad. Goats can be very useful animals.” I shouldered my purse and stood up to leave. “Don’t worry, Lonnie,” I said. “You won’t have to do a thing. I’ll take care of all the planning myself.”

***

Our anthology!

Print and Kindle editions available at Amazon.com
Print edition available at Barnes and Noble.com and at Wildside Press.com

Excerpt: “A Nice Set of Wheels”

Excerpt from “A Nice Set of Wheels” by Kathy Waller appears in MURDER ON WHEELS: 11 TALES OF CRIME ON THE MOVE, published by Wildside Press, 2015

***

When the stranger stepped through the door, everyone in the store looked up. Old men playing dominoes at the Formica-topped table beside the front window. Farmers sitting in metal lawn chairs, their boot soles propped against the cold pot-belly stove, cussing Khrushchev and the Russians. Teen-aged girls wearing shorts and white blouses, pink hairnets protecting their pin curls, looking at the makeup shelf.

They checked out the worn jeans, the frayed collar on the plaid shirt, the scuffed boots. The beat-up old black suitcase he carried. The black hair close-clipped but with a lock falling across his forehead. The scar on his cheekbone. The eyes like pale blue ice.

In those few seconds he stood in the doorway, with the sun shining through the screen door behind him, they sized him up.

He didn’t look to left or right, just walked straight to the counter. I should have asked how I could help him, but I didn’t. I was holding my breath.

“Are the Coca-Colas cold?”

I nodded at the cooler half hidden by a rack of chips. He opened the lid and pulled out a king-sized bottle, shook it a bit to get some of the water off, and brought it to the counter. I took it from him and dried it with a clean terry cloth towel I kept behind the counter, then gave him the towel to dry his hands. When Uncle Harry sold Cokes, he let the bottles drip. He said if customers wanted them ice cold, they’d have to put up with a little water. But I like to make things nice.

I handed him the Coke and pointed to the bottle opener nailed to the end of the counter.

“That’ll be a dime,” Uncle Harry shouted from behind the meat counter at the back of the store. “Seven cents if you drink it here and leave the bottle.”

The man pulled a dime from his pocket and dropped it into my hand. “I’ll bring the bottle back tomorrow.”

Uncle Harry left the meat counter and walked up to the front, still holding a butcher knife. His apron was stained with blood. “Where’d you come from?” he said.

That was none of his business, but the stranger didn’t take offense. “Shreveport, last stop. Working my way west. Been hitching rides, decided to stop here and look for work. You know anybody needs odd jobs done, or farm work?”

The girls hiding behind the makeup shelf giggled and shushed each other, except for Wanda Patterson, who looked directly at the man and smiled. Uncle Harry’s eyes narrowed. His frown told me he was about to say “No,” like he always does when men from outside talk about hanging around, but before he could say anything, Old Brother Fisher, who always tried to help people, slapped down a domino and called out, “Try the Conrad place. Frank Conrad owns several hundred acres the other side of the river. Heard him say the other day he needs some fences repaired, and three of his hands got caught in the draft and left for the Army. Bet he’d take you on. Might keep you to haul hay, maybe pick cotton.”

The stranger raised the Coke bottle and nodded at the old man. “Much obliged, sir.”

“Go up the road about a half mile to where there’s a gap in the fence on the left. Go on through—it’s private property, but nobody’ll care—and follow the old wagon ruts down to the river. Cross the footbridge. Other side belongs to Conrad. Big white house at the top of the hill.”

The stranger picked up his suitcase and started toward the door. Every eye followed him.

“Wait.” The eyes all looked my way. “What’s your name?”

He turned around and smiled right at me. Just at me. “Campbell. Campbell Reed. What’s yours?”

“I’m Rosemary.”

“I’m pleased to meet you, Miss Rosemary.” Still smiling, he pushed through the screen door and was gone.

Uncle Harry grabbed my arm and jerked me around to face him. “What have I told you about talking to strange men? That one’s trouble. Leave him alone.”

I pulled away and ran through the storeroom and out the back door, past Uncle Harry’s house and the outbuildings, up the footpath and onto the gravel bar that lay along a stretch of the river bank. Wading in to where the water was clear, I bent down and splashed some on my cheeks, then straightened up and let the slight breeze cool my face. I was fifteen years old, and I’d had enough of Uncle Harry treating me like a baby. I would stay down here till time for supper. If Uncle Harry wanted me back at the store, he could come find me.

I recognized the looks the men had given Campbell. Except for Old Brother Fisher, they thought the same as Uncle Harry: he was trouble. I knew what Wanda Patterson and her friends thought, too: not trouble, but a good-looking man to take them out on Saturday nights, to park with in the cemetery after dark, to beg their mamas to invite for dinner, and, if they were lucky, to marry and have babies with.

But when I looked at him, I didn’t see trouble or fun or babies or anything like that.

In the time it took Campbell Reed to tell me his name, I looked at him and saw a savior.

 

***

Austin Mystery Writers' New Crime Fiction Anthology

Join Austin Mystery Writers for the launch of MURDER ON WHEELS at 7:00 p.m. on August 11, 2015, at BookPeople Bookstore, 6th and Lamar, Austin. Authors will read and sign. Refreshments will be served.

Print and Kindle editions available at Amazon.com
Print edition available at Barnes and Noble.com and at Wildside Press.com

Join AMW for the Launch of Murder on Wheels ~ August 11

Please join

Austin Mystery Writers

Gale Albright, Valerie Chandler, Kaye George,
Scott Montgomery, Laura Oles, and Kathy Waller
&
Earl Staggs and Reavis Wortham

as they celebrate the launch of their first crime fiction anthology

MURDER ON WHEELS:
11 Tales of Crime on the Move

“Eleven stories put the pedal to the floor and never let up! Whether by bus, car, tractor, or bike, you’ll be carried along at a breakneck pace by the talented Austin Mystery Writers. These eight authors transport you from an eighteenth-century sailing ship to the open roads of modern Texas, from Alice’s Wonderland to a schoolbus yard in the suburbs of Dallas. Grab your book, hold on to your hat, and come along for the ride!”

Tuesday, August 11, 2015
7:00 p.m.

BookPeople Bookstore
6th Street and Lamar

Austin, Texas

“There is something for everyone…” ~ Amazon Review

“…light-hearted (and occasionally black-hearted) collection of short stories… I thoroughly enjoyed it. … take your choice–historical, humorous, dark and light. Good reading for mystery fans.” ~ Amazon Review

 “… dialog that is realistic and makes the characters believable and three dimensional. There is something for everyone…” ~ Amazon review

“… a diverting read.” ~ Barry Ergang, Kevin’s Corner

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You’re Sixty

Today would have been my mother’s ninety-eighth birthday. On last May 1, my father would have been one hundred.

When I take the time to really think about that, it’s mind-boggling. I can’t imagine them at those ages.

Mother used to tell a story about my great-aunt Lydia’s sixtieth birthday. Lydia, her mother, her two younger sisters, and two of her nieces–my mother and her youngest sister, who was generally referred to as “that cute little Betty,”*–went to dinner to celebrate.

Back home, my great-grandmother put on her nightgown and got into the big four-poster bed in Lydia’s downstairs bedroom. The other women sat around her and did what they always did when they got together–talked and laughed. No topic was off limits and everything was funny. A quiet child could learn a lot in those sessions.

That night, my great-grandmother, whom the younger ones called Grannygirl, sat propped against her pillows, old but still the quintessential sharp-witted (and sharp-tongued) Southern belle. While the others talked, she said nothing.

Finally, looking into the distance, such as it was, she uttered a single sentence: “Lydia, you’re sixty.” Her tone was contemplative, but it also carried an undertone of surprise.

In the silence that followed, Lydia said yes, she was.

A few minutes later, still gazing somewhere above her descendants’ heads, Grannygirl broke in again. “Lydia, you’re sixty.

Again, Lydia agreed she was.

Another few minutes passed and Grannygirl said it once more: “Lydia, you’re sixty.

Obviously having heard enough on that topic, Lydia responded, a bit sharply, “Well, Mother what does that make you?”

End of conversation.

I thought of that story because, like Grannygirl trying to get used to having a sixty-year-old daughter, I can’t quite get used to the idea of my parents at the century mark. At the same time, I believe, were they alive today, they would not have changed. I know, however, that to them, I would be radically different.

I wish they could have attended my wedding. I wish they could know my husband. I wish they could read this blog and my fiction. I wish they could read the pieces I’ve published. I wish they could know that, though I miss them terribly,  I’m secure and happy.

One thing I’m certain of: If my parents had been here to celebrate my birthday a few years ago, we would  have gone out to dinner, and then we would have come home and changed into more comfortable clothes. And then, while we sat in the living room talking about anything and everything, my mother would at some point have looked into the distance and said, “Kathy, you’re sixty.”

Crystal Barrow Waller and Billie Waller, 1942
Crystal Barrow Waller and Billie Waller, 1942

*

*Betty was short, had red hair and a sweet Irish face, and was drop-dead funny. She was everybody’s favorite, her nieces and nephews adored her, and she left us much too soon.

betty-and-kathy-19521
Betty and Kathy, 1952

Albert Einstein: Meowing in Los Angeles

You see, wire telegraph is a kind of a very, very long cat.
You pull his tail in New York and his head is meowing in Los Angeles.
Do you understand this?
And radio operates exactly the same way: you send signals here, they receive them there.
The only difference is that there is no cat.

 – Albert Einstein, when asked to describe radio

 

Very long William and Very long tail

*

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Amazon… A virtual marketplace, or Big Brother?

If you write, you will want to read this post. If you read, you’ll want to read it. If you post reviews on Amazon, you’ll want to read it. It raises one BIG question.

imysantiago's avatarimy santiago

A couple of weeks ago I read the third installment of a series I really loved. I will refrain from sharing the name of the novel and its author.

Like any reader, as soon as I finished reading, I wrote my review. When I tried posting it on Amazon (I did buy the eBook, just like any normal and decent human being would), I received a rather concerning email.

I will not share the screenshot of the email as it does contain the title of the book and name of the author. In its place I have copied the body of the email below.

Dear Amazon Customer,

Thanks for submitting a customer review on Amazon. Your review could not be posted to the website in its current form. While we appreciate your time and comments, reviews must adhere to the following guidelines:
http://www.amazon.com/review-guidelines

Here I was, thinking I had included an…

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For some, the Confederacy fought to preserve slavery; for others, it’s states’ rights

Mike Staton offers a well researched and thoughtful post on the meanings of the Confederate battle flag, racism, and change. Mike is a retired journalist.

Wranglers's avatarWriting Wranglers and Warriors

This blog post was written by Mike Staton. This blog post was written by Mike Staton.

The times they are a changin’.

It’s the title of a rather famous song by Bob Dylan, released as the title track of his 1964 album of the same name. He wrote it to create an anthem of change for the time.

The song fits my mood right now. Listen. Remember: https://www.youtube.com/watch?v=abGzxWuLQP8.

We do change, right? We’re not the same people we were decades ago, right? We grow. Or de-evolve. We become better people. Or demons in human flesh.

In 1976, I joined a Civil War re-enactment group, a Confederate regiment, the 26th North Carolina. It was a way for me to learn about the life of a soldier in the 1860s. One summer during my college years I’d drawn meticulous maps of Civil War battlefields, places in rural America that would collect forever-bloody names like Antietam, Gettysburg and The Wilderness…

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Abraham Lincoln, Lewis Thomas, George Will, & Me: Great Minds Think Alike; or, Kurt Vonnegut, Go Fly a Kite

Semicolon
Semicolon (Photo credit: Wikipedia). Public domain.

 

 Abraham Lincoln

“With educated people, I suppose, punctuation is a matter of rule; with me it is a matter of feeling. But I must say I have a great respect for the semi-colon; it’s a useful little chap.”
Abraham Lincoln

Lewis Thomas

Sometimes you get a glimpse of a semicolon coming, a few lines farther on, and it is like climbing a steep path through woods and seeing a wooden bench just at a bend in the road ahead, a place where you can expect to sit for a moment, catching your breath.
Lewis Thomas, M. D.

Kurt Vonnegut

“Here is a lesson in creative writing. First rule: Do not use semicolons. They are transvestite hermaphrodites representing absolutely nothing. All they do is show you’ve been to college.” 
 Kurt Vonnegut, A Man Without a Country

George Will

Semicolons . . . signal, rather than shout, a relationship. . . . A semicolon is a compliment from the writer to the reader. It says: “I don’t have to draw you a picture; a hint will do.”
George Will

Kathy Waller

I love semicolons.

My master’s thesis was rife with them.

But my critique group says I mustn’t use them any more. They say I should follow Kurt Vonnegut’s rule.

Mr. Vonnegut is wrong. The semicolon is not a transvestite hermaphrodite, representing absolutely nothing.

It is a compliment from the writer to the reader.

It is a wooden bench, where you can sit for a moment, catching your breath.

It’s a useful little chap.

When Mr. Vonnegut called the semicolon a transvestite hermaphrodite–well, bless his heart, he must have gotten up on the wrong side of the bed.