Dull people

Only dull people are bored. ~ Adela Rogers St. John

I’ve just begun a book about structuring the novel. So far I’ve learned that I don’t know how to write my novel because I don’t know the structure, and that, because only I know the story, no blueprint exists until I create it.

I’m pretty sure I already had that figured out.

My plot is acting up. Or, worse yet, maybe it’s the story that’s giving me fits. Several months ago, CP convinced me I could make it work, but once again, I’m not so sure.

She asked whether I’m bored with my characters. I’m not. But I’m bored with a situation. I don’t know whether I can make it work. I don’t know whether I want to make it work.

CP said maybe this isn’t the book I want to write. Maybe it’s the second. Maybe it’s just back story.

Maybe I’m afraid to push through to the end.

I wrote a post several months ago about being all grown up and adequate to the task ahead.

Yeah, right.

Today’s Scorpio says I’m filled with courage and the heart to get the job done. And my tenacity will carry me through.

Not today.

I’ll be honest: I do not feel adequate and I have no ideas for tonight’s post, which, because of more network problems, was posted prematurely and is now being fixed. A little.

I don’t think that’s what WordPress had in mind when it invited me to post daily.

Phooey.

Oh well. I’ll think about that tomorrow. It’s another day.

Seeing Fannie

As I was saying when I was so rudely interrupted–

Never mind.

The section that vanished when the wireless network disappeared concerned A. S. Byatt’s Possession. It’s a magnificent novel.

My comments were anything but.

So I’ll quit while I’m ahead.

Now to the update on Fannie Flagg: I heard Ms. Flagg speak last Saturday at BookPeople. She read from her latest book, I Still Dream About You, and signed.

Before the program, a BookPeople staff member announced that Ms. Flagg would stay until every copy was signed, and that she would be happy for people to take photographs. In other words, she was gracious. She demonstrated appreciation and respect for the people who came out to see her.

Ms. Flagg took her reading from the chapter titled “Hazel Whisenknott Begins.” Hazel is a real estate agent, the smallest one in the state, not much more than three feet tall. She is also dead when the book begins. When she is five years old, she starts a weed-pulling business that becomes remarkably successful.

I Still Dream About You is a murder mystery. I don’t know the victim yet. I presume it’s not Hazel. I also presume I will know who by the end of chapter three.

I hope I know by the end of chapter three. That’s when everyone says I have to have my murder taken care of. I wouldn’t like to think there there’s a set a rules for me and another set for Fannie Flagg.

In summary, regarding Fannie Flagg’s appearance at BP, a good time was had by all. Especially me.

A coil of hair

Minna Katherine Stagner Veazey, front row center, at a reunion of the Lipscomb Rifles, San Antonio, Texas, ca. 1950. Mary Phereby Veazey Barrow, front row left, wearing picture hat.

My mother’s family recycles names.

In my generation there are seven grandchildren, each with two given names. Of those fourteen names, only one is new. The rest are hand-me-down, used by parents, grandparents, great-grandparents, an aunt.

I’m the youngest, a Mary Katherine. For my first thirty years, the name drew no comment. Then people began to ask: Are you Catholic? Are you a nun?

Sorry, no. Just the child of Southern Protestants who had no imagination.

Actually, I was supposed to be just Katherine. My mother tacked the Mary on at the last minute before the birth certificate was prepared. She said my grandmother, who was on the scene, grew all fluttery at the compliment.

My great-grandmother presented me with a silver locket in the shape of a heart. One of my early memories is of visiting her at my great-aunt’s house. Mother clipped a lock of her white hair, coiled it, and put it into the locket. I was fascinated at the process. I think I wore the locket once. It’s spent most of its time stored away, carefully preserved. Someday the next Katherine, two generations younger than I, will care for it.

Locks of the Ages: The Leigh Hunt Hair Collection is now on display at the Harry Ransom Center. It features hair from, among others, George Washington, Edgar Allan Poe, Charlotte Bronte, John Keats, Robert and Elizabeth Barrett Browning, and William Wordsworth.

Lord Byron stole a strand of Lucretia Borgia’s hair from the Ambrosian Museum in Milan and presented it to Hunt for his collection. That strand, however, appears not to have been part of the collection sold by the Hunt family in 1921.

***

Leigh Hunt was a Romantic poet and essayist. I read that he was the model for Mr. Skimpole in Dickens’ Bleak House. The portrait Dickens painted wasn’t complimentary, and I don’t know whether they remained friends.

Literature textbooks generally included only one of Hunt’s poems. Semesters were short; there wasn’t time to read everything, so the syllabus jumped from Wordsworth and Coleridge to Byron, Shelley, and Keats. I’ve never been curious enough to learn anything else about him on my own.

The one poem by Hunt, however, was too nice to ignore. The professor who taught the Romantics told how Hunt came to write it. He’d gone to visit philosopher Thomas Carlyle and his wife, Jane. Hunt had recently recovered from a long bout with influenza, and when Jane Carlyle saw him, she leaped up and kissed him. Because she was not usually a demonstrative  person, Hunt was moved by her gesture and later wrote his poem.

Jenny kiss’d me when we met,
Jumping from the chair she sat in;
Time, you thief, who love to get
Sweets into your list, put that in!
Say I’m weary, say I’m sad,
Say that health and wealth have miss’d me,
Say I’m growing old, but add,
Jenny kiss’d me.

~~~~~~~~~~~~~~~~~~~~~~~

Note: This post was on its way to publication when the wireless network vanished. When the network returned, the final third of this post had vanished, as had the tags. As had January 13, 2011, so this piece was published after midnight, on January 14. Drat!

After a decent night’s sleep, however, I’ll recreate the rest of the post and republish. And then I’ll publish a second post.

One of  my resolutions was to eschew perfectionism. I might as well get started now.

The Tale of Kerwin, Part II: Ostracism

In yesterday’s post, I introduced my first best teaching story, that of Kerwin. Tonight brings that story’s stirring conclusion.

If you have not read Part I, please do so now. Part II will pack a much harder punch if you know what came before.

Since publishing Part I, I’ve realized I failed to name the librarian who serves as our main character. For convenience, I shall call her Mary.

And before beginning, I once again emphasize that although I know every detail of this story, and that Mary’s every thought and emotion resonates with me as if it were mine alone–even so, the story is not mine. The fact that Mary is my name as well as hers is mere coincidence.

Now to resume.

You recall that Mary has been stressed almost to the point of saying a word she has never said. And that it is the Class from Hail that she fears she will say it to.

I will not identify the C from H except to say that its students were old enough to know better. Period.

Mary and the C from H had maintained a peaceful coexistence for several months without incident. Mary had simply begun carrying a strong antacid in her purse on their class day.

On the day we meet them, Mary has prepared a lesson on reference books. She has made a set of transparencies. She plans to lecture. She plans to assign class work. She has great expectations. In the next forty-five minutes, she will turn the C from H into crack encyclopedia users.

Things did not go as Mary planned. Students came barreling across campus from the gymnasium. They were jiggly. They were wild. They did not care to sit and listen. Every time Mary opened her mouth, one of the C from H opened his or her mouth and spoke a gross irrelevancy. Mary thought about the antacid in her purse.

When, after eight or ten interruptions, Mary thought she had things under control, she began her lecture–again–but here came Kerwin. Late. Loud. Fully aware of the production he was making of himself.

Mary stopped, got Kerwin settled in his chair, got him settled again, got everybody settled again. Then she began–how many times now?–her talk.

For some reason, Kerwin decided he needed to move his chair. Halfway across the room. He stood, reached between his legs, took the seat of the chair in hand, and scooted it backwards across the carpet.

Now for another digression. I have described Mary as soft-spoken, polite, well-mannered. She was. But when pushed too far, Mary sometimes snapped. She increased in height. She became majestic. She spoke–not loudly–but even more softly, but in majestic, measured tones. She became Maya Angelou, Dame Edith Evans, John Gielgud, and the Incredible Hulk, all rolled into one. She was a most impressive sight.

And when Kerwin and his chair went scooting across the room, Mary snapped.

She strode over to Kerwin and took him oh-so-gently by the nape of the neck.

“Come with me,” she said. She turned and marched Kerwin to the door to the front room.

She had no idea where she was going or what she was going to do when she got there.

Once in the front room, she saw a chair by the front door. She marched Kerwin over to it.

“Sit there and don’t move,” she said.

She waved to the computer teacher to let her know Kerwin was there. Then she walked–majestically–back to the C from H.

When she walked in, the C from H were sitting at their tables. They were hushed. Their eyes were enormous.

Mary walked to the overhead projector, switched it on, pointed to the first transparency, and defined encyclopedia. She talked and talked and talked about the encyclopedia.

The C from H sat and stared with their great big eyes.

Finally, one of the C from H mustered enough courage to speak.

“Where’s Kerwin?” he said.

Mary answered, as if she’d never even heard of an antacid, “Kerwin has been ostracized.”

And in the little silence that followed, she saw one member of the C from H lean toward his neighbor and heard him whisper:

“She castrated him?”

If Mary’s career had a high point, this was it. Because she kept her cool. She got right back to her lecture.

She did not smile. She did not laugh. She did not fall on the floor and have a first-class case of hysterics.

She maintained her dignity.

When the time came, she escorted her class to the back door and shooed them out. Then she packed up her transparencies, shelved some books, did whatever had to be done before leaving campus.

Twenty minutes later, when she walked into the front room to return a reference book, she found Kerwin, still sitting in the chair by the door.

She’d forgotten to dismiss him.

He hadn’t moved a muscle.

The Tale of Kerwin, Part I

Last week I shared the story of Cuthbert, my second best teaching story. Today I share the story of Kerwin, my first best teaching story.

I offer it against my better judgment. But it’s been years since judgment factored into any of my decisions. So we begin.

~~~~~~~~~~

Once upon a time, there was a librarian–for this story, Gentle Reader, is not my own; I heard it from someone who heard it from someone who heard it from a reliable source.

As I said, there was a librarian.

This librarian was a lovely person. She was kind and patient. She was soft-spoken. She was in no way profane. She was not in the habit of using what were once called unprintable words.

She did admit to employing two words that were once frowned upon, but that are now, in our advanced culture, hardly noticeable: damn and hell.

Those were her father’s words. And, because they were the only not-nice words she heard until she was nearly into her teens, she thought they were the worst words in existence.

And, although she understood they were not-nice words, and that she was not supposed to say them on pain of bad things happening, her father used them in such a way that made them sound perfectly acceptable.

In fact,  her Baptist Southern Belle hat-and-glove-wearing maternal grandmother (who had once told the future librarian, when said future librarian at the age of seven had impulsively demonstrated her erudition in spelling, that privy wasn’t the nicest word for a little girl to know how to spell),–as I say, her grandmother was so taken with the future librarian’s father’s by-words that she sometimes uttered them herself, mimicking his singular pronunciation: Well, day-um. (Hell was pronounced hail.)

(The grandmother never got in trouble for saying those words either.)

But, after the librarian’s father died, the librarian missed hearing those words, and she had attained her majority and then some, so she adopted the words as her own.

She sometimes worried that her usage didn’t always sound as innocent as her father’s. She sometimes said those words as if she really meant them. She wasn’t proud of that, but she managed to live with it.

She did not, however, venture further down the list of not-nice words without serious provocation. And such instances were practically unheard of. With her even temper and unfailing sense of propriety, she did not require that safety valve.

There were days, of course, when she came close. But when students were present, she never let an improper word pass her lips.

For years, she maintained this high linguistic standard.

So time passed. Enrollment in her school district increased rapidly. The Powers That Were decreed that the primary/elementary library should be moved to temporary lodgings in a house.

A small house. A small, old house.

The arrangement of the is germane to our story. The front room was divided by a partition about four feet high; to the right and down a couple of steps was a “sunken” computer lab supervised by a teaching assistant; to the left was a larger room where library reference books were shelved. Behind the reference room was a 12 x 30-foot room that ran the width of the building.

The rest of the library collection was shelved in that back room; the circulation desk was there; the card catalog was there; tables and chairs were there; the librarian taught her classes there.

Did I mention it measured 12 x 30?

The day after the roof leaked, a large puddle of water appeared there as well, but the card catalog was so expertly built that the liquid pooling atop it did not seep inside.

I will not mention the mold.

Now, a digression: Lest it be thought the librarian complained, I’ll add that the library’s sojourn in the old house lasted only three years, and that its next home, across the street, was new and roomy and bright and cheerful. And that pending relocation to the new building, the librarian polished her martyr complex and pretended she was having fun.

But pressure was building.

Sometimes she discussed her feelings with friends in similar boats.

One of those friends, Janie, a librarian who doubled as a preacher’s wife, confided to our librarian that she and certain individuals were embroiled in an ongoing disagreement over policy. Janie said she had been trying to rid herself of negative feelings about her opponents. She said that on frequent visits she made to a nursing home, she often saw an elderly lady sitting in the hallway in her wheelchair, cursing like a sailor. Janie was afraid that if she continued to harbor ill feeling in her bosom, she would end up the same way.

“I can’t think of anything worse,” she said, “than a preacher’s elderly widow sitting all day in a public hallway, cursing.”

Our librarian countered that if her own situation didn’t improve, she would disgrace herself by spouting out a word in the presence of her students.

And she knew exactly which students and what word:

The word would be smarta**.

And the students would be the Class from–Hail.

To Be Continued

Pushing the envelope

Twenty-three minutes to post, a cat in my lap bent on playing with the touch pad, several ideas in my head, none of which can be explored in twenty-two minutes. An unpredictable wireless connection.

A cat on my lap licking my wrist as I type. I don’t like to be licked as I type.

My evening critique group has had an online conversation today about typing vs. keyboarding. Are papers still typewritten? Are papers still papers, for that matter. Do we come to the page or to the screen?

The cat has stopped licking my wrist and has hidden his face against my arm. He’s stretching his foreleg to pat the mouse, which lies on the arm of the recliner.

There’s another one: mouse.

Forty years ago, the sentence, The cat is patting the mouse, which lies on the arm of the recliner, would have sparked an image entirely different from the one it creates today.

Someday, perhaps, cat will have a meaning in the cyber world. Perhaps it already does.

He’s now stretching both forelegs toward the mouse and using his elbow to control the touch pad. The cursor jumps around. Boxes pop up, offering me the opportunity to do things I have no intention of doing. I have to take a hand off the keys to move the box.

He has shifted. Now he’s resting his head on my right hand. His left foreleg rests on my left hand. A minute ago he tried to rest his chin on my thumbs.

He’s shifted again. There are two forelegs on my left hand. His head is still on my right hand, but his whiskers are sticking straight up. Another stretch. Another shift. His head is up again.

Another shift. A paw on the keys.

I took the time to click Save.

The purring vibrates the chair. I hope it doesn’t dislodge something the laptop needs to keep going.

Two minutes. No time for a photograph. Time to post.

Books in Progress

Baker, Russ. Family of Secrets: the Bush Dynasty, American’s Invisible Government, and the Hidden History of the Last Fifty Years. New York: Bloomsbury Press, 2009.

Flagg, Fannie. I Still Dream About You: A Novel. New York: Random House, 2010.

Jacobs, A. J. The Year of Living Biblically: One Man’s Humble Quest to Follow the Bible as Literally as Possible. New York: Simon & Schuster, 2007.

Kessler, David A. The End of Overeating: Taking Control of the Insatiable American Appetite. New York: Rodale Press, 2009.

MacInerney, Karen. Berried to the Hilt: A Gray Whale Inn Mystery. Woodbury, Minn.: Midnight Ink, 2010.

Dad

What a revolting development. In the interest of time, I’m cross-posting another piece from Whiskertips. But I can’t get the photographs to transfer, and they’re not saved on this computer. I suspect they’re on one of the flash drives, but I don’t have time to check that out.

I’m on my way to see Fannie Flagg, and I’m afraid if I hang around here much longer, I won’t find a parking place. So I have to leave soon.

Now.

Any minute now, I’ll start to sing.

I’m late, I’m late for a very important date
No time to say “Hello”, “Goodbye”
I’m late, I’m late, I’m late, I’m late

I really want to post the photos. They add to the piece. They’re necessary.

But really, I must make haste.

In a burst of creative thinking, I’ve decided to post now and add the photos later. That will satisfy both the requirement that I post daily and my determination to include the photos and my obsession with at least waving at Ms. Flagg across the parking lot. So, if you’ll come back later, you can see my grandfather dressed up in his painting duds, and me when I was little and cute. And some catfish.

~~~~~~~~~~~~~~~~~~~~~~~~~

I don’t believe it! The second photo transferred, and I didn’t even notice! I’m going back to see whether I can grab the others. Maybe I’ve made a mountain out of a molehill, or Ossa like a wart.

Obviously only half a wart. I can’t unbold the last section. No matter. I’ll take care of that later, too.

Really, I have to leave.

~~~~~~~~~~~~~~~~~~~~~~~~~~

I have the awful feeling I’ve posted this here before, but I can’t find it in the index, so here goes.

~~~~~~~~~~~~~~~~~~~~~~~~~~~

Dad

Dad and Kathy, 1952
Frank Waller dressed for painting, Fentress, Texas, ca. 1953

“My grandfather thinks stop signs cause wrecks.

“That’s what he told Mama when they put up those signs at FM 20. If you just go on across, you’ll get out of the way, but if you have to stop, you can’t build up enough speed and somebody’ll come along and hit you for sure. Mama didn’t argue. She’s a firm believer in safe driving, but she says when you marry into the Coburn family, you learn to choose your battles. In the meantime, you’re polite. Of course, with Daddad driving, stopping isn’t an option anyway. He hasn’t had a car with brakes since 1925.”

The lines above open my short story “Stop Signs.”

The story is fiction. The first two paragraphs, however, are pretty much true. Frank Waller did think stop signs cause wrecks. But instead of telling my mother, he said it to Mr. Farr, a new neighbor about his age. Although Mr. Farr nodded, I was sure he  was just being polite. I was seven years old, and I thought the idea was crazy. The reasoning seemed sound, but the facts were skewed.

Of course, I also knew my grandfather was capable of making outrageous statements just to see the listener’s reaction.

But having been his passenger the day he tested that theory, I’m satisfied that in this case he believed what he said.

The flaw in his system was that he drove so slowly he rarely built up any speed at all. He also drove on the wrong side of the road. If he saw a car approaching, he moved to the right, but not until he had scared the bejeebers out everyone else in the car.

His five sons, four daughters-in-law, and several dozen “adopted” relatives called him Dad. He was especially delighted when one of his tenant farmers addressed him that way. Rejecting the suggestion of Granddaddy, I called him Daddad until I got too old for such juvenile behavior and joined the adults.

Dad was tall, built like a scarecrow and, as is evident from the photograph above, mostly leg. He wore khaki shirts and slacks and a scruffy old hat. When he did house painting, he wore white overalls. I think I saw him wearing a suit once, but I can’t remember when or why.

He farmed. In the 1920s, he also ran a filling station and sold Chevrolets. When I was very young, he turned the farm over to one of his sons and moved to a little house he built on his sister’s lot in town.

When he wasn’t sitting on the bench outside the post office with the other old men, he did painting and paper-hanging. He was slow and meticulous. Seams he taped and floated became invisible. Wall-paper he hung was perfectly aligned, and he used enough paste to keep it up for decades. He fell short in only one area: according to my mother, every room he papered was missing two or three feet of border.

Everyone who hired Dad knew he would interrupt the job to indulge in his great love, trotline fishing in the San Marcos River. He used Crystal White soap for bait. The picture below is an average catch. By the time I was seven, I was helping him skin the fish. He then filleted them and put them in his freezer. When he had enough, he’d host a fish fry on his front porch: fried cornbread, Aunt Bettie’s potato salad, Aunt Jessie’s tartar sauce, my mother’s pecan pie.

San Marcos River Catfish
Me, with the catch of the day, courtesy of Dad, ca. 1953
The summer I was eight, while I was spending a week with him, a friend who’d been hunting gave Dad two wild rabbits. Dad told me we’d have fried rabbit for supper. When I mentioned the plan in front of my uncle’s wife, she said, “You’re not going to eat a bite of that rabbit!” Thinking her just a tad bossy, I ate extra to spite her. Ten years later in a college biology course, I learned why I shouldn’t have eaten the rabbit. It’s a wonder I’m alive today.
A widower for over forty years, Dad lived on canned Pillsbury biscuits, sorghum molasses, instant coffee, and roll-your-own Bull Durham cigarettes. A daughter-in-law occasionally got him to eat a square meal.

He saucered his coffee and gave lessons to anyone who asked. On a camping trip, I watched him coach a thirteen-year-old boy. They sat side by side on the edge of an army cot, the boy holding the steaming, trembling saucer halfway to his mouth, Dad saying, “Now you’ve got to let go with that right hand.”

He let me roll cigarettes and smoked them even though they were severely deficient in tobacco.

The day he died, one of my uncles called to say Dad was sick but refused to see a doctor. My mother and my uncle’s wife convinced him to go with them to the hospital.

When he was settled in a room, a nurse came in and said, “Mr. Waller, I need to get your temperature.”

He replied, “Now, you just call me Dad.”

Dad

Review (again): A Broom of One’s Own

I wrote the following post two years ago to answer a “challenge.” I intended to post it at the end of September 2009. I got all tangled up in words and couldn’t write a thing. I intended to post it at the end of October. I still couldn’t write it. I think I managed to write it after the October deadline.

In the middle of the “process,” I considered posting the following review: “I like Nancy Peacock’s A Broom of One’s Own very very very very very much.”

But the challenge specified a four-sentence review, and I had hardly one, and I didn’t want to repeat it three times.

So there’s the background.

I must also add this disclaimer: I bought my copy of A Broom of One’s Own myself, with my own money. No one told, asked, or paid me to write this review. No one told, asked, or paid me to say I like the book. No one told, asked, or paid me to like it. No one offered me tickets to Rio or a week’s lodging in Venice, more’s the pity. I decided to read the book, to like it, and to write this review all by myself, at the invitation of Story Circle Book Review Challenge. Nobody paid them either. Amen.

*********************************************

I like Nancy Peacock’s A Broom of One’s Own: Words About Writing, Housecleaning & Life so much that it’s taken me over two months and two missed deadlines to untangle my thoughts and write this four-sentence review, an irony Peacock, author of two critically acclaimed novels, would no doubt address were I in one of her writing classes.

She would probably tell me that there is no perfect writing life; that her job as a part-time house cleaner, begun when full-time writing wouldn’t pay the bills, afforded time, solitude, and the “foundation of regular work” she needed;  that engaging in physical labor allowed her unconscious mind to “kick into gear,” so she became not the writer but the “receiver” of her stories.

She’d probably say that writing is hard; that sitting at a desk doesn’t automatically bring brilliance; that writers have to work with what they have; that “if I don’t have the pages I hate I will never have the pages I love”; that there are a million “saner” things to do and a “million good reasons to quit” and that the only good reason to continue is, “This is what I want.”

So, having composed at least two dozen subordinated, coordinated, appositived, participial-phrase-stuffed first sentences and discarded them before completion; having practically memorized the text searching for the perfect quotation to end with; and having once again stayed awake into the night, racing another deadline well past the due date, I am completing this review—because I value Nancy Peacock’s advice; and because I love A Broom of One’s Own; and because I consider it the equal of Anne Lamott’s Bird by Bird; and because I want other readers to know about it; and because this is what I want.

~~~~~~~~~~~~~~~


Hansel and Gretel and Cuthbert and Me

If I were going to write a memoir about my years as a librarian, I’d title it The Accidental Librarian.

Because the job wasn’t part of a plan. It just happened along.

One Sunday afternoon in early August, many years ago, I was sitting at home, minding my own business, when  a school administrator /old friend called and said, “You want to be the librarian?”

The previous librarian had resigned. School would start in two weeks. The principals had talked amongst themselves and designated me The Chosen.

My end of the conversation went from Who, me? to I’m not qualified to Well, I don’t know. A week later, after conferring with a dean of the UT Graduate School of Library and Information Science (UT-GSLIC, or just the Library School), I moved on to a shaky Okay.

Three years earlier, I’d completed my M.A. in English, breathed a sigh of relief, and promised myself I was finished with grad school. Oh well. I wouldn’t have to register until after Christmas.

So. The state education agency granted a waiver. I cleaned out my classroom. I gave away most of my teaching materials. I moved across the hall to the high school library. School started. I found myself with the title of District Librarian and responsibility for three campus libraries.

Which included teaching primary and elementary students two days a week. Teaching being a relative term.

I had no education or experience with that age group. I’d seen hardly anyone below the age of fourteen for years. I was certified to teach grades six through twelve. But Learning Resources Specialist was an all-level certification.

What a shame mine was temporary and had been granted on a technicality. But when the going gets tough…

I learned a lot. Boy, did I learn a lot. Fast.

I learned that writing one’s name at the top of the page required fifteen minutes out of a twenty-minute class.

I learned that if second graders said, “May we write in cursive?” and I said, “Of course,” it would take thirty.

I learned that if I showed third-graders a new historical picture book about Queen Elizabeth I, the principal would ask me, months later, why I had told students that if they went into the restroom and turned off the light and said, “Bloody Mary, Bloody Mary, Bloody Mary,” a severed head would appear in the mirror.

I learned that fourth-grade boys love to use the unabridged dictionary, because it has some fascinating words not found in the abridged dictionary. Even the abridged unabridged dictionary has some really good words. Fourth-graders are impressed by words the rest of us don’t notice. (I almost convinced them not to become hysterical at the mention of Captain Underpants.)

The biggest lesson I learned was that sometimes I wouldn’t have any idea what I’d learned. To wit:

Once upon a time, I read “Hansel and Gretel” to a class of kindergartners. My audience, sitting rapt at my feet, comprised sixteen exceptionally good listeners, a fact I later regretted.

When I reached “And they lived happily ever after,” little Cuthbert (not his real name) stopped stroking my panty-hose-clad shin and tugged on my skirt. I ceded him the floor.

“But it’s a really good thing, what the witch did.”

Since he spoke kindergartner-ese, I thought perhaps I had misunderstood. Come again?

“It’s a really good thing, what the witch did.”

I should have slammed the book shut right then, or pulled out the emergency duct tape, or something, anything to change the subject. But I’m not bright, so I asked Cuthbert to elaborate.

His elaboration went like this:

When the witch tried to shove Gretel into the hot oven she was doing a good thing. Because then Hansel and Gretel would die and go to Heaven to be with God and Jesus.

I smiled a no doubt horrified smile and said something like But But But. And, while Cuthbert explained even more fully, I did a quick analysis of my options:

a) If I said, No, the witch did a bad thing, because it is not nice to cook and eat little boys and girls, then sixteen children would go home and report that Miss Kathy said it’s bad to go to Heaven and be with God and Jesus.

b) If I said, Yes, the witch did a good thing, because cooking and eating little boys and girls ensures their immediate transport Heavenward, then sixteen children would go home and report that Miss Kathy condoned cold-blooded murder and cannibalism. Plus witchcraft. Plus reading a book about a witch, which in our Great State is sometimes considered more damaging than the murder/cannibalism package.

c) Anything I said might be in complete opposition to what Cuthbert’s mother had told him on this topic, and he would report that to her, and then I would get to have a conference that would not be nearly so much fun it might sound.

(N.B. The last sentence under b) is not to be taken literally. It’s sarcasm, richly deserved. The earlier reference to emergency duct tape is hyperbole. I’ve never in my entire life duct taped a child.)

Well, anyway, I wish I could say the sky opened and a big light bulb appeared above my head and gave me words to untie this Gordian knot. In fact, I can’t remember finding any words at all, at least sensible ones. I think I babbled and stammered until the teacher came to repossess her charges.

I’m sure Cuthbert kept talking. There’s no telling what his classmates took away from that lesson.

I suppose, if I’d been in my right mind, I’d have said something to the effect that God and Jesus don’t like it when witches send people along earlier than expected.

But the prospect of talking theology with this independent thinker stopped my brain function.

I was expending all my energy trying not to laugh.

~~~~~~~~~~~~~~~

My hero(es)

William is curled up in my clothes closet, either napping or plotting an outrage.

He looks so darling, wearing his little orange cream striped pajamas, that I’d like to post a photo of him here. But then you, Gentle Reader, would know more about my closet than would be good for either of us.

Moving on.

Fannie Flagg will appear this Saturday at BookPeople. Her latest novel, I Still Dream About You, is described as “equal parts Southern charm, murder mystery, and that perfect combination of comedy and old-fashioned wisdom…” That quotation appears on the Random House website but is probably accurate even though the possibility of bias exists.

Emma Hagestadt, writing in The Independent, (see link, below), says the book is “a comedy-mystery featuring a group of post-menopausal estate agents – a golden-girl romp every bit as eccentric as it sounds.” Ms. Hagestadt is an experienced reviewer who obviously knows funny when she sees it.

Here is my favorite story about Fannie Flagg: In 1975, Flagg, who had never written fiction, went to the Santa Barbara Writing Conference because her “idol,” Eudora Welty, would be there. As part of the conference, she wrote the story “Daisy Fay and the Miracle Man.” But instead of submitting it under her own name, she used a pseudonym. Flagg’s story won the contest and later became the basis for her first novel.

I don’t know which amuses me more: the fact that Fannie Flagg, an experienced actor and television writer, was too shy to enter a fiction contest under her own name; or the thought of the twinkle in Eudora Welty’s eye when she presented the prize for best story to Pearl Buck.

 

Minding my own business

I was sitting here, working on a story, minding my own business, when I glanced at the clock.

11:08 p.m.

And today’s post is still a figment of my imagination.

Or it was. Or, more accurately, they were.

The process never varies.

I spend the day writing, reading, laundering, driving, meeting, critiquing, shopping, cooking and whatever other –ing happens along. And all the while, ideas whirl inside my head: I’ll write about this–and this–and this–and every this comes bearing its own first line, flawlessly conceived, flawlessly phrased, flawlessly flawless.

But by the time I open the screen with the words Add New Post emblazoned across the top, I find creation vaporized, all my pretty chickens taken in one fell swoop.

O hell-kite.

All right, that’s not what happens. Not literally anyway. Except for the hell-kite part. It’s genuine.

What happens is that I forget. I don’t carry little index cards in my pocket, as Anne Lamott says I should, or a little notebook in my purse. I don’t stop to record my epiphanies. I keep on whirling.

And then it’s 11:08, or in the instant case, 11:52 p.m. and counting, and I’ve said I’ll post daily, so I have to post something, so I just catch the nearest way. And tonight this is it.

Ham

“In the morning,” [John Cheever’s] daughter, Susan, wrote, “my father would put on his one good suit and his gray felt hat and ride down in the elevator with the other men on their way to the office. From the lobby he would walk down to the basement, to the windowless storage room that came with our apartment. That was where he worked. There, he hung up the suit and hat and wrote all morning in his boxer shorts, typing away at his portable Underwood set up on the folding table. At lunchtime he would put the suit back on and ride up in the elevator.” ~ “John Cheever, Former UI Faculty,” UI Pulitzer Prize Winners

“Reading Bailey’s biography reconfirms an impression of Cheever that I’ve carried around in my locket for years—that the man had a lot of ham actor in him, which he served pretty thick.” ~ James Wolcott, “It’s Still Cheever County,” in Vanity Fair

New Year’s is a time for looking back as well as looking forward, for taking stock of what one has accomplished over the past twelve months.

My personal inventory amounts to this: I shined my sink, wrote one scene that really really works, and baked a ham.

The ham got in just under the wire. I bought it on impulse, and we had it for dinner on New Year’s Eve, with baked sweet potatoes and fresh green beans. What was left over went into the freezer, and the bone is destined for a pot of navy beans. I found a website featuring 377 recipes for navy bean soup. By next New Year’s Eve, I’ll have had time to sort through them and find one I want to tackle.

 

As proud as I am of the ham and the scene (we’ll speak no more about the sink), I admit 2010 wasn’t a stellar year. My writing didn’t progress as it should have. I didn’t treat it as a business. I didn’t focus. I wrote at home.

Unfortunately, I need more structure than can be found in a laptop, a recliner, and a couple of cats. I need an office. A schedule. A dress code. The idea of working in pajamas all day, though tempting, doesn’t spur me to much of anything at all.

So this morning I did the writerly thing: I donned a business suit–jeans and a turtleneck–and set out for the nearest coffee shop. Six hours, a cup of mocha, a slice of banana bread, and 761 words later, I packed up and returned home.

Tomorrow I’ll do it again. And then again. And then again. With any luck at all, the focus will increase. With any luck at all, the word count will increase.

With any luck at all, my 2011 EOY report will list something more significant than ham.

 

Let the universe work

 In the matter of resolutions, I look to Henriette Ann Klauser’s Write It Down, Make It Happen.

Instead of focusing on action, Klauser focuses on objective: what do you want? Make a list, she says. Then put the list away. Relax and let the subconscious and the universe work.

In her book, she profiles the experiences of a number of individuals for whom the process has worked. The story that impressed me most concerned one of her sons.

He was a teenager when he showed her a list he’d found, I believe, on the floor of his closet. The implication was that it had been buried there for a while. He said he’d made it several years before–just written down five or six things he wanted. What was really interesting, he said, was that even though he’d forgotten about the list, everything on it had happened.

I read Klauser’s book at a time when I specialized in reading self-help books. I rarely took any of the advice in them, but Klauser’s plan required little effort–no getting up early, jogging an hour a day, giving up caffeine, eating seven helpings of vegetables–so I tried it.

I wrote the list: things I wanted, things I had no expectation of, things I could not imagine happening.

And then I lost the list. Buried it, in fact.

Five years later, during one of my feng shui periods, I ran across the book and remembered the list.

Everything I’d written had happened. I had it all.

So for 2011, I’m not writing resolutions. Instead, I’m going to make another list.

The only question is–why have I waited so long?

MMXI

My first resolution is to post every single day in 2011.

My second is to eschew perfectionism.

Que sera sera.

Friends called this afternoon to ask my advice about a grammatical matter. They call me their “go-to person” for such information.

I issued the standard disclaimer plus an opinion.

I love it when people treat me like an expert. It means I’m a good actor. So far they haven’t caught on.