Tampering with perfection & #ROW80 Report

Tired
Tired

I am so tired I ever could.

Because last night I waltzed up to the watermelon buffet and chose

  1. Complete the edit the AMW story for its (I hope) final major critique

If I’d been taking naps, #1 would be only a memory. But there’s more to do.

Weeks ago, I edited out a couple of sentences but later realized I’d removed a bit of necessary information and created a contradiction. The error would be so difficult to resolve, and the lapse in logic was so subtle and so trivial, and the remaining text flowed so smoothly that I thought about saying, with Walt Whitman,

“Do I contradict myself?
Very well, then, I contradict myself;”

and leave it alone and hope no one would notice.

But someone always notices. Sometime, somewhere, some reader would say, But the character says this is going to happen, and this doesn’t happen, or maybe it does, but whatever happened, she never says another word about it, so it sounds like maybe both things happened, and she should have told us… 

So I tried a number of fixes, none of which pleased me, settled on one, and moved on. In a few days, I’ll go back and try again.

Just wo-ahn out
Just wo-ahn out

In moving on, I went from editing/revising to tampering. The official word is polishing, but I tampered: with words–thank goodness for thesaurus.com running in the background; with phrases; with sentence structure… Tampered with things better left untouched.

Tampering–especially when you think you’re polishing–is doomed to fail. It usually takes place near the end of a project, when you think everything is perfect, but not quite. So you make one little change, and then another, and another, and soon, part of your brain–the part where judgment lives–shuts off and you go on automatic pilot. You keep on clicking that mouse, cutting, pasting, copying, deleting, inserting…

Do this long enough and you can drain the life out of a story.

I’m most likely to tamper when I’m tired. I was tired last night. I should have watched Acorn TV or read or, better yet, given in and gone to bed at a reasonable hour. But I didn’t. Hyperfocused on the manuscript, I lost track of time and stayed up long after midnight. Then, in a perverse turn of events, I woke today up at 7:00 a.m.

So, as I said at the top of the page, I am tired.

A deadline approaches. I need to finish that story.  First, though, I’ll let it rest. Several days. A week. Until I’m sufficiently rested. Until I don’t hate it with every fiber of my being. Until I’m detached enough to distinguish the good from the bad from the ugly.

#ROW80 Update

The July 20 Buffet

The original Buffet was meant to cover 80 days beginning with July 4, not just a few days or a week. Some haven’t been completed. Number 5 is on-going. So nothing changes.

  1. Complete the edit the AMW story for its (I hope) final major critique
    Tried but didn’t finish, might have created a monster instead. See above, if you haven’t already.
  2. Draft the second half of the story “Texas Boss” and submit to AMW for critique–Nope.
  3. Finish a very rough draft of “Thank You, Mr. Poe”–Nope.
  4. By September 5th, read at least ten of the books on my 20 Books of Summer 2016 list. (The list appears at Writing Wranglers and Warriors.)
    Still reading Isabel Allende’s The Japanese Lover, 68 pages to
    By Mutari (Own work) [Public domain], via Wikimedia Commonsgo. I used the calculator to figure that out. I didn’t have to. I can still subtract in my head. But I don’t want to think that hard. Sad.
  5. Post #ROW80 reports on Sundays and Wednesdays.
    It’s Wednesday and I’m posting.
  6. Visit three new #ROW80 blogs a day.–Nope. I don’t know why, but nope.
  7. Take three naps a week.–Nope. And I’m so sorry I didn’t.

###

The July 27 Buffet

They don’t change much. The point of the buffet, per shanjeniah, is to have choices and plenty of them. So I’ll add more watermelon.

  1. Complete the edit the AMW story for its (I hope) final major critique
  2. Draft the second half of the story “Texas Boss” and submit to AMW for critique
  3. Finish a very rough draft of “Thank You, Mr. Poe”
  4. By September 5th, read at least ten of the books on my 20 Books of Summer 2016 list. (The list appears at Writing Wranglers and Warriors.)
  5. Post #ROW80 reports on Sundays and Wednesdays.
  6. Visit three new #ROW80 blogs a day
  7. Take three naps a week
  8. Go to bed at by 11:00 p.m.
  9. Cook at least one decent meal for David
  10. Spend an afternoon at the Blanton Museum of Art
  11. Play the piano
  12. Dust the piano
  13. Get rid of ten things a day
  14. Collect and organize books
  15. Shred

###

A Round of Words in 80 Days (#ROW80) is The Writing Challenge That Knows You Have a Life.

To read what other #ROW80 writers are doing, click here.

###

Night of the Violent Mirdango

Oh, Lord Azoth.” Miss Brulzies laid the palm of her soft little hand on his cytanic dargest. “That is just the most impressive, the most cytanic dargest I’ve ever come across.”

Adjusting his eyewire, Lord Azoth said with a flaudant gipple, “You little hoyden. You knew wearing that white ignibrate would jackonet my kreits. And the rose sticking out of your ligara… Ye gads! I cannot restrain myself. Will you glide across the floor with me in a violent mirdango?”

Yes, yes, yes!” And then, “But do you think we should? Neymald stands by the punch bowl, and his oxene eyes hint he’s already pecanada, and we should not qualt him. You know–you must know–that our mirdango, especially if we perform it violently, will ryot him into committing a skewdad.”

Phooey on Neymald and his skewdads,” said Lord Azoth. “You are my trompot, you little hoyden, not Neymald’s, and I will mirdango with you as violently as I please. Neymald will just have to uject it.”

And with that, he readjusted his eyewire, shifted his dargest, the one she had called cytanic, and, taking her hand, escorted her to the vucuder.

There, to a melancholy tune played by a wandering wandolin, they executed their violent mirdango.

Neymald, stymied, could do nothing but hang over the punchbowl, very pecanada and now very, very qualted indeed. But his pecanada was so advanced, he couldn’t think of even one decent skewdad.

Able only to stand there and xystoi, “Yirth!” he cried, and sighed. “Now I shall have to challenge Azoth to a zabak. But without a cytanic dargest, I’ll surely lose.” Then, of a sudden, he ideated: There’s more than one way to win a zabak.

He filled a cup and proffered it to the hoyden, her face aglow with the innocence of youth, wending her way toward the punch bowl.

My dear, what a lovely red ignibrate you are decked out in,” he said. “And is that a dargest you carry, its handle toward my hand?” He bowed. “May I have this mirdango? I promise you—we will be violent. And afterward, perhaps you will allow me to hold your dargest. It is the most cytanic dargest I have ever come across.”

###
To see what it’s all about, read A Zusky, Cytanic Adventure. Then write your own.

 

That’s How the Smart Money Bets

Roaming around online, I happened upon the Damon Runyon Cancer Research Foundation.

And instead of thinking what a normal person would, I thought like a member of the Professional Organization of English Majors: Why Damon Runyon?

Runyon wrote the stories on which the musical Guys and Dolls was based. You remember–“A Bushel and a Peck,” “I’ve Never Been in Love Before,” “Luck Be a Lady”…

What did he have to do with cancer research?

Then it occurred to me the foundation might be named for someone else.

And that, although I’d assumed I was well informed, nearly everything I knew about Damon Runyon could be, and was, expressed in the third paragraph of this post.

So I headed for Wikipedia and discovered my original Why? was right on. They’re the same person. I learned a few other things as well:

Alfred Damon Runyan was born  in Kansas and grew up in Pueblo, Colorado, where he started in the newspaper trade. He is believed to have attended school only through the fourth grade. At one of the newspapers he worked for, the spelling of his last name was changed to Runyon, and he let the new spelling stand.

While covering spring training in Texas, he met Pancho Villa in a bar, and later he went on the American expedition into Mexico searching for Villa.

For years, he covered sports and general news for various Hearst publications and syndicates. His “knack for spotting the eccentric and the unusual, on the field or in the stands, is credited with revolutionizing the way baseball was covered.”

He was a “notorious gambler” and paraphrased Ecclesiastes: “The race is not always to the swift, nor the battle to the strong, but that’s how the smart money bets.”

He wrote stories celebrating Broadway life that grew out of the Prohibition era. The stories are “humorous and sentimental tales of gamblers, hustlers, actors, and gangsters, few of whom go by ‘square‘ names, preferring instead colorful monikers such as ‘Nathan Detroit’, ‘Benny Southstreet’, ‘Big Jule’, ‘Harry the Horse’, ‘Good Time Charley’, ‘Dave the Dude’, or ‘The Seldom Seen Kid’.”

The stories were carefully constructed, but their style made them distinctive. He avoided present tense with “an almost religious exactitude.” He created a special jargon for his characters to speak. He used slang, sometimes rhyming, reminiscent of cockney slang, as in the following passage from “Romance in the Roaring Forties”:

“Miss Missouri Martin makes the following crack one night to her: ‘Well, I do not see any Simple Simon on your lean and linger.’ This is Miss Missouri Martin’s way of saying she sees no diamond on Miss Billy Perry’s finger.”

Twenty of his stories were made into films, including Little Miss Marker, which launched Shirley Temple’s career, and which was the biggest film of 1934. It was remade as Sorrowful Jones (1949), 40 Pounds of Trouble (1962), and, again, Little Miss Marker (1980).

And now to answer my original Why?

When Runyon died of throat cancer in 1946, his friend Walter Winchell went on the radio and asked listeners to give to cancer research.

“Mr. and Mrs. United States! A very dear friend of mine – a great newspaperman, a great writer, and a very great guy – Damon Runyon, was killed this week by America’s Number Two killer – Cancer. It’s time we tried to do something to fight this terrible disease. We must fight back, and together we can do it. Won’t you send me a penny, a nickel, a dime, or a dollar? All of your money will go directly to the cancer fighters, in Damon Runyon’s name. There will be no expenses of any kind deducted.”[

“The organization gained more visibility in 1949 when Milton Berle, a long-time friend of both Runyon and Winchell, hosted the first-ever telethon, raising $1.1 million for the foundation over 16 hours. In its first three decades, the foundation was a popular cause among celebrities from Hollywood to Broadway and the sports world. Marlene Dietrich, Bob Hope, Marilyn Monroe, Joe DiMaggio, and many of their contemporaries served as supporters and board members.”

Today the Damon Runyon Cancer Research Foundation “identifies scientists with the highest potential to revolutionize how we prevent, diagnose, and treat all forms of cancer.”
It supports promising young researchers, who are typically unlikely to receive government funding until they’re past forty. Scientists study all types of cancer at the molecular and genetic levels, and not according to the organs in which they are found.
Fundraising events include the Runyon 5K at Yankee Stadium, the William Raveis Walk + Ride, theater benefits, and an annual breakfast. In the Runyon Up, participants run up the 72 flights of stairs in World Trade Center 4. The Foundation accepts memorial gifts and encourages friends to like it on Facebook and Twitter. Donors can sponsor the research of a current scientist.
Since 1946, Damon Runyon Cancer Research Foundation has invested more than $300 million and funded research by over 3,500 scientists. 100% of donations go to research.
Among the latest  “New Discoveries,” the website lists the following articles:
The Foundation describes its mission this way:
“Unlike other cancer charities, we do not place safe bets on well-known, established scientists. We seek emerging talent with bold innovative ideas, the rising stars of cancer research who are willing to take risks and are not daunted by the most complex scientific challenges.”
Damon Runyon gambled. Obviously, so does the foundation bearing his name. And obviously, it’s very good at it.
The odds are, Runyon would say, “That’s the way the smart money bets.”

“Hell on Wheels”: The Story of a Lethal Librarian

Excerpt from “Hell on Wheels” by Kathy Waller appears in MURDER ON WHEELS: 11 TALES OF CRIME ON THE MOVE, published by Wildside Press, 2015

***

The day I found Mama stirring ground glass into the filling for a lemon meringue pie, I took the bowl away from her and called a family conference. We had to do something before she dispatched some poor, unsuspecting soul to his heavenly rest and got herself thrown so far back into prison she couldn’t see daylight.

The next day, while Mama was down at Essie’s Salon de Beauté, my brothers and sister and I crowded into a booth at the old Dairy Queen, just across the corner from the library where I worked. The DQ was practically empty. The only customers—besides Frank and Lonnie and Bonita and me—were senior citizens, and most of them had their hearing aids turned off.

When the waitress had delivered our orders and retreated behind the counter to her copy of People magazine, I explained why I had called the meeting.

“It hurts me to say it, but the time has come to put Mama out of her misery.”

Lonnie stabbed his straw through the plastic lid on his frosted Coke. “Mama don’t have no misery. I never seen nobody so contented with her lot.”

Bonita poked her pointy elbow into my side and reached across the table to pat Lonnie’s hand. “I think Marva Lu’s talking about a different kind of misery, baby brother. I’ll explain later.”

That was a case of the pot calling the kettle black. Bonita’s explaining was why it took Lonnie till he was twenty-nine to get his GED.

Frank, sitting across the table from me, grabbed a napkin and wriggled his way out of the booth. “Now look what you made me do. Scared me half to death, making such a mean joke about Mama.”

He dabbed at his tie with a napkin. “This necktie is a souvenir from when we took the kids to Disney World. That gravy landed right on Donald Duck’s tail feathers.”

I glanced over my shoulder at the other diners, several of whom were looking our way. “Frank Dewayne Urquhart, stop carrying on and sit back down,” I hissed. “You’re attracting attention.”

Frank unclipped his tie and laid it across the back of the booth. By the time he settled down to finish his steak fingers, the senior citizens had turned back to their burgers.

“Now, quit worrying about that duck’s derriere and look me in the eye,” I said, in the steely tone of voice I used on seventh-grade boys I found hiding in the how-to books, giggling over The Joy of Sex. “I am not joking. This is serious.”

Frank stuffed a couple of napkins into his collar and dunked another steak finger. “Serious?” He leaned toward me, his eyes wide and his voice just a whisper. “You want to … put Mama down … just because you saw her add something to the pie? I bet you didn’t have your contacts in. Might’ve been powdered sugar. She’s probably practicing something new for the Methodist ladies’ fundraiser cook-off.”

“The new bishop’s going to judge the cook-off.” I took a sip of my Diet Dr. Pepper and gave Frank time to think. “I can see the headlines now: ‘Murderous Methodist Does in Bishop with Omelet’. And every penny of our inheritance will go to pay a lawyer to try to keep Mama out of prison. Squeaky Vardaman says defense attorneys charge more when the client’s guilty. And Squeaky’s the district attorney, so he ought to know.”

Bonita stabbed me again with her elbow. “Uh-oh, look who’s coming.” We all followed her gaze.

A bright red Corvette was racing up the street. Ignoring the stop sign, the driver shot through the intersection, just missing a pedestrian, who scrambled onto the high curb and wrapped his arms around a light pole for support.

“There she is, on her way to Essie’s to get her hair screwed up.” Lonnie grinned. “Man, Mama can drive that car, can’t she?”

Frank cleared his throat and wiped his fingers on a napkin. “Yeah, Marva Lu, I see your point.”

Bonita wrinkled her nose and wound a blonde curl around her finger, a habit she’d gotten into when she was five years old and people told her it was cute. “Why don’t we keep a real close watch on Mama and make sure she doesn’t have a chance to put anything bad in the food? I mean, killing her seems a little extreme.”

“Are you volunteering to babysit around the clock?” I said.

Bonita wrinkled her nose again. “Well, what about putting her in the Silver Seniors Retirement home? We could have her committed. Then she couldn’t cook at all.”

“No way,” said Frank. “Old Dr. Briggs is as loony as Mama. He isn’t about to certify her. Hell, there’s not a man, woman, or child in the county, including us, who’d dare to cross her. After all, she owns the bank.” He wadded his napkin into a ball and dropped it into the empty basket. “You going to convince her to move to the home, Bonita?”

Before Bonita could get her nose back in gear, Lonnie finally caught up with the conversation. He sat up straight. “Killing her? What do you mean, killing her? You saying you want to kill Mama?”

“Shhh. Use your library voice, Lonnie.” Bonita patted his hand again. “Kill is just a figure of speech. Like one of those smilies we talked about before your test.”

I rolled my eyes. “No, it’s not a smilie. We’d better make sure right now that everybody understands what we’re doing.”

“I’m not doing anything,” whispered Lonnie. “If you’re going to kill Mama, I’m heading for the sheriff right now. Move, Frank, and let me out of this booth.”

I glared at Frank. He stayed put. I smacked Bonita’s hand off Lonnie’s and closed my hand around his. Poor Lonnie, he’d always been Mama’s favorite, and so softhearted. I should have known our talk would upset him.

I assumed the sympathetic tone I used when citizens called to complain about the library having dirty books. “Lonnie, sweetheart, you heard what I said about Mama’s new recipe. And you remember how Uncle Percy died last month, just hours after Mama cooked him a special birthday lunch.”

“Dr. Briggs said that was Uncle Percy’s ulcer.” Lonnie jerked his hand back. “Frank, let me out.”

I grabbed his hand again and hung on. “Jasper Alonzo, calm down. I’m going to ask you a question, and I want you to think about it carefully and then give me an honest answer. After that, Frank will let you out, and you can go to the sheriff or anywhere else you want.

“Now, here’s the question: How would it make you feel if they put Mama on trial for killing Uncle Percy? Or somebody else she fed bad food to? And what if she had to spend the rest of her natural life locked up in the prison at Huntsville?”

Lonnie’s brow wrinkled like it always did when he was turning something over in his mind. One thing about my baby brother, he never made snap decisions. I usually admired him for that. In this case, however, even with the answer so obvious, I threw in some details.

“Think about what prison’s like, Lonnie. There wouldn’t be a soul Mama knows. And most of those inmates are so common, not our kind of people at all. Mama would have to share a room, and you know how she values her privacy. There’d be no more trips up to Neiman Marcus, and she’d have to dress just like everybody else, in horizontal stripes. She’s always been dead-set against horizontal stripes. Essie wouldn’t be there to keep up her weekly White Mink rinse, and without that, her gray hair would get that ugly yellow tinge to it. And how would she survive without her Friday bridge club? Think about it, Lonnie. What kind of life would Mama have?”

By the time I got to “yellow tinge,” all the fight had gone out of Lonnie. His brow unwrinkled. Tears welled up in his soft brown eyes. It was just the saddest expression I’d ever seen on that sweet face. He looked so miserable I was tempted to toss the rest of my chocolate sundae into the big red waste bin and tell my siblings to forget the whole thing.

But I didn’t get to be Director of the Kilburn County Public Library and Archives by caving in to every pathetic face that stared at me across the circulation desk.

“All right, Lonnie,” I said. “What’s your answer?”

He pulled on his straw but got only a gurgle, so he quit stalling. “Mama wouldn’t like prison at all. So I guess I’d feel pretty bad.” He shook his cup and managed to suck up one more taste of frosted Coke. “But I still don’t feel good about planning to kill her.”

I looked out the window. Old Judge Vardaman was shuffling down the sidewalk from the courthouse, heading for the library, where he would spend his usual hour dozing over the Wall Street Journal. On his way out, he would tiptoe into my office and sit down for what he called “a little visit with my sweetie-pie.”

Bonita saw me watching him and smirked. “Well, here comes Big Sister’s gentleman caller. Honestly, Marva Lu, I don’t know how you can stand to have that old goat around. He’s older than God.”

“You should talk,” I said. “The way you drool over the old goat’s son since he got elected D. A. is a disgrace.” I passed the remainder of my sundae across the table to Lonnie and smiled. “Anyway, Bonita, he’s not so bad. Goats can be very useful animals.” I shouldered my purse and stood up to leave. “Don’t worry, Lonnie,” I said. “You won’t have to do a thing. I’ll take care of all the planning myself.”

***

Our anthology!

Print and Kindle editions available at Amazon.com
Print edition available at Barnes and Noble.com and at Wildside Press.com

One Trailer. No Horses. No Cows.

Marketing?

NO

I’m happy happy happy when a reader buys a copy of Murder on Wheels, Austin Mystery Writers’ anthology of crime fiction.

BUT

ebook or paperback
ebook or paperback

I share the following link because V P Chandler, an AMW member, created a Murder on Wheels book trailer, and she did a beautiful job. I’d like it to have a wider audience.

SO…

Please check out the trailer. I hope you’re as impressed as I am.

AND I hope that, after watching the trailer, you’ll rummage around a bit on V P’s website. Treasure is hidden there.

“Hell on Wheels”: The Story of a Lethal Librarian

Excerpt from “Hell on Wheels” by Kathy Waller appears in MURDER ON WHEELS: 11 TALES OF CRIME ON THE MOVE, published by Wildside Press, 2015

Join Austin Mystery Writers for the launch of MURDER ON WHEELS at 7:00 p.m. on August 11, 2015, at BookPeople Bookstore, 6th and Lamar, Austin. Authors will read and sign. Refreshments will be served.

***

The day I found Mama stirring ground glass into the filling for a lemon meringue pie, I took the bowl away from her and called a family conference. We had to do something before she dispatched some poor, unsuspecting soul to his heavenly rest and got herself thrown so far back into prison she couldn’t see daylight.

The next day, while Mama was down at Essie’s Salon de Beauté, my brothers and sister and I crowded into a booth at the old Dairy Queen, just across the corner from the library where I worked. The DQ was practically empty. The only customers—besides Frank and Lonnie and Bonita and me—were senior citizens, and most of them had their hearing aids turned off.

When the waitress had delivered our orders and retreated behind the counter to her copy of People magazine, I explained why I had called the meeting.

“It hurts me to say it, but the time has come to put Mama out of her misery.”

Lonnie stabbed his straw through the plastic lid on his frosted Coke. “Mama don’t have no misery. I never seen nobody so contented with her lot.”

Bonita poked her pointy elbow into my side and reached across the table to pat Lonnie’s hand. “I think Marva Lu’s talking about a different kind of misery, baby brother. I’ll explain later.”

That was a case of the pot calling the kettle black. Bonita’s explaining was why it took Lonnie till he was twenty-nine to get his GED.

Frank, sitting across the table from me, grabbed a napkin and wriggled his way out of the booth. “Now look what you made me do. Scared me half to death, making such a mean joke about Mama.”

He dabbed at his tie with a napkin. “This necktie is a souvenir from when we took the kids to Disney World. That gravy landed right on Donald Duck’s tail feathers.”

I glanced over my shoulder at the other diners, several of whom were looking our way. “Frank Dewayne Urquhart, stop carrying on and sit back down,” I hissed. “You’re attracting attention.”

Frank unclipped his tie and laid it across the back of the booth. By the time he settled down to finish his steak fingers, the senior citizens had turned back to their burgers.

“Now, quit worrying about that duck’s derriere and look me in the eye,” I said, in the steely tone of voice I used on seventh-grade boys I found hiding in the how-to books, giggling over The Joy of Sex. “I am not joking. This is serious.”

Frank stuffed a couple of napkins into his collar and dunked another steak finger. “Serious?” He leaned toward me, his eyes wide and his voice just a whisper. “You want to … put Mama down … just because you saw her add something to the pie? I bet you didn’t have your contacts in. Might’ve been powdered sugar. She’s probably practicing something new for the Methodist ladies’ fundraiser cook-off.”

“The new bishop’s going to judge the cook-off.” I took a sip of my Diet Dr. Pepper and gave Frank time to think. “I can see the headlines now: ‘Murderous Methodist Does in Bishop with Omelet’. And every penny of our inheritance will go to pay a lawyer to try to keep Mama out of prison. Squeaky Vardaman says defense attorneys charge more when the client’s guilty. And Squeaky’s the district attorney, so he ought to know.”

Bonita stabbed me again with her elbow. “Uh-oh, look who’s coming.” We all followed her gaze.

A bright red Corvette was racing up the street. Ignoring the stop sign, the driver shot through the intersection, just missing a pedestrian, who scrambled onto the high curb and wrapped his arms around a light pole for support.

“There she is, on her way to Essie’s to get her hair screwed up.” Lonnie grinned. “Man, Mama can drive that car, can’t she?”

Frank cleared his throat and wiped his fingers on a napkin. “Yeah, Marva Lu, I see your point.”

Bonita wrinkled her nose and wound a blonde curl around her finger, a habit she’d gotten into when she was five years old and people told her it was cute. “Why don’t we keep a real close watch on Mama and make sure she doesn’t have a chance to put anything bad in the food? I mean, killing her seems a little extreme.”

“Are you volunteering to babysit around the clock?” I said.

Bonita wrinkled her nose again. “Well, what about putting her in the Silver Seniors Retirement home? We could have her committed. Then she couldn’t cook at all.”

“No way,” said Frank. “Old Dr. Briggs is as loony as Mama. He isn’t about to certify her. Hell, there’s not a man, woman, or child in the county, including us, who’d dare to cross her. After all, she owns the bank.” He wadded his napkin into a ball and dropped it into the empty basket. “You going to convince her to move to the home, Bonita?”

Before Bonita could get her nose back in gear, Lonnie finally caught up with the conversation. He sat up straight. “Killing her? What do you mean, killing her? You saying you want to kill Mama?”

“Shhh. Use your library voice, Lonnie.” Bonita patted his hand again. “Kill is just a figure of speech. Like one of those smilies we talked about before your test.”

I rolled my eyes. “No, it’s not a smilie. We’d better make sure right now that everybody understands what we’re doing.”

“I’m not doing anything,” whispered Lonnie. “If you’re going to kill Mama, I’m heading for the sheriff right now. Move, Frank, and let me out of this booth.”

I glared at Frank. He stayed put. I smacked Bonita’s hand off Lonnie’s and closed my hand around his. Poor Lonnie, he’d always been Mama’s favorite, and so softhearted. I should have known our talk would upset him.

I assumed the sympathetic tone I used when citizens called to complain about the library having dirty books. “Lonnie, sweetheart, you heard what I said about Mama’s new recipe. And you remember how Uncle Percy died last month, just hours after Mama cooked him a special birthday lunch.”

“Dr. Briggs said that was Uncle Percy’s ulcer.” Lonnie jerked his hand back. “Frank, let me out.”

I grabbed his hand again and hung on. “Jasper Alonzo, calm down. I’m going to ask you a question, and I want you to think about it carefully and then give me an honest answer. After that, Frank will let you out, and you can go to the sheriff or anywhere else you want.

“Now, here’s the question: How would it make you feel if they put Mama on trial for killing Uncle Percy? Or somebody else she fed bad food to? And what if she had to spend the rest of her natural life locked up in the prison at Huntsville?”

Lonnie’s brow wrinkled like it always did when he was turning something over in his mind. One thing about my baby brother, he never made snap decisions. I usually admired him for that. In this case, however, even with the answer so obvious, I threw in some details.

“Think about what prison’s like, Lonnie. There wouldn’t be a soul Mama knows. And most of those inmates are so common, not our kind of people at all. Mama would have to share a room, and you know how she values her privacy. There’d be no more trips up to Neiman Marcus, and she’d have to dress just like everybody else, in horizontal stripes. She’s always been dead-set against horizontal stripes. Essie wouldn’t be there to keep up her weekly White Mink rinse, and without that, her gray hair would get that ugly yellow tinge to it. And how would she survive without her Friday bridge club? Think about it, Lonnie. What kind of life would Mama have?”

By the time I got to “yellow tinge,” all the fight had gone out of Lonnie. His brow unwrinkled. Tears welled up in his soft brown eyes. It was just the saddest expression I’d ever seen on that sweet face. He looked so miserable I was tempted to toss the rest of my chocolate sundae into the big red waste bin and tell my siblings to forget the whole thing.

But I didn’t get to be Director of the Kilburn County Public Library and Archives by caving in to every pathetic face that stared at me across the circulation desk.

“All right, Lonnie,” I said. “What’s your answer?”

He pulled on his straw but got only a gurgle, so he quit stalling. “Mama wouldn’t like prison at all. So I guess I’d feel pretty bad.” He shook his cup and managed to suck up one more taste of frosted Coke. “But I still don’t feel good about planning to kill her.”

I looked out the window. Old Judge Vardaman was shuffling down the sidewalk from the courthouse, heading for the library, where he would spend his usual hour dozing over the Wall Street Journal. On his way out, he would tiptoe into my office and sit down for what he called “a little visit with my sweetie-pie.”

Bonita saw me watching him and smirked. “Well, here comes Big Sister’s gentleman caller. Honestly, Marva Lu, I don’t know how you can stand to have that old goat around. He’s older than God.”

“You should talk,” I said. “The way you drool over the old goat’s son since he got elected D. A. is a disgrace.” I passed the remainder of my sundae across the table to Lonnie and smiled. “Anyway, Bonita, he’s not so bad. Goats can be very useful animals.” I shouldered my purse and stood up to leave. “Don’t worry, Lonnie,” I said. “You won’t have to do a thing. I’ll take care of all the planning myself.”

***

Our anthology!

Print and Kindle editions available at Amazon.com
Print edition available at Barnes and Noble.com and at Wildside Press.com

Excerpt: “A Nice Set of Wheels”

Excerpt from “A Nice Set of Wheels” by Kathy Waller appears in MURDER ON WHEELS: 11 TALES OF CRIME ON THE MOVE, published by Wildside Press, 2015

***

When the stranger stepped through the door, everyone in the store looked up. Old men playing dominoes at the Formica-topped table beside the front window. Farmers sitting in metal lawn chairs, their boot soles propped against the cold pot-belly stove, cussing Khrushchev and the Russians. Teen-aged girls wearing shorts and white blouses, pink hairnets protecting their pin curls, looking at the makeup shelf.

They checked out the worn jeans, the frayed collar on the plaid shirt, the scuffed boots. The beat-up old black suitcase he carried. The black hair close-clipped but with a lock falling across his forehead. The scar on his cheekbone. The eyes like pale blue ice.

In those few seconds he stood in the doorway, with the sun shining through the screen door behind him, they sized him up.

He didn’t look to left or right, just walked straight to the counter. I should have asked how I could help him, but I didn’t. I was holding my breath.

“Are the Coca-Colas cold?”

I nodded at the cooler half hidden by a rack of chips. He opened the lid and pulled out a king-sized bottle, shook it a bit to get some of the water off, and brought it to the counter. I took it from him and dried it with a clean terry cloth towel I kept behind the counter, then gave him the towel to dry his hands. When Uncle Harry sold Cokes, he let the bottles drip. He said if customers wanted them ice cold, they’d have to put up with a little water. But I like to make things nice.

I handed him the Coke and pointed to the bottle opener nailed to the end of the counter.

“That’ll be a dime,” Uncle Harry shouted from behind the meat counter at the back of the store. “Seven cents if you drink it here and leave the bottle.”

The man pulled a dime from his pocket and dropped it into my hand. “I’ll bring the bottle back tomorrow.”

Uncle Harry left the meat counter and walked up to the front, still holding a butcher knife. His apron was stained with blood. “Where’d you come from?” he said.

That was none of his business, but the stranger didn’t take offense. “Shreveport, last stop. Working my way west. Been hitching rides, decided to stop here and look for work. You know anybody needs odd jobs done, or farm work?”

The girls hiding behind the makeup shelf giggled and shushed each other, except for Wanda Patterson, who looked directly at the man and smiled. Uncle Harry’s eyes narrowed. His frown told me he was about to say “No,” like he always does when men from outside talk about hanging around, but before he could say anything, Old Brother Fisher, who always tried to help people, slapped down a domino and called out, “Try the Conrad place. Frank Conrad owns several hundred acres the other side of the river. Heard him say the other day he needs some fences repaired, and three of his hands got caught in the draft and left for the Army. Bet he’d take you on. Might keep you to haul hay, maybe pick cotton.”

The stranger raised the Coke bottle and nodded at the old man. “Much obliged, sir.”

“Go up the road about a half mile to where there’s a gap in the fence on the left. Go on through—it’s private property, but nobody’ll care—and follow the old wagon ruts down to the river. Cross the footbridge. Other side belongs to Conrad. Big white house at the top of the hill.”

The stranger picked up his suitcase and started toward the door. Every eye followed him.

“Wait.” The eyes all looked my way. “What’s your name?”

He turned around and smiled right at me. Just at me. “Campbell. Campbell Reed. What’s yours?”

“I’m Rosemary.”

“I’m pleased to meet you, Miss Rosemary.” Still smiling, he pushed through the screen door and was gone.

Uncle Harry grabbed my arm and jerked me around to face him. “What have I told you about talking to strange men? That one’s trouble. Leave him alone.”

I pulled away and ran through the storeroom and out the back door, past Uncle Harry’s house and the outbuildings, up the footpath and onto the gravel bar that lay along a stretch of the river bank. Wading in to where the water was clear, I bent down and splashed some on my cheeks, then straightened up and let the slight breeze cool my face. I was fifteen years old, and I’d had enough of Uncle Harry treating me like a baby. I would stay down here till time for supper. If Uncle Harry wanted me back at the store, he could come find me.

I recognized the looks the men had given Campbell. Except for Old Brother Fisher, they thought the same as Uncle Harry: he was trouble. I knew what Wanda Patterson and her friends thought, too: not trouble, but a good-looking man to take them out on Saturday nights, to park with in the cemetery after dark, to beg their mamas to invite for dinner, and, if they were lucky, to marry and have babies with.

But when I looked at him, I didn’t see trouble or fun or babies or anything like that.

In the time it took Campbell Reed to tell me his name, I looked at him and saw a savior.

 

***

Austin Mystery Writers' New Crime Fiction Anthology

Join Austin Mystery Writers for the launch of MURDER ON WHEELS at 7:00 p.m. on August 11, 2015, at BookPeople Bookstore, 6th and Lamar, Austin. Authors will read and sign. Refreshments will be served.

Print and Kindle editions available at Amazon.com
Print edition available at Barnes and Noble.com and at Wildside Press.com

Join AMW for the Launch of Murder on Wheels ~ August 11

Please join

Austin Mystery Writers

Gale Albright, Valerie Chandler, Kaye George,
Scott Montgomery, Laura Oles, and Kathy Waller
&
Earl Staggs and Reavis Wortham

as they celebrate the launch of their first crime fiction anthology

MURDER ON WHEELS:
11 Tales of Crime on the Move

“Eleven stories put the pedal to the floor and never let up! Whether by bus, car, tractor, or bike, you’ll be carried along at a breakneck pace by the talented Austin Mystery Writers. These eight authors transport you from an eighteenth-century sailing ship to the open roads of modern Texas, from Alice’s Wonderland to a schoolbus yard in the suburbs of Dallas. Grab your book, hold on to your hat, and come along for the ride!”

Tuesday, August 11, 2015
7:00 p.m.

BookPeople Bookstore
6th Street and Lamar

Austin, Texas

“There is something for everyone…” ~ Amazon Review

“…light-hearted (and occasionally black-hearted) collection of short stories… I thoroughly enjoyed it. … take your choice–historical, humorous, dark and light. Good reading for mystery fans.” ~ Amazon Review

 “… dialog that is realistic and makes the characters believable and three dimensional. There is something for everyone…” ~ Amazon review

“… a diverting read.” ~ Barry Ergang, Kevin’s Corner

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100-Word Story: Pogo Stick

Friday Fictioneer Challenge: Write a 100-word story based on the photo.

PHOTO PROMPT © Douglas M. MacIlroy
PHOTO PROMPT © Douglas M. MacIlroy

 

I heard them talking.

Daddy said, She wants a pogo stick.

Mama said, She has enough presents.

Santa brought a pogo stick.

Daddy smiled. Sturdy.

We went outside.

Mama frowned. Don’t fall.

She’s fine. Daddy lifted me on.

I bounced. The pogo stick didn’t.

Daddy frowned. Spring’s tight. You’re not heavy enough.

Daddy tried. He bounced down the sidewalk.

Mr. Smith came over. Can I try?

Daddy jumped off. Sure.

Mr. Smith bounced down the driveway. This is fun.

Let me try again, Daddy.

Daddy bounced up the driveway.

Mama brought me my doll.

She’s right. I have enough presents.


*

Instructions for this week’s story

” The following photo is the PHOTO PROMPT. What does it say to you? I dare you to look beyond the subject. I double dare you!”

I looked far beyond the subject: The rings of metal at the base of the metal skeleton reminded me of a spring, which reminded me of a pogo stick, which prompted my 100-word story. Maybe I’ll look more closely at the reptile and try again. There’s a lot of potential in that lizard.

*

To read more stories by Friday Fictioneers, click the frog, below.

100 Words: I Told You–

Friday Fictioneers: Write a 100-word story based on the prompt.

 

faucet-21-224x3001.jpg (224×300)
PHOTO PROMPT – Copyright – Madison Woods

 

Screams pierced the air. The woman dropped her trowel and raced across the yard. “What happened?”

Pushing through a ring of children, she lifted the crying child, examined the swelling lip.

A Greek chorus erupted.

–wasp–”

–hydrant–”

stung–“

Lisabeth, I told you not to drink from the hydrant.” Then, turning, “She’s four. You’re ten–”

I was rescuing Kitty from–Mom, I can’t watch her every second.”

Get the baking soda.”

TLC applied, the woman returned to gardening.

Screams pierced the air. She ran.

Lisabeth teased Kitty and–“

Lisabeth, I told you–”

***

Every Wednesday, Rochelle Wisoff-Fields issues the Friday Fictioneers challenge. She posts a picture prompt and invites readers to write stories of 100 words or fewer and to post them on their blogs the following Friday. This week’s prompt is here (scroll down the page to see it). Rochelle’s story follows it.

To read more stories by Friday Fictioneers, click on the frog, below.

 

 

Murder on Wheels: 11 Tales of Crime on the Move

murder on wheels largeMURDER ON WHEELS, Austin Mystery Writers’ first crime fiction anthology, has been released by Wildside Press.

Since it appeared, the Writers have been difficult to live with. We’ll get over it, but only after a decent interval of frolicking.

The cover copy reads–

“The eleven stories in MURDER ON WHEELS put the pedal to the floor and never let up! Whether by bus, car, tractor, or bike, you’ll be carried along at a breakneck pace by the talented Austin Mystery Writers. These eight authors transport you from an eighteenth-century sailing ship to the open roads of modern Texas, from Alice’s Wonderland to a schoolbus yard in the suburbs of Dallas.”

For a sample of what’s between the covers, see below.

CONTENTS

INTRODUCTION, by Kaye George

A NICE SET OF WHEELS, by Kathy Waller

FAMILY BUSINESS, by Reavis Wortham

ROTA FORTUNA, by Valerie Chandler

MOME RATH, MY SWEET, by Gale Albright

THE WHEELS ON THE BUS GO ROUND AND ROUND, by Kaye George

BUON VIAGGIO, by Laura Oles

APORKALYPSE NOW, by Gale Albright

HAVE A NICE TRIP, by Kaye George

DEAD MAN ON A SCHOOL BUS, by Earl Staggs

HELL ON WHEELS, by Kathy Waller

RED’S WHITE F-150 BLUES, by Scott Montgomery

Reavis Wortham and Earl Staggs aren’t Austin Mystery Writers–they’re Texas authors who kindly contributed stories to the anthology. We’re pleased they joined us.

Kaye George, a former member, now lives in Tennessee, but she hasn’t managed to escape the AMW. Before she left, we named her Grand Pooh-Bah Emerita. Now we email every day. (See Kaye’s certificate, here.)

When Austin Mystery Writers was formed twelve years, members had no intention of publishing anything together. They (and we) simply wanted to improve their writing.

The idea for MURDER ON WHEELS came from banter via email late one night.

In the midst of our silliness, we began naming as many vehicles as we could think of. Then we switched to using them in titles for mystery novels:

Crime in a Convertible; Victim on a Velocipede; Garrotted in a Gas Guzzler; Whopped in a Wheelbarrow, Bumped Off in a Barouche-Landau…

Then Kaye said, “Let’s put together an anthology.”

So we did.

Ramona DeFelice Long edited the manuscript. Wildside Press published it.

Modified rapture! And now we frolic.

The moral–must be a moral!–of the story is this: Creativity begins in play.

This morning another group email arrived: When will we begin the next anthology?

Well, one thing does lead to another. . .

Amazon
Barnes & Noble

 

 

 

What I Learned from Ernest Hemingway, Plus a Photo of Gregory Peck, Plus Snakes

What if soy milk is just milk introducing itself in Spanish?*

***

To Write, etc., has been dormant for a while because I’ve been (a) playing spider solitaire, and (b) working on two pieces of literature:

(1) a story entitled “When Cheese Is Love,” which needs to be 5,000 words but is currently 6,200 words, necessitating radical surgery and the murders of a few darlings; and,

(2) a post for the Austin Mystery Writers blog that would have been online last Monday had I not suffered at tiny fall (and, no, I’m not going to tell how it happened), which rendered me indisposed for just long enough to figure out the post wasn’t coming together as I wanted because I was trying to write about two different topics at once.

I can’t complain about an indisposition that allows me time to realize the first half of a post I’ve drafted says one thing and the second half contradicts it.

My next project will appear right here on To Write, etc. It is tentatively entitled “Snakes I Have Known.”

I spent this evening telling snake stories on Facebook and suddenly realized–it’s like that chapter in For Whom the Bell Tollsno, it’s in “The Snows of Kilimanjaro,” actually–where Hemingway wastes a lot of material writing about what his character would never write:

Now he would never write the things that he had saved to write until he knew enough to write them well. . .

***

He remembered the good times with them all, and the quarrels. They always picked the finest places to have the quarrels. And why had they always quarrelled when he was feeling best? He had never written any of that . . .

***

No, he had never written about Paris. Not the Paris that he cared about. But what about the rest that he had never written?

What about the ranch and the silvered gray of the sage brush, the quick, clear water in the irrigation ditches, and the heavy green of the alfalfa. The trail went up into the hills and the cattle in the summer were shy as deer. . . 

About the half-wit chore boy who was left at the ranch that time and told not to let any one get any hay, and that old bastard from the Forks who had beaten the boy when he had worked for him stopping to get some feed. The boy refusing and the old man saying he would beat him again. The boy got the rifle from the kitchen and shot him when he tried to come into the barn . . . 

So there it is. Hemingway threw away all those stories by putting them inside of a dying character thinking about the stories he will never write.

And Hemingway never wrote them either. He wrote about them. What a waste.**

Heaven forfend that I should meet a similar fate. I’m not going to write about those snake stories. I’m going to write them.

So watch this space.

In case you don’t care for snakes, don’t worry–I won’t include pictures of them. And no one will be bitten. All my snake stories are true, but I kept my distance while they were happening.

***

*The question is rhetorical and appears only because I’m feeling whimsical. And because this is  my blog and nobody’s grading it and I can do whatever I please. So there.

**For most of this post, my tongue is firmly planted in my cheek, but this paragraph comes from the heart. It’s sad that Hemingway left stories untold. It’s sad that any writer does that. And I guess they all do.

100 Words: Lovestruck

Friday Fictioneers: Write a 100-word story based on the prompt.

PHOTO PROMPT – Copyright – Georgia Koch
PHOTO PROMPT – Copyright – Georgia Koch

When Derek fell for LucyMae, he immediately introduced her to his wife.

“Look, Mandy.” His tone was reverent; his eyes betokened lust. “Isn’t she gorgeous?”

“Good gosh.” Mandy touched the hull. “Water, water everywhere and all the boards did shrink. Where does the albatross sit?”

“Hydrate her, the boards’ll plump up.”

“They’re rotten. . . . What’s that thingy?”

“It’s a . . . I’ll fix her.”

He switched on pleading puppy eyes.

Sigh. “Okay.” Mandy took his arm. “Let’s go look at that treadle sewing machine I want.”

“You can’t sew.”

“No. But it was love at first sight.”

***

Every Wednesday, Rochelle Wisoff-Fields issues the Friday Fictioneers challenge. She posts a picture prompt and invites readers to write stories of 100 words or fewer and to post them on their blogs the following Friday. This week’s prompt is here (scroll down the page to see it). Rochelle’s story follows it.

To see more stories by Friday Fictioneers, click on the frog, below.

(Friday is the official post date, but Thursday is fine, too. :-))

100 Words: Nothing But Gray

Friday Fictioneer Challenge: Write a 100-word story based on the prompt.

*****

PHOTO PROMPT - Copyright Jan Wayne Fields
Friday Fictioneer Prompt. Copyright Jan Wayne Fields

Nothing But Gray

Paul stood, hands in pockets, looking out.

She’s set four places again, he thought. And she sits in a different chair now, doesn’t talk, just looks out the window at nothing but gray stone.

She brought in a covered dish. “Chicken casserole. Your father’s favorite.”

He heard Jack slip in and pull out a chair. Paul didn’t move.

She sat down. “Come. Eat.”

He turned. “Every night, Mom, four plates. And you, just staring.”

“Four people, four plates.”

“Dad’s dead, Mom. He’s dead. Three months now.”

She unfolded her napkin. “And I watch for your father. He’ll be home soon.”

*****

Rochelle Wisoff – Fields – Addicted to Purple

Prompt: 16 January 2015

Excerpt: Lynna Williams’ “Personal Testimony”

In yesterday's post I wrote about Lynna Williams' story "Personal Testimony." Here are the first three paragraphs of the story.
###

“The last night of church camp, 1963, and I am sitting on the front row of the junior mixed-voice choir looking out on the crowd in the big sanctuary tent. The tent glows, green and white and unexpected, in the Oklahoma night; our choir director, Dr. Bledsoe, has schooled us in the sudden crescendos needed to compete with the sounds cars make when their drivers cut the corner after a night at the bars on Highway 10 and see the tent rising out of the plain for the first time. The tent is new to Faith Camp this year, a gift to God and the Southern Baptist Convention from the owner of a small circus who repented, and then retired, in nearby Oklahoma City. It is widely rumored among the campers that Mr. Talliferro came to Jesus late in life, after having what my mother would call Life Experiences. Now he walks through camp with the unfailing good humor of a man who, after years of begging hardscrabble farmers to forsake their fields for an afternoon of elephants and acrobats, has finally found a real draw: His weekly talks to the senior boys on “Sin and the Circus?” incorporate a standing-room-only question-and-answer period, and no one ever leaves early.

“Although I will never be allowed to hear one of Mr. Talliferro’s talks—I will not be twelve forever, but I will always be a girl—I am encouraged by his late arrival into our Fellowship of Believers. I will take my time, too, I think: first I will go to high school, to college, to bed with a boy, to New York. (I think of those last two items as one since, as little as I know about sex, I do know it is not something I will ever be able to do in the same time zone as my mother.) Then when I’m fifty-two or so and have had, like Mr. Talliferro, sufficient Life Experiences, I’ll move back to west Texas and repent.

“Normally, thoughts of that touching—and distant—scene of repentance are how I entertain myself during evening worship service. But tonight I am unable to work up any enthusiasm for the vision of myself sweeping into my hometown to be forgiven. For once my thoughts are entirely on the worship service ahead.”

 ###

Yesterday I wrote that the narrator of “Personal Testimony” is eleven years old. When I discovered the excerpt, I was reminded she’s really twelve. I’ll correct my error. My narrator in “Personal Experience,” however, continues to be eleven.